THE PHANTOM OF THE OPERA (1925) – Lon Chaney Senior’s makeup and performance as the title character were envelope-pushing for 1925 audiences. To me this is the ULTIMATE silent horror film. It may sound odd, but in my opinion this movie is the very best cinematic adaptation of the Gaston Leroux novel.
Nearly every frame of this masterpiece is like a painting and it’s a rare viewer who can take their eyes off the screen at all as the movie plays. Lon Chaney’s iconic portrayal of Erik, the hideously deformed Phantom of the Paris Opera House, is magnificent in every way. Continue reading
Halloween Season is underway here at Balladeer’s Blog! This time around I have so many new readers that I’ll start out with this look at some VERY old horror stories that are basically Halloween versions of the Ancient Science Fiction reviews I write. 
Over the years, Balladeer’s Blog has reviewed several of Jorg Buttgereit’s envelope-pushing, taboo-breaking horror films. Because I review everything from the extreme fringes like Buttgereit (at left) to mild, even family-friendly items let me offer a warning for readers who don’t like extreme violence or extreme concepts. If you fall into that category, please DO NOT look up my long-ago reviews of Jorg’s most notorious films and then blast me because the subject matter appalls you. I am giving fair warning about what they’re like. 
CAPTAIN BERLIN: RETTER DER WELT (1982) – Buttgereit was only 18 when he made this 10-minute short film. He wrote, directed and played the title superhero with Bela B. from the German punk band Die Ärzte co-starring as Mister Synth. This work about West Berlin’s only superhero fighting a monster from outer space is of interest only because of Buttgereit’s and Bela’s involvement. 
Decades later, Buttgereit would revive the Captain Berlin character in one of his stage show-radio show hybrids, titled Captain Berlin versus Hitler. That production – which I will review at some point in the future – was eventually filmed and released to theaters and on dvd. 
HORROR HEAVEN (1984) – Jorg starred as an old-fashioned Horror Movie Host introducing several horror shorts of his own making in this 24-minute project. Buttgereit structured it as a salute to Boris Karloff but with some gore thrown in. 
TWO THOUSAND MANIACS (1964) – For people who’ve never heard of Herschell Gordon Lewis, I’ll point out that he’s known as “the Godfather of Gore.” And not even GOOD gore, but the obviously fake kind that makes you laugh. Add to that the inept acting, bland dialogue and quickie production techniques like you’d get in old black & white flicks and you’ll understand the man’s Bad Movie magic. 
THE MONK (1796) – Written by Matthew G. Lewis. Though The Monk was preceded by other works of Gothic Horror like The Castle of Otranto (1764) and The Necromancer (1794), Lewis’ novel cranked up the supernatural elements a great deal. It also painted the Catholic clergy in extremely unflattering terms, at least in the initial edition. 
LA ROSE DE FER (1973) – This film’s title was translated into English as The Iron Rose even though The Rose of Iron would be a more literal translation, but that’s just a tiny nitpick. La Rose de Fer was the fifth movie from Jean Rollin, whose horror productions can range from brilliant to So Bad They’re Good level. 
There IS a body count in The Iron Rose, but there is certainly no blood and gore. As our story begins, a beautiful woman (Francoise Pascal) lounges on the beach and regards an iron rose that has washed in with the tide. After tossing it aside she goes about her business, and before long is on a bicycling date with a young man (Hugues Quester). 
WEIRD WAR TALES Vol 1 #93 (November 1980) 
*** Army Sergeant Vincent Velcro, who was given a choice of 30 years of hard labor for crippling a superior officer or being a human guinea pig for chemical injections derived from bat blood. The injections turned him into a science-spawned vampire. 
MALDOROR 
THE RIDER OF THE SKULLS aka El Charro de las Calaveras (1965) – Halloween is fast approaching, so here is another seasonal post from Balladeer’s Blog. Regular readers know how much I enjoy the campy, so-bad-they’re-good horror films from Mexico. I reviewed several of them 
El Charro arrives in a nearly deserted town with a dilapidated cemetery in which assorted skulls lie around in piles. The masked hero encounters the first of three monsters he will fight in this flick – a ridiculous looking werewolf with a headpiece so large it makes him look like the mascot of a sports team. 
Balladeer's Blog 