SUPERSONIC SAUCER (1956) – In honor of the Thanksgiving holiday Balladeer’s Blog presents a look at another harmless, all-ages sci-fi turkey, this one from England. Supersonic Saucer was produced by our old friends in Great Britain’s Children’s Film Foundation, the same group behind the previously reviewed serial Masters of Venus.
Believe it or not, Frank Wells, son of H.G. Wells himself, penned the story for this So Bad It’s Good flick. At an English boarding school, a few students whose families are too poor to be able to pay for their travel expenses wind up having to spend the holiday break at the school. They are looked after by the Headmaster and his tween son Rodney (Fella Edmonds), a science nerd who resents having to babysit.
Top-billed actress Marcia Manolescue, an English actress of Asian descent, plays Sumac, one of the students whose family could not pay travel fare home and back. Another such student is Greta (Gillian Harrison) and rounding things out is Adolphus (Andrew Mette-Harrison), the tubby youngest character.
While killing time over the holiday break our youngsters visit an observatory, where they are allowed to use the telescope for a time. They spot what seems to be a spaceship headed for Earth from Venus, but none of the adults on hand believe them.
We viewers know the kids are in the right, and the spaceship/ flying saucer is really a Venusian youngster. That alien entity used its race’s ability to morph from Muppet-like form to amoeboid form to flying saucer form fit for interplanetary travel.
The alien visits our lead characters upon arrival on Earth, drawn to them by the telepathic “fix” it got on them when they spotted it through the telescope. Because of the Venusian’s transitionary form that resembles an oversized amoeba the youngsters name the alien “Meba.”
The goofy looking Venusian resembles a thick, tall worm in a white hijab in its “normal” form but is hilariously rendered as a cartoon flying saucer with eyes for its airborne and spacefaring form. The “special” effect is as laughable as the cartoon spaceships in American movies like Invaders from Mars.
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MASTERS OF VENUS (1962) – A year before Doctor Who came to British television this 8-part movie serial played theaters as part of the viewing block for Saturday Morning Cinema Clubs. 
Because Balladeer’s Blog reviews items that range from mild and child-friendly to blood-soaked and transgressive, let me make it clear that Masters of Venus, directed by Ernest Morris, is just fine for family viewing. 
The base comes under attack by mysterious Men in Black (I’m serious) armed with ray guns that shoot knockout beams. Security guard after security guard falls to the Men in Black, who turn out to be Venusians who don’t want Earthlings visiting their planet. 
Halloween Month rolls along here at Balladeer’s Blog with a look at two notoriously bad horror movies which use Andy Warhol’s name despite him not really having anything to do with them and credit Antonio Margheriti as the director even though Paul Morrissey wrote and directed them. 
ANDY WARHOL’S FRANKENSTEIN (1973) – Also known as Flesh for Frankenstein, this 3-D monstrosity and its sister film, Andy Warhol’s Dracula (aka Blood for Dracula) used to be among the most well-known “So Bad They’re Good” movies. Oddly, they fell pretty much off the radar long ago, but get rediscovered every so often and enjoy a brief surge in notoriety from successive generations of horror fans. 
These two movies are also like 1970s time capsules, too. Recently relaxed standards for what could be shown on the big screen yielded a LOT of cheap films that were clearly made just to see how much gory violence and kinky titillation the creative teams could get away with. 
Andy Warhol’s Frankenstein and Andy Warhol’s Dracula deserve my usual warnings to horror fans who really hate extreme violence and bizarre sex. Don’t go below the “Continue reading” line or you’ll probably regret it. These films are mild compared to 
SURF NAZIS MUST DIE (1987) – The ideal companion piece to the original Point Break! Rest assured, the Surf Nazis are depicted as the scummy villains they are and that they do get their just desserts in this 83-minute bundle from So Bad It’s Good movie Heaven. Though distributed by the venerable Troma Team, Surf Nazis Must Die was actually produced by the Institute. The film was directed by Peter George and written by George with Jon Ayre. 
Surf Nazis Must Die is refreshingly played mostly straight – but still howlingly bad – and the 
PLEASE DON’T TOUCH ME (Filmed in 1959, released in 1963) – Buy this for the Lash La Rue fan in your life, but mostly for the Ron and June Ormond fan in your life. For people outside of us lovers of Bad Movies I’ll point out that Ron and June Ormond were the famous husband and wife team of low-low-low budget filmmakers. 
Though Please Don’t Touch Me sounds like it would be a sexploitation flick, lurid assault film or Nudie Cutie, rest assured there’s nothing in this 67-minute oddity that your grandmother couldn’t handle. Well, maybe your mother, instead of grandma. 
MYRA BRECKINRIDGE (1970) – This film is based on the novel by Gore Vidal, who once called director John Waters “the pope of trash.” Well, Gore, Waters never had anything to do with Myra Breckinridge in any of its forms, so you have no room to talk. 
First up, a summary of the plot – Myron Breckinridge, played by THE Rex Reed, the famed film critic, is fascinated with Hollywood and is conflicted about his sexuality AND about societal notions of masculinity. Myron believes that the film industry has distorted and perverted masculinity into what would today be called by certain people a “toxic” stew of rabid machismo. 
Next, as Myra Breckinridge instead of Myron, the character goes to Hollywood to work at the acting school run by her uncle – former cowboy star Buck Loner … played by JOHN FREAKING HUSTON! Myra’s plan is to change the way male thespians behave and how men are portrayed in film so that she can destroy the very concept of traditional macho movie heroes forever. 
THE CLONES (1973) – This neglected sci-fi item from the 70s was directed by Lamar Card & Paul Hunt, based on Hunt’s story. The Clones falls into that category of films that I always refer to as “X-Movies” because of the way they put one in mind of the paranoid and conspiratorial air of the best X-Files episodes. 
Gregory Sierra, best known to trivia buffs as “And Gregory Sierra” for the number of times he was credited like that in various television shows and movies, plays Nemo, a government agent tasked to keep the clone project a secret and bring in the escapee. 
AMPHIBIAN MAN (1962) – This “mad scientist creates a man capable of living underwater” movie was made in the Soviet Union but frequently appeared in dubbed English on American television decades ago. 
Many online reviewers accuse the makers of The Shape of Water of ripping off this 1962 movie that is based on a 1928 novel. Arguments can be made for that, but it’s important to remember that all sci-fi stories draw from the same general inheritance of tropes. 
ICHTYANDR SALVATOR (Vladimir Korenev) – A young Argentinean man whose scientist father prevented him from dying of a lung disease in childhood by grafting shark gills on to his body. Ichtyandr has been raised and educated in isolation and his father even designed a comical looking underwater suit for our hero to wear, complete with a shark fin. 
THE CASSANDRA CROSSING (1976) – The Andromeda Strain meets the later Supertrain in this railroad version of the Airport movies. I’m sure we all know the formula of Disaster Movies, be they about natural disasters striking cities or manmade disasters striking mass transportation like airplanes, ships and trains. 
In general, the storyline involves a genetically engineered plague covertly developed by government functionaries (think of Anthony Fauci and his ilk) despite international agreements not to conduct such research. Terrorists who want to steal the plague for their own use botch a raid on the International Health Organization (a pastiche of the World Health Organization), which results in a shootout and in two of the terrorists being exposed to the plague. 
THE TERRORNAUTS (1967) – Simon Oates of Doomwatch fame stars as yet another maverick scientist in this effort from earlier in his career. Oates is running a British version of the SETI project and is forever trying to intercept signals from space … signals that might indicate intelligent life forms. 
Wild coincidences like that are just the tip of the iceberg in terms of this ridiculous movie’s plot holes, inconsistencies and lack of logic. 
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