Tag Archives: film reviews

MARIE WALCAMP: THE DAREDEVIL OF SILENT MOVIES

MARIE WALCAMP (1894-1936) – Like her fellow silent film icons Douglas Fairbanks and Buster Keaton, Marie Walcamp did most of her own stunts. This earned her the nickname “the daredevil of the movies” as she dazzled audiences in serials, westerns and other action films.

Walcamp also appeared in other types of productions, of course. Among her earliest roles she played the younger version of the female lycanthrope in the 1913 horror film The Werewolf, reviewed previously here at Balladeer’s Blog.

Marie’s final appearance came in a supporting role in the movie In a Moment of Temptation (1927). The talented figure became prone to depression over the years and when her husband was out of town one day in 1936, she committed suicide by turning on the gas in their residence. Her ashes were scattered on the Universal Studios back lot per her request.   

Below are some of Marie Walcamp’s milestone films and serials.

TEMPEST CODY – Marie was already getting above the title billing by the time her two-reel Tempest Cody western shorts came along in 1919. Tempest was a hard-riding, two-fisted, straight-shooting woman of the old west who was always on the side of right.

TEMPEST CODY HITS THE TRAIL (September 1st, 1919) – One of the many, many silent films which has not survived, this kicked off Universal’s Spur and Saddle package of westerns.

TEMPEST CODY FLIRTS WITH DEATH (September 8th, 1919) Continue reading

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BLACK RAIN (1977) AUSTRALIAN FILM

BLACK RAIN, also released as THE LAST WAVE (1977) – This was Aussie director Peter Weir’s eerie follow-up to Picnic at Hanging Rock from 1975. If you found the excellent 1975 movie perplexing, Black Rain will redefine that word for you.

It’s pure Peter Weir but if you want outside comparisons think of an X-Files episode crossed with Prince of Darkness and directed by David Lynch. Australia is suddenly struck by bizarre weather phenomena like weapons-grade torrential downpours and huge hailstones that break windows and leave occupants bloodied.

A plague of frogs, oddly dark skies and then a multi-day rain event follow, providing an otherworldly background to the story in the foreground. 

Richard Chamberlain stars as tax lawyer David Burton in that story. He and his wife Annie (Olivia Hamnett) live in a small outback town. As a result of Australia’s Legal Aid policy, David is assigned to defend four Aborigines in a murder case even though he hasn’t done criminal trial work in years.

He’s the nearest Legal Aid lawyer in the area, plus there are indications that the government doesn’t really care if the Aborigines get proper representation. Draftee David dives into his law books to refresh his familiarity with criminal law.    Continue reading

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CASABLANCA (1942) – VALENTINE’S DAY MOVIE REVIEW

CasablancaCASABLANCA (1942) – Happy Valentine’s Day! A few readers of Balladeer’s Blog have asked me for my opinion on this classic movie so I figured Valentine’s Day was the perfect opportunity.

People are often surprised when I like movies that so many other people rate highly. I like plenty of the old, old classics, it’s just that I prefer to blog about much more offbeat and obscure items. My favorite film of all time is Citizen Kane. Really. But I’ve never reviewed it here because I wasn’t in the mood to write the 100 millionth glowing review of that particular movie.

masc chair and bottleGetting back to Casablanca, it’s possibly the greatest “bittersweet ending” romantic flick ever made. I find that it appeals to almost everyone. If you’re young and naïve it can make you ache at the thought of persevering despite your broken heart. If you’re older and cynical it makes you nostalgic for a time when you actually thought a broken heart was the worst thing that could happen to you. Continue reading

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MABEL NORMAND: HER SILENT FILMS (1910-1915)

MABEL NORMAND – Born Amabel Ethelreid Normand on November 9th, 1893 in New York, this silent film comedienne blazed trails for countless subsequent actresses as well as female directors and screenwriters. Like so many silent film stars Normand is largely neglected today except for my fellow silent movie geeks and I.

Though known as a comic genius, Mabel’s big break came from a role in an 18-minute dramatic short titled Her Awakening (1911). Her performance caught the eye of up-and-coming film giant Mack Sennett, who hired her for his comedies. The two started a romantic relationship embellished decades later in the Broadway musical Mack & Mabel (1974).

A SELECTION OF MABEL NORMAND FILMS (1910-1915) – During her career, Normand starred in over 220 films, so I’m dividing her movies into time periods.

INDISCRETION OF BETTY (1910) – Mabel had her first starring role in this short drama but had appeared in an unknown number of previous films in smaller roles. Mabel played Betty, the wife in the marriage of a social-climbing couple.

Her husband’s income does not yet support the airs they try to put on, leading to some bitter lessons for the pair about life and marital finances.

HER AWAKENING (1911) – The above-mentioned short in which Mabel caught the eye of Mack Sennett, who then signed her for comedy collaborations. In this short drama, Normand played a young lady trying to snare a successful husband.

She is ashamed of her poor home and her elderly, handicapped mother and prevents her beaus from meeting the mother. The situation results in the tragic death of her mother.

THROUGH HIS WIFE’S PICTURE (1911) – Mabel Normand’s first film short with Mack Sennett. He directed and had a supporting role in this 9-minute comedy about a misunderstanding that threatens a marriage.

Mabel as the wife attends a costume party where she thinks she will catch her loyal husband trying to start an affair with another woman. The costumed pirate she mistakenly thinks is her husband is actually an unmarried friend of the husband. The “pirate’s” flirtatious conduct toward a young lady makes Normand furious. Continue reading

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JAMES WOODS: EIGHT MOVIES

As an appreciative shoutout to James Woods, one of the wildfire victims in California, here’s a Balladeer’s Blog look at 8 of his films.

This was originally posted in 2021 so the complimentary reviews of his acting are not just sympathy for this week’s events. 

James Woods is like a force of nature. When he’s on the screen he virtually blows away most of the people with whom he shares that screen. His staggering versatility also marks him as one of the few true actors in the industry. Here are some of the movies which harnessed Hurricane Woods:

VideodromeVIDEODROME (1983)

Role: Max Renn, cable television entrepreneur

Comment: Sorry to start with such an obvious choice but I’m amazed that there are still people out there who haven’t seen this movie. David Cronenberg’s patented body horror and other surreal visuals needed a thespian who wouldn’t fade into the woodwork among them. Woods as the intense, sleazy Max Renn fit the bill perfectly.

James proved you don’t need to be twitchy and leering to portray a character who is virtually amoral in his pursuit of money, kinky thrills, Deborah Harry … and the ultimate underground broadcast called Videodrome. Anticipating the Deep Web, there was this magnificent film about how – before the internet came along – it was cable television that was considered a doorway to the forbidden and the depraved.

A cable titillation peddler tries to locate and strike a broadcast deal with a seeming Snuff Show called Videodrome. The sinister parties behind the pirate broadcast are the ultimate villains for the time period, and Cronenberg’s treatment of them shows that SUBTLETY can be more effective than hammering your audience over the head. LONG LIVE THE NEW FLESH!   Continue reading

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SANTA CLAUS (1925) A SILENT SHORT IDEAL FOR CHILDREN

While we’re still in that “Christmas into New Year’s” week here’s a look at a terrific seasonal silent movie.

SANTA CLAUS (1925) – This 28 minute and 44 second movie was directed by Frank Kleinschmidt, the famous explorer and documentary filmmaker. Santa Claus has an irresistible charm and with its short running time might be the ideal way of introducing silent films to modern day viewers who are unfamiliar with them.   

Kleinschmidt filmed this project in Alaska, so viewers get plenty of snowy scenery plus animal life from the far north. The movie presents some very clever lore surrounding Santa and his activities.

Santa Claus opens with Saint Nick himself welcoming us with arms spread wide. The story proper gets underway as we join two children – a brother and sister – who sneak out of their beds overnight to wait for Santa in their living room.

That right jolly old elf eventually materializes in the children’s home like he’s “beamed down” on Star Trek.  The boy and girl hug Santa and want him to explain what he does the rest of the year. Continue reading

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CROSS OF THE SEVEN JEWELS (1987) BAD MOVIE REVIEW

Halloween month continues at Balladeer’s Blog!

Cross of the Seven Jewels 1CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-Paul Naschy werewolf production.

Cross of the Seven Jewels is easily the worst and weirdest werewolf movie I’ve ever seen. Forget The Werewolf of Woodstock, forget Face of the Screaming Werewolf, forget Werewolf vs the Yeti and all the rest of Paul Naschy’s lycanthropy flicks. You can even forget Werewolves on Wheels and the muddy-faced wolfman from Dracula, Prisoner of Frankenstein. Marco Antonio Andolfi starred in this film under the name Eddy Endolf plus wrote and directed it as well.

Andolfi was openly influenced by Paul Naschy’s werewolf films from Spain, but produced a cinematic mess that captured neither the eroticism of Naschy’s Waldemar Daninsky movies nor their goofy charm. Marco’s depiction of a werewolf is a bit … eccentric … and can only be described as “just a little something for the laaaadieeessss.”  

Personally, I would have titled this film

Personally, I would have titled this film “Ya Call THAT a Werewolf?” but I’m kind of weird.

When Andolfi transforms into a wolfman he somehow loses his clothes (which illogically reappear on his body when he reverts back to human form) and he sprouts long bushy hair in only a few places. The first place is around his face with his mouth left bare, making him look like he’s wearing a big hair-mask with eye-holes. The second place would be his hands and the third place is his crotch, which conveniently becomes bushy enough to block out the sight of his genitals. The rest of his well-built body is butt naked. 

Remember An American Werewolf in London? Well, think of this as An Italian Werewolf in his Birthday Suit. Speaking for myself I would LAUGH if a werewolf who looked like that came after me, but I’m not a character in this film and they all take the lycanthrope seriously. Continue reading

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BALLADEER’S BLOG’S FAVORITE VAMPIRE MOVIES FROM JEAN ROLLIN

masked ladiesAs Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin.

This French director is known as a “love him or hate him” kind of creator and in my opinion his works range from brilliant to So Bad They’re Good. In the past Balladeer’s Blog has examined Jean’s zombie films like The Living Dead Girl and Pesticide, his “vampires as a mutant species” flick The Nude Vampire and his oddly modern horror work Night of the Hunted.

isoldeToss in his eerie, haunting and beautiful movie The Iron Rose and I’ve covered most of the Jean Rollin films that I consider to be on the good to brilliant side of the ledger. I avoided reviewing his vampire movies (outside of the quasi-science fiction piece The Nude Vampire) because they are virtually their own separate subgenre and I wanted to feature my favorites in one post.

shiver of the vampiresTHE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above. 

This film is labeled everything from arthouse to grindhouse but I consider it to be more on the arthouse side. Think of a combination of Federico Fellini & David Lynch crossed with Hammer’s erotic vampire movies. It’s definitely Adults Only but more for tone and eroticism than gore and violence.

Isle (Sandra Julien) and Antoine (Jean-Marie Durand) are newlyweds who have just left their wedding reception and stop off to visit two of Isle’s male cousins in their very old castle by the sea. Two beautiful, enigmatic ladies greet them at the castle and introduce themselves as the maids. Continue reading

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HALLOWEEN SEASON MOVIE: TERRIFIER 3

terrifier 3Halloween Month continues as Balladeer’s Blog takes an anticipatory look at Terrifier 3, which hits theaters tomorrow, October 11th. Despite making his first appearance in 2008, Art – the blood-and-gore-soaked supernatural killer of the Terrifier franchise – still gets hailed as a “new” figure because general audiences were unaware of him until 2016.

Regular readers know I’ve long been pushing this ultra-violent series which is a return to the kind of uncompromising horror films from the distant past. Though critics of this latest movie are outraged at Art’s “no limits” approach to victims, let me remind people who feel that way that this grotesque figure has been killing children in his movies since All Hallows’ Eve in 2013.   

WARNING: I chose the tamest Terrifier 3 picture I could find to start off this blog post, but this is one of those times when I’m giving a warning that readers who want to avoid excessive gore and intensely disturbing concepts should not click “Continue reading.”  Continue reading

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DECKER SHADO: TERRIFIC REVIEWS OF GOOD AND BAD MOVIES

decker shadoFor several years now I’ve meant to make a blog post recommending the YT Channel of Decker Shado, the often-hilarious figure who calls himself “The internet personality with the best hair.” He focuses mostly on genre films – new and old – and offers a lot of fresh insights on anything from schlock to blockbusters.

Decker’s reviews are energetic and informative even when he’s examining movies that he likes. That makes him stand out on an internet filled with snarky reviewers who can only keep a viewer’s attention when they’re insulting truly horrible movies. Continue reading

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