As Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin.
This French director is known as a “love him or hate him” kind of creator and in my opinion his works range from brilliant to So Bad They’re Good. In the past Balladeer’s Blog has examined Jean’s zombie films like The Living Dead Girl and Pesticide, his “vampires as a mutant species” flick The Nude Vampire and his oddly modern horror work Night of the Hunted.
Toss in his eerie, haunting and beautiful movie The Iron Rose and I’ve covered most of the Jean Rollin films that I consider to be on the good to brilliant side of the ledger. I avoided reviewing his vampire movies (outside of the quasi-science fiction piece The Nude Vampire) because they are virtually their own separate subgenre and I wanted to feature my favorites in one post.
THE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above.
This film is labeled everything from arthouse to grindhouse but I consider it to be more on the arthouse side. Think of a combination of Federico Fellini & David Lynch crossed with Hammer’s erotic vampire movies. It’s definitely Adults Only but more for tone and eroticism than gore and violence.
Isle (Sandra Julien) and Antoine (Jean-Marie Durand) are newlyweds who have just left their wedding reception and stop off to visit two of Isle’s male cousins in their very old castle by the sea. Two beautiful, enigmatic ladies greet them at the castle and introduce themselves as the maids. Continue reading
THE WERWOLVES (1898) – Written by Honore Beaugrand, this story features fairly unique werewolf lore. The tale is not structured in a traditional way but instead expands upon accounts of lycanthropy in campfire tales as if they really, truly happened. 
FRANKENSTEIN (1910) – This first ever cinematic depiction of the classic horror story was produced by Edison Studios, as in Thomas Edison. Luckily Frankenstein has survived, and existing copies run from 11 minutes to 16 minutes. 
Edison Studios efforts were known for their slipshod, seat of their pants nature, and Frankenstein serves up my all-time favorite back-to-back dialogue boards. “Frankenstein leaves for college.” followed by “Two years later Frankenstein has discovered the mystery of life.” (… And Frankenstein Created Cram School) 
PENITENTE (Penitent) 
To redeem himself in the eyes of Heaven, the Penitente had to save seventy times seven the number of innocent victims he had killed while alive. As part of this purgative servitude he would also be periodically pitted against dark forces which had escaped from Hell. 
Comment: Our hero rose from his grave and masked his decaying, scarred face behind a red cloth like those worn during Brazil’s Procession of the Penitents. 
Halloween Month continues as Balladeer’s Blog takes an anticipatory look at Terrifier 3, which hits theaters tomorrow, October 11th. Despite making his first appearance in 2008, Art – the blood-and-gore-soaked supernatural killer of the Terrifier franchise – still gets hailed as a “new” figure because general audiences were unaware of him until 2016. 
The previous installments of Fool Killer lore have seen the neglected 1800s folk figure in a variety of roles: 
In honor of the Halloween season this post will look at the Fool Killer as a 1980s slasher. 
THE FOOL KILLER – As we all know, Anthony Perkins starred in the eerie 1965 movie The Fool Killer as an amnesiac Civil War veteran who came to believe he was really the legendary title figure. A 1980s slasher version of the Fool Killer could feature a deranged killer who has similarly come to regard himself as the “real” one.
EZRA PEDEN – This was Allan Cunningham’s tale about the deeds of Scottish Presbyterian Minister Ezra Peden and his encounters with the forces of the supernatural in Scotland from the late 1600s to around 1706. It makes for nice Halloween Season reading and practically makes you feel the chilliness of Scotland in late October as Cunningham depicts the brave, if humorless, Ezra adventuring in the moonlight. 
SWAMP THING Vol 1 #3 (March 1973) 
Alec’s body was dumped in the swamp, where the bio-restorative chemicals his body had been soaked in interacted with his own anatomy, the mud and the plant life in the swamp, letting him rise from the dead as a murk-monster. The Swamp Thing retained Alec Holland’s intelligence but could not speak for the first several issues. 
Halloween Month at Balladeer’s Blog continues with this look at Mexican horror figures who haven’t had a truly striking movie in decades. Well, outside of La Llorona, who still gets featured every few years. 
DOCTOR M
The image of the returned Dr. M in his hideous new body playing a mournful tune on a violin to prove his identity to a friend is a scene worthy of the greatest Gothic horror films. Even better would have been a scene of him later playing the same tune over his own grave. 
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