Tag Archives: Mabel Normand

MABEL NORMAND’S BEST SILENT COMEDIES (1921-1927)

Balladeer’s Blog takes its third and final look at the best silent film comedies of the legendary comedienne Mabel Normand. For 1910-1915 click HERE. For 1916-1920 click HERE.

MOLLY O (1921) – This film was produced by Mabel’s longtime romantic partner Mack Sennett (the musical Mack & Mabel is about them) and co-written by Mary Hunt. Originally 80 minutes long, this comedy was once considered completely lost like so many other silent movies.

Part of the surviving 57 minutes of footage has an unusual survival story. Because the film centers on the romance of a poor struggling Irish girl, Molly O’Dair (Normand) and wealthy MD John Bryant (Jack Mulhall), much of the comedy centers on class stereotypes of Molly’s poor but honest family and Jack’s wealthy but villainous family.

The Soviet Union edited out all the funny parts and presented what was left as one of their propaganda films depicting life in America as one long nightmare of evil rich capitalists ridiculing and being cruel to poor working-class people.

That footage from the fallen U.S.S.R.’s film archives helped UCLA film historians flesh out what surviving footage they held with the chopped-up Russian version to make the 57-minute cut. Luckily the ending is intact and reviews from 1921 help fill in any missing story beats.

Molly’s Irish family runs a laundry and when she delivers some clothing to Dr. John Bryant, they fall for each other. Dr. Bryant is the only decent member of his family, and he & Molly struggle to make their romance work despite the snobbish machinations of his hoity-toity clan who despise the Irish.

The brother of John’s former lady is the main villain and tries to send Molly/ Mabel to her death from a high-flying dirigible in the thrilling finale. Dr. Bryant uses a bi-plane to reach the dirigible and executes a daring leap to board the lighter than air vessel so he can overcome the bad guy and save his true love.    Continue reading

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MABEL NORMAND’S BEST SILENT COMEDIES (1916-1920)

Previously, Balladeer’s Blog examined the 1910-1915 silent films of pioneering comedienne Mabel Normand. This time around I’m taking a look at her 1916-1920 work.

FATTY AND MABEL ADRIFT (1916) – This 34-minute film is not only one of the most popular shorts teaming Mabel with fellow comedy legend Fatty Arbuckle but it’s one of the most popular silent comedies ever. When Fatty wins Mabel’s hand in marriage his jealous rival (Al St. John) sabotages their honeymoon cottage by the sea.

The cottage drifts further and further out to sea and is gradually sinking, prompting some comedy set pieces from our stars as they struggle to survive. They send their dog Fido to shore with a plea for help attached to his collar and get rescued by a tycoon on his yacht. The villain gets his.  Continue reading

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MABEL NORMAND: HER SILENT FILMS (1910-1915)

MABEL NORMAND – Born Amabel Ethelreid Normand on November 9th, 1893 in New York, this silent film comedienne blazed trails for countless subsequent actresses as well as female directors and screenwriters. Like so many silent film stars Normand is largely neglected today except for my fellow silent movie geeks and I.

Though known as a comic genius, Mabel’s big break came from a role in an 18-minute dramatic short titled Her Awakening (1911). Her performance caught the eye of up-and-coming film giant Mack Sennett, who hired her for his comedies. The two started a romantic relationship embellished decades later in the Broadway musical Mack & Mabel (1974).

A SELECTION OF MABEL NORMAND FILMS (1910-1915) – During her career, Normand starred in over 220 films, so I’m dividing her movies into time periods.

INDISCRETION OF BETTY (1910) – Mabel had her first starring role in this short drama but had appeared in an unknown number of previous films in smaller roles. Mabel played Betty, the wife in the marriage of a social-climbing couple.

Her husband’s income does not yet support the airs they try to put on, leading to some bitter lessons for the pair about life and marital finances.

HER AWAKENING (1911) – The above-mentioned short in which Mabel caught the eye of Mack Sennett, who then signed her for comedy collaborations. In this short drama, Normand played a young lady trying to snare a successful husband.

She is ashamed of her poor home and her elderly, handicapped mother and prevents her beaus from meeting the mother. The situation results in the tragic death of her mother.

THROUGH HIS WIFE’S PICTURE (1911) – Mabel Normand’s first film short with Mack Sennett. He directed and had a supporting role in this 9-minute comedy about a misunderstanding that threatens a marriage.

Mabel as the wife attends a costume party where she thinks she will catch her loyal husband trying to start an affair with another woman. The costumed pirate she mistakenly thinks is her husband is actually an unmarried friend of the husband. The “pirate’s” flirtatious conduct toward a young lady makes Normand furious. Continue reading

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