VORTEX (1982) – Written and directed by Beth B and Scott B, this independent sci-fi detective film starred cult figure Lydia Lunch and actor James Russo. This is one of those movies made with so little money – some of it from the National Endowment for the Arts – that it can’t really be held to the same standards as mainstream releases of its time.
Vortex, a murder mystery involving corporate and governmental corruption, is a fun relic of the days when indy filmmakers did not have access to the kind of technology that such mavericks do today. Here in 2022 it’s possible to buy hand-held equipment that would automatically make one’s movie project look better than many 1980s efforts. However, that does not make today’s filmmakers any more talented than those who came before them.
To be kind, Vortex was one of those films in which the ideas being presented and the bold images being shown on screen were the true point. Solid acting and expensive special effects were only occasionally part of the equation. Continue reading
Regular readers of Balladeer’s Blog know that all – or at least most – roads lead to bad movies with me. Since 1976 the movie Track of the Moon Beast has been a cult hit for the Psychotronic-minded and for those people who were lucky enough to catch it at various drive-ins during their heyday. 
Frustratingly, the song was not quite complete and had a few interruptions by dialogue from the film. For decades clearer versions of California Lady were incredibly rare. Mike Wolfer found and has uploaded two versions of the song at his YT Channel (subscribe 
The first was the studio recording of the song (below) and the second was the entire EP from Frank Larrabee. California Lady is at the 10:03 mark and is a much smoother, less worn recording of the song and is MUCH MORE LIKE THE PERFORMANCE IN THE MOVIE. No interruptions in either case, so you can enjoy this cult item the way it was meant to be heard. 
Mickey Spillane’s hard-boiled private “detective” Mike Hammer first appeared in the writer’s debut novel I, The Jury in 1947. Spillane filled the Hammer stories with scandalous – for the time period – violence and sex. Critics frowned on the hundreds of millions in book sales that followed but readers continue to make the many Mike Hammer novels a success to this very day. 
MICKEY SPILLANE’S MIKE HAMMER (1954) – This was a failed pilot for what would have been the first Mike Hammer television series. Brian Keith starred as the title dick (as it were) while Blake Edwards wrote and directed, years before his Peter Gunn series. 
THE MOST TERRIBLE TIME IN MY LIFE (1993 in Japan, 1994 in the U.S.) – Masatoshi Nagase IS Maiku Hama, the Japanese rendering of the name Mike Hammer. This unusual film, directed and co-written by Kaizo Hayashi, is in black & white for all but the final 20 minutes. 
THE BRAIN (1962) – Freddie Francis directed this black & white film, which was the third movie adaptation of Curt Siodmak’s science fiction novel Donovan’s Brain. The characters’ names were changed and the sci fi elements were mixed with detective story elements this time around. 
Corrie and Shears discover that Max Holt is the only one of the airplane passengers still clinging to life, but just barely, and has no hope of survival. Corrie browbeats Shears into helping him get Holt’s body back to their lab, where they remove his brain to see how long they can keep it alive in one of their fish aquarium containers filled with life-preserving fluids and equipment. 
DEATH GAME (1977) – Also released under the title The Seducers, this horror movie/ psychological thriller was filmed in 1974 but not released until 1977 due to assorted legal entanglements. Sondra Locke and cult queen Colleen Camp starred with Seymour Cassell in this thoroughly bizarre exploitation movie.
After the oft-invoked nonsense about the film being based on a true story Death Game begins.
CHROME AND HOT LEATHER (1971) THE Marvin Gaye made his big-screen debut in this relentlessly absurd example of the bad biker films of the 1960s and 1970s. 
THE AFTERMAN (1985) – Balladeer’s Blog’s Weirdness at the End of the World category of movies returns with this bizarre little honey. The Afterman also marks the return of my sub-category “Those Darn Belgians.” Yes, just like Rabid Grannies this flick was created in Belgium. 
The story opens up in the year 2011. For twenty years our lead character, called simply the Man, has been living in a high-tech bomb shelter. The shelter was stocked with plenty of aerosol spray-food from “futuristic” 1991, when the nukes fell. Elaborate security cameras and leftover news reels have been almost the only diversions the Man has had for two decades, aside from drawing sketches. 
IT’S A BIRD … IT’S A PLANE … IT’S SUPERMAN! (1975) – It’s the bomb that asks the musical question “How many Lembecks can you handle?” Even the most die-hard Superman fans would have a hard time forcing themselves to watch all of this made for tv movie version of the 1966 stage musical. 
Despite music by Charles Strouse, lyrics by Lee Adams and script by David Newman & Robert Benton this Superman musical was Broadway’s biggest flop in history as of the 1960s. It’s no great shakes in its televised form, either. 
BIG ZAPPER (1973) – Linda Marlowe stars as Harriet Zapper, a two-fisted private investigator, in this first of two Zapper movies directed by Balladeer’s Blog’s old friend Lindsay Shonteff. If they ever build a Museum of Britsploitation Films, Shonteff will have an entire wing dedicated to him. 
Often forgotten were the man’s pair of films about a virtual “Dirty Harriet” with sexy Linda Marlowe as the lead. I’ve read some reviews that bash Marlowe’s performance as Harriet Zapper but all I can say is those critics must never have seen Lindsay Shonteff’s other film projects. NO actor can come off looking talented under Shonteff’s direction. 
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