
Randy (right) and Richard way down on Level 31 hosting The Texas 27 Film Vault
Today is the 34th Anniversary of the very first episode of The Texas 27 Film Vault from Saturday, February 9th of 1985. My psychotically obsessive research on the show has yielded a lot of info over the years but I have now worn out every source I could find.
Even the show’s co-host and co-creator Randy Clower has been bled dry of information on the show by me. Over the years other fans of the show – and a special shout-out goes to “the Cap’n” – have provided info here and there that often led me to concrete source material.
Anyway, here are some movies that we have general, varied reason to believe were shown on The Texas 27 Film Vault but I need original broadcast dates, info on comedy sketches or movie ticket give-aways, etc. Episodes aired for 2 and a half hours Saturday nights from 10:30pm to 1:00am in Texas and Oklahoma.
FIEND WITHOUT A FACE (1958)
The Film: “Thought Monsters” leech into atomic energy, then extract human brains and spinal columns to use as their corporeal forms. This is a Bad Movie Classic remembered largely because of the scenes where the flying brains, sporting antennae, attack their prey, with their spinal cord “tails” streaming along behind them.
Serial Episode: No idea, for now.
Reason for believing it was shown: Some of the Flying Brain Creatures are on the 1987 Texas 27 Film Vault poster.
EARTH VS THE FLYING SAUCERS (1956)
The Film: The title says it all for this fun but weird black & white time-waster.
Serial Episode: Flash Gordon Conquers The Universe.
Reason for believing it was shown: Tex (Ken Miller) announced it was to be the movie “Next time on The Texas 27 Film Vault” on one of the surviving episodes that I have. Continue reading

GOLDRAIDERS (1982) – A plane carrying two hundred million dollars in gold (in 1980s money) gets shot down over Thailand and lands in the jungle. A blandly-dubbed Robert Ginty plays Mark Banner, part of a hastily-assembled team sent in to recover the gold. Sarah Langenfeld is our hero’s leading lady this time around.
SCARAB (1983) – Robert Ginty AND Rip Torn … TOGETHER! Somebody pinch me! A Spanish horror film that does NOT star Paul “Jacinto Molina” Naschy! Somebody pinch me!
The world fell in love with him as “Artichoke Picker” in Bound For Glory and the rest, as they say, is history! All kidding aside, I think Robert Ginty’s actual life was a hell of a lot more entertaining than any of his movies or television shows. As a musician he performed with Hendrix, Hooker and others. In his acting career he showed up in some high quality productions.
WHITE FIRE (1985) – CASTING DIRECTOR: Let’s see … the hero of this Turkish-made action flick is an international smuggler who uses a chainsaw to fight rival criminals and is so hot for his own sister that he eventually pays to have a prostitute transformed via plastic surgery into a duplicate of his sister then oinks and boinks with her … (snaps fingers) Get Robert Ginty on the phone, NOW!
THE EXTERMINATOR (1980) – How can you NOT like a movie in which a standard bad-ass street vigilante uses a FLAME THROWER to kill the criminals he targets?
CHROME AND HOT LEATHER (1971) THE one and only Marvin Gaye made his big-screen debut in this relentlessly absurd example of the bad biker films of the 1960s and 1970s.
January 8th is the combined marking of Elvis Presley’s birthday and the Battle of New Orleans, in which General Andrew Jackson and French Pirate Jean Lafitte defeated the British in the final battle of the War of 1812.
LOVE ME TENDER (1956) – Elvis was the latest reason that the saga of the Reno Gang/ Reno Brothers got distorted on the big screen. The need to turn the Reno story into a vehicle for Elvis Presley made this attempt the most unintentionally funny of them all.
GENTLEMAN JEKYLL AND DRIVER HYDE (1950) – Educational short films are often hilarious snapshots of their era. Driver’s Ed shorts are especially vulnerable to seeming outdated given how quickly car designs can change in certain decades.
Here at Balladeer’s Blog I’ve always had a soft spot for the Resident Evil movies. I’m not implying that they’re good by any means, but as guilty pleasures I consider them pretty watchable in a Spaghetti Western sense. You don’t expect logic or well-maintained continuity in the original Django or Sartana series any more than you do from the Stranger or Hallelujah flicks or any of the other lower-level pulp series of Italo-Westerns.
Seventies chop-socky films are another example. You might watch them but you sure as hell can’t defend them from criticism.