RAIDERS OF ATLANTIS (aka ATLANTIS INTERCEPTORS) – This 1983 Italian film is my guiltiest of guilty pleasures. Even though it’s directed by horror legend Ruggero Deodato, Raiders of Atlantis combines science fiction and horror with testosterone-fueled action in a Pulp Magazine premise that makes for fun, mindless escapism.
There’s just something about this flick that almost feels like it’s an early adventure of the characters from the later film Predator. In fact, it’s basically a smorgasbord of elements from Raiders of the Lost Ark, The Road Warrior, Tom Baker-era Doctor Who and the siege scenes from any number of Italian zombie movies. And needless to say, the fate of the world is at stake.
Christopher Connelly stars as mercenary Mike Ross, a Vietnam War veteran who does any dangerous and dirty job for the right amount of money. Tony King is his black fellow mercenary who used to go by Washington but has recently converted to Islam and now calls himself Mohammed.
Believe it or not, Connelly and King have definite chemistry and their Butch & Sundance camaraderie carries the entire movie. In the sort of teaser opening that James Bond and Indiana Jones films feature, our two leads pull off the abduction of a reclusive crime lord in Miami amid a lot of bullets and punches. Continue reading
INVASION FROM INNER EARTH (1974) – This hilariously bad science fiction film was one of the early efforts from Bill Rebane, whose low budget movies were to Wisconsin what Larry Buchanan and his productions were to Texas. Invasion from Inner Earth is a perfect example of “so bad it’s good” filmmaking … for the first half hour or so. After that the story drags on agonizingly and the apparently improvised dialogue pushes your sanity to the breaking point. 
Some news broadcasts take the events seriously but others present the victims of the chaos as bone-headed rubes deserving of ridicule. We are even shown viewers laughing at these victims but we never understand why, since the Earth is obviously under attack with millions of dead and missing. At no time are we shown the mockers getting their comeuppance for their smirking callousness despite how wrong they are. It’s that kind of movie. 
THE DEADLY SPAWN (1983) – This film is also known as The Alien’s Deadly Spawn. If you’re into less appreciated splatter flicks this is the movie for you! Diminutive creatures (ignore the poster) from outer space terrorize a neighborhood while literally chewing their way through anything in their way, including human bodies. The gore effects are graphic but not extreme, the acting ranges from awful to average and the creature designs may be cheap but the overall package makes this a cult classic. And watch out for that final stinger! 
IF FOOTMEN TIRE YOU, WHAT WILL HORSES DO? (1971) – Category: A neglected bad movie classic that deserves a Plan 9-sized cult following. 
Pirkle serves as the narrator of this quirky little mess, ranting on and on in his over-the-top way about how the USA has turned away from the Bible and will suffer the consequences. He’s like a combination of Criswell in Plan 9 From Outer Space and the sermonizing narrator from Blood Freak (qv).
THE SECRET OF THE LOCH (1934) – So America gave the world King Kong in 1933, eh? Well, the Empire strikes back! Milton Rosmer directed this neglected British film that was co-written by THE Charles Bennett and edited by THE David Lean. The Loch Ness Monster is featured and is found to be responsible for multiple mysterious deaths around the Loch, though only one on-screen instance of the monster devouring a human occurs in the movie. 
Seymour Hicks stars as Professor Heggie and seems to think he’s still performing in Silent Movies, given his hilarious overacting. Heggie believes in the existence of the Loch Ness Monster but seems even less credible than modern-day people who claim to have spotted the beastie.
Regular readers of Balladeer’s Blog know that all – or at least most – roads lead to bad movies with me. Since 1976 the movie Track of the Moon Beast has been a cult hit for the Psychotronic-minded and for those people who were lucky enough to catch it at various drive-ins during their heyday. 
Frustratingly, the song was not quite complete and had a few interruptions by dialogue from the film. For decades clearer versions of California Lady were incredibly rare. Mike Wolfer found and has uploaded two versions of the song at his YT Channel (subscribe 
The first was the studio recording of the song (below) and the second was the entire EP from Frank Larrabee. California Lady is at the 10:03 mark and is a much smoother, less worn recording of the song and is MUCH MORE LIKE THE PERFORMANCE IN THE MOVIE. No interruptions in either case, so you can enjoy this cult item the way it was meant to be heard. 
THE BRAIN (1962) – Freddie Francis directed this black & white film, which was the third movie adaptation of Curt Siodmak’s science fiction novel Donovan’s Brain. The characters’ names were changed and the sci fi elements were mixed with detective story elements this time around. 
DEATH GAME (1977) – Also released under the title The Seducers, this horror movie/ psychological thriller was filmed in 1974 but not released until 1977 due to assorted legal entanglements. Sondra Locke and cult queen Colleen Camp starred with Seymour Cassell in this thoroughly bizarre exploitation movie.
After the oft-invoked nonsense about the film being based on a true story Death Game begins.
CHROME AND HOT LEATHER (1971) THE Marvin Gaye made his big-screen debut in this relentlessly absurd example of the bad biker films of the 1960s and 1970s. 
IT’S A BIRD … IT’S A PLANE … IT’S SUPERMAN! (1975) – It’s the bomb that asks the musical question “How many Lembecks can you handle?” Even the most die-hard Superman fans would have a hard time forcing themselves to watch all of this made for tv movie version of the 1966 stage musical. 
Despite music by Charles Strouse, lyrics by Lee Adams and script by David Newman & Robert Benton this Superman musical was Broadway’s biggest flop in history as of the 1960s. It’s no great shakes in its televised form, either. 
