Halloween Month continues as Balladeer’s Blog takes an anticipatory look at Terrifier 3, which hits theaters tomorrow, October 11th. Despite making his first appearance in 2008, Art – the blood-and-gore-soaked supernatural killer of the Terrifier franchise – still gets hailed as a “new” figure because general audiences were unaware of him until 2016.
Regular readers know I’ve long been pushing this ultra-violent series which is a return to the kind of uncompromising horror films from the distant past. Though critics of this latest movie are outraged at Art’s “no limits” approach to victims, let me remind people who feel that way that this grotesque figure has been killing children in his movies since All Hallows’ Eve in 2013.
WARNING: I chose the tamest Terrifier 3 picture I could find to start off this blog post, but this is one of those times when I’m giving a warning that readers who want to avoid excessive gore and intensely disturbing concepts should not click “Continue reading.” Continue reading
For several years now I’ve meant to make a blog post recommending the YT Channel of Decker Shado, the often-hilarious figure who calls himself “The internet personality with the best hair.” He focuses mostly on genre films – new and old – and offers a lot of fresh insights on anything from schlock to blockbusters.
THE LAST DAYS OF PATTON (1986) – George C Scott SINGS! Yes, an ENTIRE SONG while camping it up like he’s in a vaudeville revue!
Roughly half of the movie is spent with the great George C Scott in a hospital bed, like we’re watching Whose Life Is It Anyway, Ya Pusillanimous Sons of Bitches? Scott is always watchable, and really shines here, but the other actors have no room. With such a gigantic figure – real-life Elmer Fudd voice aside – it may have been like that in reality, too. Sharing any stage with the likes of George S Patton must have been suffocating for one’s own ego. 
In that classically campy serial Gene Autry played a singing cowboy who saves the world from an advanced underground civilization that comes complete with killer robots who wear cowboy hats.
LIFEPOD (1981) – Previously Balladeer’s Blog examined the worst movies from the
As the Arcturus, on its maiden run, approached Callisto, the Cerebral announced massive system failures and began shutting down life support systems while ordering the crew and passengers to evacuate in lifepods and await rescue from Callisto’s authorities. In their Mayday broadcasts the crew make it clear they no longer trusted Captain Montaine (Christopher Cary), who insisted the Arcturus was fine and the Cerebral was just malfunctioning.
Previously here at Balladeer’s Blog I covered YT Channels that featured what I considered the very best of the emerging subgenre of Analog Horror or “Unfiction” as a lot of people have labeled it. Those descriptive terms have been coined to help keep these creative efforts distinct from pure ARGs (Alternate Reality Games).
(If you’re in the mood for Analog Horror which does NOT back away from pandemic and lockdown lore, check out 


Here at Balladeer’s Blog I’ve always had a soft spot for the Resident Evil movies. I’m not implying that they’re good by any means, but as guilty pleasures I consider them pretty watchable in a Spaghetti Western sense. You don’t expect logic or well-maintained continuity in the original Django or Sartana series any more than you do from the Stranger or Hallelujah flicks or any of the other lower-level pulp series of Italo-Westerns.
Seventies chop-socky films are another example. You might watch them but you sure as hell can’t defend them from criticism.
WARP SPEED (1981) – Set in the far-off year 2013 (!) this movie features the crew of a spaceship sent to determine what happened to the vanished crew of a multi-year mission to Saturn. The organization they serve is called Starfleet, which serves as a reminder that by 1981 there was just the original Star Trek series, its cartoon version and one movie, not the enormous universe of spin-offs that we have today. Point being that the term Starfleet was apparently open for use by other creators. Starfleet features in another Spielberg/ Emenegger/ Sandler joint, too.