A.D.A.M. (1973) – Written by Donald Jonson and directed by Michael Lindsay-Hogg, this made for British tv item served as an episode of ITV Sunday Night Theater on April 8th, 1973. The story is part science fiction and part horror with the A.D.A.M. of the title being an acronym for a super-computer called an Automated Domestic Appliance Monitor.
A.D.A.M. (voiced by Anthony Jackson) is basically the Smart Home from hell and was designed by military engineer Roger Empson (Mark Jones) to run the household and care for his physically disabled wife Jean (Georgina Hale). The computer system turns sinister, acquires independent thought and “falls in love” with Jean. Continue reading
Brian Thomas, a contributing author over at Enlightened-Digital kindly provided this entertaining look at A Century of AI in films. Thank you, Brian! Have a look:
THE WRECK OF A WORLD (1889) – Written by W. Grove. (No other name available) This novel is the sequel to Grove’s A Mexican Mystery, an ahead-of-its-time work about a train engine devised to have artificial intelligence. The machine – called only The Engine in that story – rebelled and took to preying on human beings in horrific fashion. For Balladeer’s Blog’s review of that novel click HERE
The Wreck of a World is not a direct sequel to A Mexican Mystery but does use one of that novel’s elements as its springboard: the deliciously frightening notion that the Engine’s artificial intelligence might have included the capacity to design and build others of its kind. Though A Mexican Mystery never explored that concept, Grove deals with it in much more detail in this second novel.
Our story begins in what was to Grove “the far future” of 1949. After a fairly superficial depiction of the world’s political and scientific situation in this imaginary future the meat of the tale begins. All in all the author did not present 1940s technology as being much more advanced than what was available in the 1880s. Grove might have done better to set his tale in 1899 or just into the 1900s to detract from his lack of vision on this particular element.
The revolt of the machines begins with train engines, presumably as a nod to the memorably malevolent Engine from Grove’s previous novel. The engines begin constructing others of their kind with the same robotic arms and with each new edition flaunting deadlier and deadlier weaponry to boot.
The engines soon modify themselves beyond the need for train tracks and become more like tanks, so kudos to this neglected author for nicely predicting the advent of such mobile death-machines. Continue reading