Balladeer’s Blog continues its look at the Forgotten Television item Reel Wild Cinema (1996-1997).
This time around it’s Episodes 11-13.
THE RUNDOWN FOR EPISODE ELEVEN (June 30th, 1996)
Title: Evil Rampaging Monsters
Truncated Films Shown:
THE RETURN OF THE GIANT MAJIN (1966) – We fans of oddball cinema have long loved Majin, the often-ignored distant cousin of kaiju favorites like Godzilla and Gamera. Majin is a gigantic samurai statue that comes to life periodically in Japan of a few centuries back.
The setting means that instead of miniatures of tanks and cities filled with skyscrapers for the figure to rampage through, viewers get miniatures of cannons, fishing boats and towns filled with period architecture. But let’s not kid ourselves; the MAIN “So Bad It’s Good” aspect of the Majin movies is the way he literally shoots flames from his crotch for some bizarre reason. I’m not joking. Continue reading
UNTAMED FURY (1947) – A very early hicksploitation movie. This black & white movie’s stock footage is set in the swamps of the Deep South but everything else takes place on the usual cheap sets we all know and love from Producers Releasing Corporation.
GODMONSTER OF INDIAN FLATS (1973) – From the maker of Alabama’s Ghost comes this tale of toxic gasses from beneath the Earth spawning a mutated sheep monster which walks erect and looks a little like Mr. Snuffleupagas and Joe Camel. The video cover looks nothing like the creature.
CURSE OF THE CRYING WOMAN (1963) – The Mexican horror film about La Llorona that got U.S. distribution and half-assed dubbing via K. Gordon Murray himself. I’ve reviewed this film in detail previously so for a quick recap for newbies to this flick it’s the old ghost story about an undead woman who sheds tears from her empty eye sockets while making with withering cries.
THE NAKED WITCH (1961) – For starters, this is the Larry Buchanan film, NOT the Andy Milligan Naked Witch movie from a different year. As usual for Buchanan this was filmed in Texas, and is yet another variation of the tale about a witch who gets put to death but returns a century or more later to slay all the descendants of her killers.
REEL WILD CINEMA (1996-1997) – This program is still beloved by us fans of Psychotronic movies and the So Bad It’s Good subculture. Reel Wild Cinema helped feed America’s growing appetite for bizarrely awful cinema, an appetite most recently whetted back then by Joel Hodgson’s Mystery Science Theater 3000.
Similar to Jonathan Ross’ Incredibly Strange Film Show, Reel Wild Cinema also aired interviews with many cult figures from fringe cinema as well as campy trailers for vintage Golden Turkeys. Also like the Jonathan Ross show, Reel Wild Cinema featured an animated opening accompanied by catchy theme music.
I WAS A TEENAGE FRANKENSTEIN (1957) – Herbert Strock’s follow-up to I Was a Teenage Werewolf always calls to mind the Movie Host shows of the past and the way they would often pair up those two Teen Monster flicks as a Double Feature the nearest Saturday night to Halloween.
CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-
THE RESURRECTED MONSTER (1953) – Directed and co-written by the trailblazing Chano Urueta, this film is regarded as Mexico’s first sci-fi/ horror blend. A plastic surgeon named Dr. Hermann Ling (Jose Maria Linares-Rivas) has been driven mad by a lifetime of scorn over his grotesque, misshapen (yet hilarious) appearance. He has spent years working in isolation at a remote castle. 
DESTINATION INNER SPACE (1966) – In a true rarity Scott Brady got to be the less-than- hunky action lead in this film! THE Sheree North and The Green Hornet‘s Wende Wagner were along for the ride in this flick that plays like an episode from Jon Pertwee’s Doctor Who era recast with Americans.
THE BIONIC BOY (1977) – This joint production of the Philippines and Hong Kong starred child martial arts champion Johnson Yap from Singapore. It was also released under alternate titles like Superboy, Trionic Warrior and others.
Sonny wins the Jackpot on the game show because he’s as intelligent as he is skilled at martial arts. When Not Liberace brings on Sonny’s parents, some gangsters watching the show see that his father is really a former Interpol agent who brought down several of their colleagues and has been living in a Witness Protection Program ever since. (Pretty stupid to let your face get televised to millions then.)