JUST A DAMNED SOLDIER aka One Damned Soldier (1988) – Balladeer’s Blog concludes its look at all ten films of Italian cult action icon Mark Gregory, real name Marco De Gregorio. I know IMDb states that he also appeared in the made for tv movie Rainbow, but I watched that film and he’s not in it. The error seems to have been made by someone who saw the name MARY Gregory in the closing credits and, because the font for the credits is a bit stylish, mistook the y in Mary for a k.
Previously, I reviewed Mr. Gregory’s post-apocalypse movies 1990: The Bronx Warriors and Escape from the Bronx, plus his Thunder Warrior trilogy of Rambo imitations, his quasi-peplum Adam and Eve vs the Cannibals, and his pair of outings as an action villain in Delta Force Commando and Ten Zan: The Ultimate Mission.
I’ll wrap up everything by examining Mark’s final two films before he walked away from the business at age 25 in 1989, with no explanation and after having just made his highest amount of money from a movie role.
The public fascination with Mark Gregory continues due to the mystery of his following years and the sometimes contradictory information about his life. Supposedly he raised horses for a time, then became a street artist in Rome, possibly spent all his film earnings or was conned out of them, and died in 2013 from an overdose. Some sources say it was a suicide, others an accidental overdose.
Just a Damned Soldier features Mark in an ensemble cast as one member of a trio of badass international mercenaries who take on any dangerous, high-paying job that comes along. Our hero, whose character is also named Mark, serves alongside Cisco (Romano Kristoff) and their boss Bert Ernst (Peter Hooten).
Those three, plus their fourth, soon-to-die comrade that I’ll call Dead Meat for a Hot Shots joke, kick off the movie in style with a guns-blazing raid on an industrial compound in Cambodia. The quartet shoots and explodes their way to victory, overcoming dozens of armed soldiers in scenes that live up to the standard joke about 1980s action flicks – “Page One of the script says ‘The good guys open fire’ and Page Two says ‘The End.'”
Mark and his colleagues look typically badass while killing bad guys, stealing tons of gold from the facility, then escaping to a nearby hideout to have the booty flown out of the country. After high fives and similar gestures all around, our main characters escape in a ground vehicle. Continue reading
DELTA FORCE COMMANDO (1987) – Balladeer’s Blog’s salute to cult icon Mark Gregory continues, with two movies that proved he could be just as dynamic as the villain as he was playing the hero, like in his other action flicks. Previously, I’ve reviewed Mark’s two movies in which he played the post-apocalypse/ dystopian biker Trash in 
Because Italian filmmakers were always Enzo-on-the-spot with cash-in imitations of mainstream movie hits, it was inevitable that they would produce flicks coat-tailing on the popularity of Delta Force. Mark Gregory’s screen presence in Delta Force Commando reminded me of what a shame it is that he walked away from his acting career in 1989, just when he was at the peak of his game and his earnings. If only he’d signed up with Cannon films then.
Hell, in Delta Force Commando, Mr. Gregory spices up the schlock as the main villain, even though his character is never even given a name! Hey, that’s Italian exploitation cinema for ya! 
team of communist commandos from Nicaragua in a daring raid on a military base in Puerto Rico. Villain X and his team succeed in making off with a nuclear bomb despite a few firefights, one of which kills the pregnant wife of Delta Force member Lieutenant Tony Turner (Brett Baxter Clark). 
THE KEEP (1983) – During World War Two, Nazi forces occupy a sinister stone Keep, only to realize they have disturbed a malevolent ancient entity which begins preying upon them. The unleashed force manipulates a prisoner of the Nazis into freeing it from its ages-old prison. 
ANDROMEDA NEBULA (1967) – This movie was adapted from the 1957 novel Andromeda: A Space Age Tale by Ivan Yefremov. Unusual for sci-fi writers in the Soviet Union under Stalin, Yefremov courageously defied some of the political limitations that the blood-soaked dictator and his regime placed on fiction. Ivan is credited for, among other things, breaking free of the Soviet policy that limited futuristic tales to just a few years in the future. He continued that trailblazing in his works after Stalin died.
And that brings us back to Andromeda Nebula. The story is set over a millenium in the future, when an Age of World Unification (under a Soviet system, of course) was followed by the establishment of the Ring aka the Great Circle. The Ring is a loosely affiliated assortment of planets who exchange scientific and cultural information and try to facilitate each other’s efforts to colonize space. 
JUNGLE MANHUNT (October 1951) – This seventh Jungle Jim feature film is one of the best examples of how the franchise combined fun escapism with outlandish “So Bad They’re Good” film antics. After rescuing female reporter Anne Lawrence (Sheila Ryan) when her boat overturns, Jungle Jim agrees to guide her on her search for Bob Miller – played by real-life football star Bob Waterfield, Jane Russell’s husband. 
Our hero and Anne also encounter dinosaurs – yes, dinosaurs – in the jungle region where Bob Miller’s plane went down. Much of it is stock footage from One Million B.C. but at one point, Jungle Jim clashes with an upright-walking, man-sized dinosaur who looks like the model for the Gorn Captain fought by Captain Kirk years later. Or maybe Barney the Dinosaur.
News of the disastrous reaction to screenings of the unwanted and unneeded fifth Indiana Jones movie, starring a 136-year-old Harrison Ford, caused me to reflect on the 1980s flood of Indiana Jones imitators. Studios even revived the old H. Rider Haggard character Allan Quatermain by casting Richard Chamberlin as Quatermain in a few movies. 
JUNGLE JIM (1937) – This 12 episode serial from Universal starred Grant Withers as the title character in the pith helmet. The story involved Joan Redmond, a wealthy young heiress who disappeared in the African jungle with her parents years earlier. 
If it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews and a few old classics since newer readers will have missed them. 
SCROOGE IN THE HOOD (2011) – This is easily the worst attempt at a comedy version of the Carol that I’ve ever seen. It’s also a failure in terms of production values. Acting is nonexistent, props are below Cable Public Access levels, dialogue is often impossible to make out and the writing is like something from a 14-year-old trying to be edgy. 
AN AMERICAN HIPPIE IN ISRAEL (1972) – Forget An American Werewolf in London! To hell with A Polish Vampire in Burbank! Seriously, though, it’s a shame, but this movie’s original title was The Hitch Hiker. Over the years it picked up the campier title An American Hippie in Israel. 
An American Hippie in Israel was indeed an Israeli production which starred assorted young performers from the Israeli theater. Our title character is Mike (Asher Tzarfati), who has been bumming around Europe for a few years since returning from service in the Vietnam War. Having found no peace or contentment in Europe, he arrives by plane in Israel. 
By the way, before we met Mike, we viewers were treated to bizarre opening credits which appeared over scenes of toplessness and nudity from later in the movie. Soon, the continuing credits appeared over pictures of idyllic fields of flowers. You can play the Moshe Drinking Game to these credits, since that happens to be a VERY common name among the team behind this flick. 
What James Bond hath wrought! Among the many imitations of Ian Fleming’s 007 were American rip-offs like Derek Flint and Matt Helm, but often overlooked here in 2022 are Germany’s Kommissar X films. The series of novels began in 1959 and number at least SIX-HUNDRED TWENTY! You read that right. Truly, no man is Bert Island. 
KISS KISS, KILL KILL (1966) – Also released under the titles Hunt for the Unknown, Chasing the Unknown and Jagd auf Unbekannt, this was the first film appearance of Kommissar X, aka Private Investigator Joe Walker, and his colleague Police Captain Tom Rowland. Like James Bond and Jerry Cotton, Joe Walker had his own memorable theme music to accompany him as he kicked butt, bedded down with beautiful women and drove fancy sports cars. 
Stylish villain Oberon (Nikola Popovic), called “O’Brien” in some dubs, is a mastermind who has accumulated a fortune in gold through dishonest means and wiped out his accomplices in order to nab their share of the loot, too. He also has plans to abduct a nuclear physicist, which gets Kommissar X mixed up in all this. 
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