Balladeer’s Blog’s examination of an epic myth of the Nyanga people of Africa.
PART ONE
Mwindo is yet another semi-divine hero from global mythology. This epic will explore his unusual birth, his heroic deeds and victories over various monsters and hostile gods.
Many of the myths from Africa survived mostly in oral form until comparatively recent decades, so there are even more variations of African epics than readers may be used to. To cite just one example: Mwindo himself is usually referred to by the epithet Kabutwa-kenda, “the little one just born yet walking”. However there are a few versions of the myth in which Mwindo and Kabutwa-kenda are TWO SEPARATE FIGURES and are half-brothers.
In the versions where they are two separate entities Mwindo is a villainous figure while Kabutwa-kenda is the main hero of the epic. Regular readers of Balladeer’s Blog will be reminded of the Navajo twin gods Nayanazgeni and Thobadzistsini. Nayanazgeni was usually the hero of the epic about the defeat of the evil gods called the Anaye but in the Apache version of the myth his brother Thobadzistsini is the hero and Nayanazgeni is reduced to being a comic relief coward.
To stay in the area of comparative mythology for a moment Mwindo also shares qualities with the Sumerian demigod Gilgamesh. Like Gilgamesh, Mwindo goes from being brashly overconfident about his own supernatural powers to becoming a more humble hero and more capable ruler as the tale goes on.
The Mwindo Epic begins in the village of Tubondo, surrounded by raphia trees and located on a high hill. The founder and Chief of the village was named Shemwindo and he had seven wives because the Nyanga considered seven to be the number of perfection. Nyanga villages had seven separate kinship halls even if there were not seven separate kinship groups in the village. This was done out of deference to the sheer perfection of the number seven. Continue reading
THE BAKARIDJAN KONE EPIC – Djeli, the poet-historians of the Bambara people for over 300 years, would often recite, chant and sing this epic myth while playing their stringed instruments called ngoni. 
HODADEION PART 11: THE WRATH OF HODADEION – As the demigod Hodadeion stalked angrily toward the large longhouse lodge in which the cannibal wizards and their women were tormenting his younger brother Otgoe, he had but one regret. That was that the Chief of the cannibal wizards, Dagwahgweoses, was away at his private lodge and would need to be dealt with separately. 
HODADEION PART 10 – THE CANNIBAL WIZARDS – Now safely on the northern side of Niagara Falls following his battle with the whirlwind, the demigod Hodadeion continued walking toward the northeast. 
CANTO ONE – The jungle and mountain god Tan Vien was accompanying the semi-divine Emperor Hung Vuong XVIII on a Royal Hunt. A turn of fate puts them in a position to save the imperiled son of Long Vuong, the chief sea god. CLICK 
Since these items have proven so popular here’s another of my neglected epic myths presented in chapter format. 
Here’s another piece in the tradition of Balladeer’s Blog’s guides to my examinations of the epic myths about Nayanazgeni, the Navajo War God and Pele & Hi’iaka, the Hawaiian volcano goddess and her sister. 
The hit movie Moana seems to have caused a lot of people to refer each other to my various Polynesian myth articles. A few of them even claim that it feels like my articles (written and posted years ago) may have inspired the creative team behind Moana. 
PART ONE: When Pele offends the love goddess Laka that deity takes revenge by causing Pele to fall in love with the mortal Prince Lohiau of Kauai. CLICK 
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