BEYOND THE UNIVERSE (1981) – Well, Balladeer’s Blog has come to the last film in the Anne Spielberg, Robert Emenegger and Allan Sandler batch. If you’re new to the Spielneggerdler oeuvre, various combinations of the trio churned out no less than TEN low-budget, mostly awful sci-fi films in 1980 and 1981. Yes, you read that right. Ten movies in just two years, with results about what you’d expect from that “quantity not quality” approach.
I reviewed eight of them in a movie marathon spirit HERE (Warp Speed, Escape From DS-3, The Killings At Outpost Zeta, Captive, PSI Factor, Laboratory, The Perfect Woman and Time Warp). I reviewed Lifepod, which I consider to be the best of the Spielneggerdler output, separately HERE and now I’m wrapping up with Beyond The Universe.
Going in, we know we’ll be getting reused actors and recycled special effects from the other nine films, assorted offspring of big-name talents of the past, and one or two “stars” in the embarrassing twilight of their careers. Usually a few members of the Cameron Mitchell clan, or even Cameron himself, tag along.
I’ve previously noted how a few of the movies set in E-Space (Emenegger Space) used the name Starfleet for their futuristic space travel organization. This time around we get a global government called the United Federation.
The year is 2081. We learn that in 1993 and 1996 nuclear wars broke out involving China, the Soviet Union and the United States. (Hey, we can look back and laugh at those wars now, but back THEN …) Those conflicts were followed in 1999 by a Five Year Civil War in which what was left of humanity fought each other until, ultimately, the United Federation was established. Continue reading
THE SATAN KILLER (1993) – August of 1993 saw the release of this cop-on-the-edge movie crossed with a “Satanic serial killer at large” exploitation flick. Steve Sayre directed under the alias Stephen Calamari and starred as Police Detective James Stephen (not StephenS … Stephen. As in Stephen Calamari.) 
DETECTIVE JAMES STEPHEN (Steve Sayre) – James’ fiancee Christie (Cindy Healy) is abducted, tortured and murdered in a ritualistic way by a Norfolk area serial killer dubbed the Satan Slayer (not killer) by the local media. James has been working the case and media scavengers make a sideshow of his grief. Our hero copes by drinking heavily and slipping into the yellow shirt that he apparently plans to wear every day for the rest of his life. 
LABORATORY (1980) – Time for another Anne “Steven’s Sister” Spielberg project with Robert Emenegger, after whom Balladeer’s Blog has named the REAL E-Space. (Sorry, Doctor Who fans.) In this flick we meet some of the strangest aliens in the Emeneggerverse. They have humanoid outlines but they’re wrapped within shimmering disco-ball skin and are reminiscent of Eldrad from The Hand of Eldrad. 
AGON: ATOMIC DRAGON, also called Phantom Monster Agon and Giant Phantom Monster Agon, is an overlooked miniseries from Japanese television. It was produced in 1964 but due to legal action over the monster’s similarity to Godzilla its creator’s old Toho contract was invoked to prevent the miniseries from being televised until 1968. This black & white miniseries ran just four half-hour episodes and aired on four consecutive nights, from January 2nd – 5th, 1968. 
When an irritating reporter named Goro Sumoto aka “the Suppon” arrives to report on the police and the Atomic Energy Authorities scouring the beach for the lost uranium, Agon rises up from the sea in the exact same “bubbling waters first” technique favored by Godzilla. Goro photographs Agon, who vogues for a while, then submerges again. The reporter also meets Monta, the obligatory wise-ass little kid character so common to kaiju stories. 
Here at Balladeer’s Blog I’ve long found Midnight’s Edge to be the most accurate site when it comes to entertainment news. I would put Clownfish TV in second place. As for Midnight’s Edge, not only do they carefully label what has already been proven and what is merely word from sources, but over the past few years they have been the only entertainment site I’ve seen that winds up being ACCURATE, especially in the long run, after all the facts have come out. 
A.D.A.M. (1973) – Written by Donald Jonson and directed by Michael Lindsay-Hogg, this made for British tv item served as an episode of ITV Sunday Night Theater on April 8th, 1973. The story is part science fiction and part horror with the A.D.A.M. of the title being an acronym for a super-computer called an Automated Domestic Appliance Monitor. 
THE RATINGS GAME (1984) – Danny DeVito directed and starred in this telefilm – now being re-released under the vague-to-the-point-of-meaningless title The Mogul, which was produced by Showtime back when they and HBO Films were emerging as a genuine creative force in original content. 
The Ratings Game – written by Jim Mulholland and Michael Barrie – was a perfectly respectable satire on the network television ratings system but it has become unjustly forgotten. The change of title for its latest release seems like a desperate attempt to change the telefilm’s fortunes. 
SLAUGHTER HIGH/ APRIL FOOL’S DAY (1986) – This is the low-budget horror film made in England and set on April Fool’s Day. There are still VHS tapes and YouTube videos that show the original title, but the title was changed to Slaughter High because of the year’s OTHER April Fool’s Day slasher film with a gimmick ending.
After an April Fool’s Day “prank” involving nudity, electric shocks and near drowning, Marty is still alive through no fault of his classmates. The supposed popular kids get punished for their criminal assault on Marty, and perversely blame him for it! It’s that kind of movie. Hell, Marty’s tormentors were caught in the act, it’s not even like he peached on them (since this was made in England I couldn’t resist writing “peached on them”). 
In that classically campy serial Gene Autry played a singing cowboy who saves the world from an advanced underground civilization that comes complete with killer robots who wear cowboy hats. 
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