Tag Archives: film reviews

SANTA CLAUS (1925) A SILENT SHORT IDEAL FOR CHILDREN

While we’re still in that “Christmas into New Year’s” week here’s a look at a terrific seasonal silent movie.

SANTA CLAUS (1925) – This 28 minute and 44 second movie was directed by Frank Kleinschmidt, the famous explorer and documentary filmmaker. Santa Claus has an irresistible charm and with its short running time might be the ideal way of introducing silent films to modern day viewers who are unfamiliar with them.   

Kleinschmidt filmed this project in Alaska, so viewers get plenty of snowy scenery plus animal life from the far north. The movie presents some very clever lore surrounding Santa and his activities.

Santa Claus opens with Saint Nick himself welcoming us with arms spread wide. The story proper gets underway as we join two children – a brother and sister – who sneak out of their beds overnight to wait for Santa in their living room.

That right jolly old elf eventually materializes in the children’s home like he’s “beamed down” on Star Trek.  The boy and girl hug Santa and want him to explain what he does the rest of the year. Continue reading

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CROSS OF THE SEVEN JEWELS (1987) BAD MOVIE REVIEW

Halloween month continues at Balladeer’s Blog!

Cross of the Seven Jewels 1CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-Paul Naschy werewolf production.

Cross of the Seven Jewels is easily the worst and weirdest werewolf movie I’ve ever seen. Forget The Werewolf of Woodstock, forget Face of the Screaming Werewolf, forget Werewolf vs the Yeti and all the rest of Paul Naschy’s lycanthropy flicks. You can even forget Werewolves on Wheels and the muddy-faced wolfman from Dracula, Prisoner of Frankenstein. Marco Antonio Andolfi starred in this film under the name Eddy Endolf plus wrote and directed it as well.

Andolfi was openly influenced by Paul Naschy’s werewolf films from Spain, but produced a cinematic mess that captured neither the eroticism of Naschy’s Waldemar Daninsky movies nor their goofy charm. Marco’s depiction of a werewolf is a bit … eccentric … and can only be described as “just a little something for the laaaadieeessss.”  

Personally, I would have titled this film

Personally, I would have titled this film “Ya Call THAT a Werewolf?” but I’m kind of weird.

When Andolfi transforms into a wolfman he somehow loses his clothes (which illogically reappear on his body when he reverts back to human form) and he sprouts long bushy hair in only a few places. The first place is around his face with his mouth left bare, making him look like he’s wearing a big hair-mask with eye-holes. The second place would be his hands and the third place is his crotch, which conveniently becomes bushy enough to block out the sight of his genitals. The rest of his well-built body is butt naked. 

Remember An American Werewolf in London? Well, think of this as An Italian Werewolf in his Birthday Suit. Speaking for myself I would LAUGH if a werewolf who looked like that came after me, but I’m not a character in this film and they all take the lycanthrope seriously. Continue reading

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BALLADEER’S BLOG’S FAVORITE VAMPIRE MOVIES FROM JEAN ROLLIN

masked ladiesAs Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin.

This French director is known as a “love him or hate him” kind of creator and in my opinion his works range from brilliant to So Bad They’re Good. In the past Balladeer’s Blog has examined Jean’s zombie films like The Living Dead Girl and Pesticide, his “vampires as a mutant species” flick The Nude Vampire and his oddly modern horror work Night of the Hunted.

isoldeToss in his eerie, haunting and beautiful movie The Iron Rose and I’ve covered most of the Jean Rollin films that I consider to be on the good to brilliant side of the ledger. I avoided reviewing his vampire movies (outside of the quasi-science fiction piece The Nude Vampire) because they are virtually their own separate subgenre and I wanted to feature my favorites in one post.

shiver of the vampiresTHE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above. 

This film is labeled everything from arthouse to grindhouse but I consider it to be more on the arthouse side. Think of a combination of Federico Fellini & David Lynch crossed with Hammer’s erotic vampire movies. It’s definitely Adults Only but more for tone and eroticism than gore and violence.

Isle (Sandra Julien) and Antoine (Jean-Marie Durand) are newlyweds who have just left their wedding reception and stop off to visit two of Isle’s male cousins in their very old castle by the sea. Two beautiful, enigmatic ladies greet them at the castle and introduce themselves as the maids. Continue reading

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HALLOWEEN SEASON MOVIE: TERRIFIER 3

terrifier 3Halloween Month continues as Balladeer’s Blog takes an anticipatory look at Terrifier 3, which hits theaters tomorrow, October 11th. Despite making his first appearance in 2008, Art – the blood-and-gore-soaked supernatural killer of the Terrifier franchise – still gets hailed as a “new” figure because general audiences were unaware of him until 2016.

Regular readers know I’ve long been pushing this ultra-violent series which is a return to the kind of uncompromising horror films from the distant past. Though critics of this latest movie are outraged at Art’s “no limits” approach to victims, let me remind people who feel that way that this grotesque figure has been killing children in his movies since All Hallows’ Eve in 2013.   

WARNING: I chose the tamest Terrifier 3 picture I could find to start off this blog post, but this is one of those times when I’m giving a warning that readers who want to avoid excessive gore and intensely disturbing concepts should not click “Continue reading.”  Continue reading

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DECKER SHADO: TERRIFIC REVIEWS OF GOOD AND BAD MOVIES

decker shadoFor several years now I’ve meant to make a blog post recommending the YT Channel of Decker Shado, the often-hilarious figure who calls himself “The internet personality with the best hair.” He focuses mostly on genre films – new and old – and offers a lot of fresh insights on anything from schlock to blockbusters.

Decker’s reviews are energetic and informative even when he’s examining movies that he likes. That makes him stand out on an internet filled with snarky reviewers who can only keep a viewer’s attention when they’re insulting truly horrible movies. Continue reading

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THE LAST DAYS OF PATTON (1986): MOVIE REVIEW

Last days of pattonTHE LAST DAYS OF PATTON (1986) – George C Scott SINGS! Yes, an ENTIRE SONG while camping it up like he’s in a vaudeville revue! Blood and Guts Song and dance man George S Patton belches belts out Lilly From Picadilly in a WTF moment from this otherwise reasonable made-for-tv movie which SHOULD have been titled AfterP*A*T*T*O*N.

Nearly two decades after George C Scott played Patton on the big screen he returned to the role to depict the final days of the controversial military icon. The above-referenced strange interlude in which the General sang on-stage was a mere aberration but you just knew that as weird as I am I would start out my review with it.  

The Scottsploitation angle is the best thing The Last Days of Patton has going for it, because without the novelty appeal of the charismatic actor in the lead role this telefilm would be hopelessly soap-operatic. We’re told the General had an affair with a younger woman but his stoic wife (Eva Marie Saint) tolerated it even though she did not approve. We also get lots of medical drama after Patton is paralyzed following a car accident in Germany the day before he was to leave for America.  

Last Days of Patton 2Roughly half of the movie is spent with the great George C Scott in a hospital bed, like we’re watching Whose Life Is It Anyway, Ya Pusillanimous Sons of Bitches? Scott is always watchable, and really shines here, but the other actors have no room. With such a gigantic figure – real-life Elmer Fudd voice aside – it may have been like that in reality, too. Sharing any stage with the likes of George S Patton must have been suffocating for one’s own ego.  Continue reading

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THE CRYBABY KILLER (1958) – TEXAS 27 FILM VAULT

Cry Baby Killer

In the middle 1980s/ Way down on Level 31 …

Before MST3K there was … The Texas 27 Film Vault!

EPISODE ORIGINALLY BROADCAST: Saturday June 15th, 1985 from 10:30pm to 1:00am.

SERIAL: Before showing and mocking The Crybaby Killer our members of the Film Vault Corps (“the few, the proud, the sarcastic”) showed and mocked an episode of the Mascot Serial The Phantom Empire (1935). 

Phantom EmpireIn that classically campy serial Gene Autry played a singing cowboy who saves the world from an advanced underground civilization that comes complete with killer robots who wear cowboy hats.

FILM VAULT LORE: The movie ticket give-away this week was for Prizzi’s Honor.

THE MOVIE: Continue reading

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LIFEPOD (1981): MOVIE REVIEW

lifepodLIFEPOD (1981) – Previously Balladeer’s Blog examined the worst movies from the Robert Emenegger/ Allan Sandler collaboration, most of them with Steven Spielberg’s sister Anne … plus half the Cameron Mitchell family. With Lifepod, we return to E-Space (Emenegger Space. Sorry, Doctor Who fans.). This time, however, it’s with an underrated movie that makes you root for it despite its budgetary limitations.  

The year is 2191. The moons of Jupiter have been colonized and are called the Jupiter States. A company nostalgically called the White Star Line has begun providing a spaceship cruise line to and from the Jupiter States. The flagship in this new line is called the Arcturus, with a state-of-the-art propulsion system and a revolutionary AI called a Cerebral running the ship. 

lifepod picAs the Arcturus, on its maiden run, approached Callisto, the Cerebral announced massive system failures and began shutting down life support systems while ordering the crew and passengers to evacuate in lifepods and await rescue from Callisto’s authorities. In their Mayday broadcasts the crew make it clear they no longer trusted Captain Montaine (Christopher Cary), who insisted the Arcturus was fine and the Cerebral was just malfunctioning.

The picture becomes further confused when the Arcturus‘ engines restart and it flies off now that the passengers are gone. Continue reading

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ANALOG ARCHIVES AND CHANNEL 7

analog archivesPreviously here at Balladeer’s Blog I covered YT Channels that featured what I considered the very best of the emerging subgenre of Analog Horror or “Unfiction” as a lot of people have labeled it. Those descriptive terms have been coined to help keep these creative efforts distinct from pure ARGs (Alternate Reality Games).

Last year I reviewed Local 58, Kris Straub’s latest venture, but many readers have since been expressing their discontent with the way the new 2020 episodes never materialized. Per Straub, that’s because Local 58‘s Analog Horror tale was going to incorporate a fictional pandemic, so given real-world events he decided to hold off and reorganize the series.

masc graveyard smaller(If you’re in the mood for Analog Horror which does NOT back away from pandemic and lockdown lore, check out Walker Creek Broadcast Station, but be aware that such lore is only incidental to the main storyline.)

At any rate, being left hanging like that with Local 58 left many of you asking about similar Analog Horror/ Unfiction series which are already completed. I’m happy to say that two of the most popular series are now available COMPLETE and IN ORDER. Even better, they have been edited into one long-form YT video each for your viewing convenience, rather than spread out episodically. (You damn whiners. I’m KIDDING!)  Continue reading

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MARDI GRAS MASSACRE – (1978)

Mardi Gras MassacreMARDI GRAS MASSACRE (1978) – Category: A neglected Bad Movie classic, but its hard-core gore will prevent it from ever having a Plan 9-sized cult following

It takes a twisted sort of genius to make multiple disembowelment murders look boring, but that’s exactly what Jack Weis accomplishes in Mardi Gras Massacre! Today may be Fat Tuesday, but let’s rechristen it “Splat Tuesday” in honor of this late 70s splatterfest. 

The actual “massacre” part of this movie is an incredible disappointment. An insane, hate-filled man with a knife – no, not Jim Bowie (rimshot) – is roaming around New Orleans during Mardi Gras targeting prostitutes as sacrificial offerings to the Aztec deities he worships.

That sounds promising for a horror film but the disembowelment ritual is reenacted word for word and movement for movement for EACH VICTIM! There is no variation and also no suspense because after the first killing we know exactly how all the subsequent sacrifices will play out. The only chills come from listening to the awful disco music that plays during the ceremonial slayings. (“NOOOOOOOOOO!”) Continue reading

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