CASABLANCA (1942) – Happy Valentine’s Day! A few readers of Balladeer’s Blog have asked me for my opinion on this classic movie so I figured Valentine’s Day was the perfect opportunity.
People are often surprised when I like movies that so many other people rate highly. I like plenty of the old, old classics, it’s just that I prefer to blog about much more offbeat and obscure items. My favorite film of all time is Citizen Kane. Really. But I’ve never reviewed it here because I wasn’t in the mood to write the 100 millionth glowing review of that particular movie.
Getting back to Casablanca, it’s possibly the greatest “bittersweet ending” romantic flick ever made. I find that it appeals to almost everyone. If you’re young and naïve it can make you ache at the thought of persevering despite your broken heart. If you’re older and cynical it makes you nostalgic for a time when you actually thought a broken heart was the worst thing that could happen to you. Continue reading
MABEL NORMAND – Born Amabel Ethelreid Normand on November 9th, 1893 in New York, this silent film comedienne blazed trails for countless subsequent actresses as well as female directors and screenwriters. Like so many silent film stars Normand is largely neglected today except for my fellow silent movie geeks and I. 
INDISCRETION OF BETTY (1910) – Mabel had her first starring role in this short drama but had appeared in an unknown number of previous films in smaller roles. Mabel played Betty, the wife in the marriage of a social-climbing couple. 
HER AWAKENING (1911) – The above-mentioned short in which Mabel caught the eye of Mack Sennett, who then signed her for comedy collaborations. In this short drama, Normand played a young lady trying to snare a successful husband. 
THROUGH HIS WIFE’S PICTURE (1911) – Mabel Normand’s first film short with Mack Sennett. He directed and had a supporting role in this 9-minute comedy about a misunderstanding that threatens a marriage. 
As an appreciative shoutout to James Woods, one of the wildfire victims in California, here’s a Balladeer’s Blog look at 8 of his films. 
VIDEODROME (1983) 
SANTA CLAUS (1925) – This 28 minute and 44 second movie was directed by Frank Kleinschmidt, the famous explorer and documentary filmmaker. Santa Claus has an irresistible charm and with its short running time might be the ideal way of introducing silent films to modern day viewers who are unfamiliar with them. 
Santa Claus opens with Saint Nick himself welcoming us with arms spread wide. The story proper gets underway as we join two children – a brother and sister – who sneak out of their beds overnight to wait for Santa in their living room. 
CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-
As Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin. 
Toss in his eerie, haunting and beautiful movie 
THE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above. 
Halloween Month continues as Balladeer’s Blog takes an anticipatory look at Terrifier 3, which hits theaters tomorrow, October 11th. Despite making his first appearance in 2008, Art – the blood-and-gore-soaked supernatural killer of the Terrifier franchise – still gets hailed as a “new” figure because general audiences were unaware of him until 2016. 
For several years now I’ve meant to make a blog post recommending the YT Channel of Decker Shado, the often-hilarious figure who calls himself “The internet personality with the best hair.” He focuses mostly on genre films – new and old – and offers a lot of fresh insights on anything from schlock to blockbusters. 
THE LAST DAYS OF PATTON (1986) – George C Scott SINGS! Yes, an ENTIRE SONG while camping it up like he’s in a vaudeville revue! 
Roughly half of the movie is spent with the great George C Scott in a hospital bed, like we’re watching Whose Life Is It Anyway, Ya Pusillanimous Sons of Bitches? Scott is always watchable, and really shines here, but the other actors have no room. With such a gigantic figure – real-life Elmer Fudd voice aside – it may have been like that in reality, too. Sharing any stage with the likes of George S Patton must have been suffocating for one’s own ego. 
In that classically campy serial Gene Autry played a singing cowboy who saves the world from an advanced underground civilization that comes complete with killer robots who wear cowboy hats. 
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