Category Archives: Halloween Season

VAN HELSING: FROM BENEATH THE RUE MORGUE & THE LONDON ASSIGNMENT

This weekend’s escapist, light-hearted superhero post looks at the sidequels to Hugh Jackman’s 2004 movie Van Helsing.

van helsing comic bookFROM BENEATH THE RUE MORGUE (2004) – This Dark Horse comic book companion to the Van Helsing film is set in between scenes in the movie. After the death of Mr. Hyde in Paris, we see that Van Helsing winds up arrested for murder.

The monster slayer is ultimately found guilty and sentenced to death, but priestly agents of the Vatican (for whom Van Helsing works in his crusade against unholy forces) engineer an escape. Our hero flees through the catacombs beneath Paris.

Soon, he is forced to abandon his plans to escape the city when an unseen force abducts a female spiritual medium. Van Helsing follows the screaming woman and her invisible abductor to a secret laboratory beneath the Rue Morgue.

hugh jackman as van helsingThat lab is the lair of THE Dr. Moreau in his younger years. The mad scientist has created a number of beastly man-monsters that are barely controllable, unlike his later experimental creations.

Van Helsing learns that the invisible being which abducted the medium was made so by a process that Moreau stole from England’s Invisible Man, whom he double-crossed. The unseen figure is made visible and is a Moreau creation that resembles the much later Creature from the Black Lagoon. Continue reading

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CROSS OF THE SEVEN JEWELS (1987) BAD MOVIE REVIEW

Halloween month continues at Balladeer’s Blog!

Cross of the Seven Jewels 1CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-Paul Naschy werewolf production.

Cross of the Seven Jewels is easily the worst and weirdest werewolf movie I’ve ever seen. Forget The Werewolf of Woodstock, forget Face of the Screaming Werewolf, forget Werewolf vs the Yeti and all the rest of Paul Naschy’s lycanthropy flicks. You can even forget Werewolves on Wheels and the muddy-faced wolfman from Dracula, Prisoner of Frankenstein. Marco Antonio Andolfi starred in this film under the name Eddy Endolf plus wrote and directed it as well.

Andolfi was openly influenced by Paul Naschy’s werewolf films from Spain, but produced a cinematic mess that captured neither the eroticism of Naschy’s Waldemar Daninsky movies nor their goofy charm. Marco’s depiction of a werewolf is a bit … eccentric … and can only be described as “just a little something for the laaaadieeessss.”  

Personally, I would have titled this film

Personally, I would have titled this film “Ya Call THAT a Werewolf?” but I’m kind of weird.

When Andolfi transforms into a wolfman he somehow loses his clothes (which illogically reappear on his body when he reverts back to human form) and he sprouts long bushy hair in only a few places. The first place is around his face with his mouth left bare, making him look like he’s wearing a big hair-mask with eye-holes. The second place would be his hands and the third place is his crotch, which conveniently becomes bushy enough to block out the sight of his genitals. The rest of his well-built body is butt naked. 

Remember An American Werewolf in London? Well, think of this as An Italian Werewolf in his Birthday Suit. Speaking for myself I would LAUGH if a werewolf who looked like that came after me, but I’m not a character in this film and they all take the lycanthrope seriously. Continue reading

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HALLOWEEN AMERICANA: THE MONKS OF MONK HALL (1844-1845)

Balladeer’s Blog takes a look at a terrific horror tale which introduced some criminally neglected figures. 

Monks of Monk HallTHE MONKS OF MONK HALL aka THE QUAKER CITY (1844-1845) – Written by George Lippard, this strange and macabre story was originally serialized from 1844-1845 before being published in novel form. This bloody, horrific work was America’s best-selling novel before Uncle Tom’s Cabin

I always refer to this book as “Twin Peaks Goes to the 1840s.” On one level The Monks of Monk Hall deals with crime, corruption, drugs and sex-trafficking among many supposedly “respectable” citizens of Philadelphia the way Twin Peaks did with residents of the title town.

On another level the novel deals with supernatural horrors that lurk behind the Quaker City’s murders, vices and sexual perversions, again like the David Lynch series. The center of the darkness is Monk Hall, an old, sprawling mansion with an unsavory history and reputation. Many have disappeared into the bowels of the building, never to be seen again. The power players and criminals who mingle at the Hall in bizarre orgies, secret murders and drunken debauches are known as “Monks” – Monk Hall’s exclusive membership.

Monks of Monk Hall 4Think of Monk Hall as a combination of Twin Peaks establishments like the Black Lodge, One-Eyed Jacks and the Great Northern all rolled into one. The vast, multi-roomed Hall is honey-combed with secret passageways and trap doors. Beneath the mansion are a subterranean river plus several levels of labyrinthine catacombs filled with rats, refuse and the skeletal remains of the Monks’ many victims from the past century and a half.   

The sinister staff of Monk Hall are happy to provide their members with all the sex, opium and other diversions that they hunger for behind their public veil of respectability. Throw in the occult practices of the members and there’s a sort of “American version of Sir Francis Dashwood’s Hellfire Club” feel to it. Among the novel’s more horrific characters: Continue reading

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YAKUB AND “A BLACK MASS” (1966)

Halloween Month is flying by! Here’s another seasonal post.

a black massA BLACK MASS (1966) – This short horror/ mythological play was written by LeRoi Jones aka Amiri Baraka and has nothing to do with Satanism. The writer played on words, meaning “black” as in his skin color, not as in the Satanic masses enacted by larping geeks trying to be edgy. (Longtime readers may remember my contempt for the fools who call themselves Satanists.)

Whenever I review works by film director Jean Rollin I always point out that his creations run the gamut from brilliant to So Bad They’re Good. In the same spirit, I’m pointing out that Jones/ Baraka’s writings have been called racist, antisemitic, misogynistic ravings as well as artistic expositions on black thinking and culture.   

In A Black Mass Baraka fused elements of the Frankenstein story and zombie lore with the Nation of Islam’s myth about the black mad scientist/ evil magician Yakub. Continue reading

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MORE VINTAGE MEXICAN HORROR FILMS

Halloween Month rolls along here at Balladeer’s Blog! In the past, I’ve examined decades-old Mexican horror films that have a certain quaint B-Movie charm to them. Here are some of those So Bad They’re Good flicks I didn’t get the chance to review before now. 

the resurrected monsterTHE RESURRECTED MONSTER (1953) – Directed and co-written by the trailblazing Chano Urueta, this film is regarded as Mexico’s first sci-fi/ horror blend. A plastic surgeon named Dr. Hermann Ling (Jose Maria Linares-Rivas) has been driven mad by a lifetime of scorn over his grotesque, misshapen (yet hilarious) appearance. He has spent years working in isolation at a remote castle.

A beautiful (of course) female reporter named Nora, played by starlet Miroslava, is sent to obtain a story about the famed surgeon’s life and methods. The mad doctor falls in love with Nora and is devastated when she flees his castle after getting her story.

Our villain reanimates a handsome corpse and transplants an obedient brain into it. Hey, it’s the movies! Mad scientists are automatically masters of ALL disciplines! Ling has his hybrid creation bring Nora back to him, but it, too, has fallen for Nora and kills the doctor, and is in turn slain by Nora’s editor (Gherasimos). Continue reading

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MAN-BAT: HIS EARLY STORIES

This weekend’s escapist, light-hearted superhero post from Balladeer’s Blog takes a look at DC’s character Man-Bat.

det 400DETECTIVE COMICS Vol 1 #400 (June 1970)

Title: Challenge of the Man-Bat

Villains: The Blackout Gang

Synopsis: Kirk Langstrom, a Gotham City zoologist, makes his first appearance in this issue. Langstrom was using genetic components from bats to try restoring hearing to the deaf, but the formula instead wound up transforming him into a human-sized bat creature.

mb torsoThe anguished Langstrom realizes he must go into seclusion until he can devise a cure for his condition. That night he happens by as Batman interrupts the Blackout Gang’s attempt to rob a Gotham museum.

Man-Bat helps Batman defeat and capture the gang and reveals to the curious hero that he is not wearing a costume before departing, leaving the caped crusader stunned.  Continue reading

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BALLADEER’S BLOG’S FAVORITE VAMPIRE MOVIES FROM JEAN ROLLIN

masked ladiesAs Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin.

This French director is known as a “love him or hate him” kind of creator and in my opinion his works range from brilliant to So Bad They’re Good. In the past Balladeer’s Blog has examined Jean’s zombie films like The Living Dead Girl and Pesticide, his “vampires as a mutant species” flick The Nude Vampire and his oddly modern horror work Night of the Hunted.

isoldeToss in his eerie, haunting and beautiful movie The Iron Rose and I’ve covered most of the Jean Rollin films that I consider to be on the good to brilliant side of the ledger. I avoided reviewing his vampire movies (outside of the quasi-science fiction piece The Nude Vampire) because they are virtually their own separate subgenre and I wanted to feature my favorites in one post.

shiver of the vampiresTHE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above. 

This film is labeled everything from arthouse to grindhouse but I consider it to be more on the arthouse side. Think of a combination of Federico Fellini & David Lynch crossed with Hammer’s erotic vampire movies. It’s definitely Adults Only but more for tone and eroticism than gore and violence.

Isle (Sandra Julien) and Antoine (Jean-Marie Durand) are newlyweds who have just left their wedding reception and stop off to visit two of Isle’s male cousins in their very old castle by the sea. Two beautiful, enigmatic ladies greet them at the castle and introduce themselves as the maids. Continue reading

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THE WERWOLVES (1898) CANADIAN LYCANTHROPES

Balladeer’s Blog’s month-long celebration of Halloween continues with this look at Canadian werewolf lore.

the werwolvesTHE WERWOLVES (1898) – Written by Honore Beaugrand, this story features fairly unique werewolf lore. The tale is not structured in a traditional way but instead expands upon accounts of lycanthropy in campfire tales as if they really, truly happened.

A modern comparison might be with those far-fetched tales of the supernatural from supermarket tabloids or online Creepypastas. The pretense of reality adds to the fun.

Set in the very early 1700s The Werwolves treats readers to a pack of Iroquois lycanthropes rampaging around Quebec and elsewhere in Canada. These werewolves are much more intelligent and gregarious than many other such monsters.

They operate in a pack to steal away victims and even dance around a fire in their wolfmen forms howling and chanting before devouring their victims.

These Canadian variations also look much different than readers might expect: they have the heads of wolves and the tails of wolves but the rest of their bodies remain human after their nocturnal transformation.  Continue reading

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FRANKENSTEIN: THREE SILENT FILMS

Halloween Month continues with this look at the three silent movie versions of Mary Shelley’s Frankenstein

frankenstein 1910FRANKENSTEIN (1910) – This first ever cinematic depiction of the classic horror story was produced by Edison Studios, as in Thomas Edison. Luckily Frankenstein has survived, and existing copies run from 11 minutes to 16 minutes.

The movie opens on a scene with a painted backdrop and with Victor Frankenstein (Augustus Phillips) parting with his fiancee Elizabeth (Mary Fuller) and his father as he goes off to attend college.

charles ogle arms up Edison Studios efforts were known for their slipshod, seat of their pants nature, and Frankenstein serves up my all-time favorite back-to-back dialogue boards. “Frankenstein leaves for college.” followed by “Two years later Frankenstein has discovered the mystery of life.” (… And Frankenstein Created Cram School)

We get the exaggerated pantomime acting typical of such early silent films as Victor is excited at the thought of employing “the mystery of life” to create what he claims to Elizabeth will be the most perfect being ever. Continue reading

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THE MEN OF THE MOON (1809) ANCIENT SCIENCE FICTION FROM WASHINGTON IRVING

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Halloween Month rolls along here at Balladeer’s Blog with a repost of my 2014 review of a Washington Irving tale. Not The Legend of Sleepy Hollow, but Irving’s sci-fi tale that deserves to be associated with Halloween at least as much as Orson Welles’ radio adaptation of War of the Worlds long ago.

Washington Irving giving us his sexiest come-hither stare.

Washington Irving giving us his sexiest come-hither stare.

THE MEN OF THE MOON (1809) – Several decades before H.G. Wells would use his fictional invasion from Mars in War of the Worlds as an allegorical condemnation of colonialism the American author Washington Irving beat him to it. In Irving’s work The Men of the Moon a technologically advanced race from the moon conquered the Earth and treated its inhabitants the way that European and Muslim colonialists often treated the indigenous inhabitants of the areas they subjugated.

Irving, with tongue-in-cheek, called his invaders from the moon “Lunatics” and depicted them as green-skinned humanoids with tails and one eye each instead of two. Continue reading

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