HAPPY HALLOWEEN FROM BALLADEER’S BLOG! This year for my October 31st horror post I’m looking at my favorite stories from H.P. Lovecraft’s earliest works by year of publication.
I chose 1916 to 1921 because using 1921 as the cutoff year means we can avoid over-reviewed Lovecraft material like Herbert West – Reanimator and most of the Cthulhu Mythos. SPOILERS AHEAD!
1916
THE ALCHEMIST – Count Antoine de C- is the last of his family line. Hundreds of years earlier one of his ancestors caused the death of the sorcerer Michel Mauvais. Michel’s sorcerer son Charles cursed the Count’s family so that all male descendants would die shortly after turning 32 years of age.
All of Antoine’s male ancestors did indeed die in their 32nd year and Antoine himself has devoted all his adult life to studying Black Magick in hopes of coming across a cure for the family curse. Our main character is all alone in his crumbling ancestral castle, with his last remaining servant having passed away recently.
Antoine’s 32nd birthday is approaching, so his desperation is increasing. He begins exploring the decrepit portions of the castle hoping to find eldritch tomes that might provide salvation. Continue reading


I WAS A TEENAGE FRANKENSTEIN (1957) – Herbert Strock’s follow-up to I Was a Teenage Werewolf always calls to mind the Movie Host shows of the past and the way they would often pair up those two Teen Monster flicks as a Double Feature the nearest Saturday night to Halloween.
FROM BENEATH THE RUE MORGUE (2004) – This Dark Horse comic book companion to the Van Helsing film is set in between scenes in the movie. After the death of Mr. Hyde in Paris, we see that Van Helsing winds up arrested for murder.
That lab is the lair of THE Dr. Moreau in his younger years. The mad scientist has created a number of beastly man-monsters that are barely controllable, unlike his later experimental creations.
CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-
THE MONKS OF MONK HALL aka THE QUAKER CITY (1844-1845) – Written by George Lippard, this strange and macabre story was originally serialized from 1844-1845 before being published in novel form. This bloody, horrific work was America’s best-selling novel before Uncle Tom’s Cabin.
Think of Monk Hall as a combination of Twin Peaks establishments like the Black Lodge, One-Eyed Jacks and the Great Northern all rolled into one. The vast, multi-roomed Hall is honey-combed with secret passageways and trap doors. Beneath the mansion are a subterranean river plus several levels of labyrinthine catacombs filled with rats, refuse and the skeletal remains of the Monks’ many victims from the past century and a half.
A BLACK MASS (1966) – This short horror/ mythological play was written by LeRoi Jones aka Amiri Baraka and has nothing to do with Satanism. The writer played on words, meaning “black” as in his skin color, not as in the Satanic masses enacted by larping geeks trying to be edgy. (Longtime readers may remember my contempt for the fools who call themselves Satanists.)
THE RESURRECTED MONSTER (1953) – Directed and co-written by the trailblazing Chano Urueta, this film is regarded as Mexico’s first sci-fi/ horror blend. A plastic surgeon named Dr. Hermann Ling (Jose Maria Linares-Rivas) has been driven mad by a lifetime of scorn over his grotesque, misshapen (yet hilarious) appearance. He has spent years working in isolation at a remote castle.
DETECTIVE COMICS Vol 1 #400 (June 1970)
The anguished Langstrom realizes he must go into seclusion until he can devise a cure for his condition. That night he happens by as Batman interrupts the Blackout Gang’s attempt to rob a Gotham museum.
As Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin.
Toss in his eerie, haunting and beautiful movie
THE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above.