Tag Archives: African mythology

THE OZIDI EPIC OF NIGERIA: PART NINE

FOR PART ONE CLICK HERE. PART TWO HERE. PART THREE HERE. PART FOUR HERE. PART FIVE HERE. PART SIX HERE. PART SEVEN HERE. PART EIGHT HERE.

PART NINE – Ozidi’s character development will continue in this installment. It starts out like the previous part, with our main character being sought by another who has heard of the many powerful opponents that Ozidi has slain and wanting to see for himself how well the young man can fight.

This time the challenger to Ozidi is Tebesonoma of the Seven Crowns. Tebesenoma is a giant man with seven heads and on each head sits a crown made of writhing demons. The giant’s long arms reach all the way down to the ground, letting him more easily reach and kill his opponents.

Tebesonoma roams the jungles near the Niger River until he comes face to face with Ozidi, who as usual stalks the land looking for adventure. The seven-headed giant speaks to Ozidi about how much he has heard about him and goes down a list of all the figures who have fallen in combat with him. He then challenges our hero to battle.

(This exchange reminds me of Old West gunfighters with one of them wanting to blow away a gunslinger with a big reputation.)

Ozidi draws his lightning-sword from his mouth and, since his retinue of musicians, singers, a lizard and a monkey were already at his side, he fights Tebesonoma.    Continue reading

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OZIDI EPIC OF NIGERIA: PART SEVEN

FOR PART ONE CLICK HERE. PART TWO HERE. PART THREE HERE. PART FOUR HERE. PART FIVE HERE. PART SIX HERE

PART SEVEN – Picking up where we left off, Ofe the chief conspirator in the murder of Ozidi the Elder had cowardly fled once again rather than face the avenging son Ozidi the Younger in combat. Ozidi’s grandmother Oreame cast spells to flush out Ofe no matter where he was hidden.

Ofe’s magic had let him hide underneath the ground itself and he now involuntarily sprang upward from that hiding spot and stood face to face with Ozidi the Younger. With the eyes of everyone living in Orua on the combatants, Ofe had no choice but to at long last stand his ground and face his fate.

Ozidi advanced, wielding his sword made of lightning while his musicians played and sang his glories. Though Ofe was a coward he possessed powerful magic and fought Ozidi to a draw.

As the hours passed, our hero at last got past the defenses of Ofe’s own mystical weaponry and prepared to deliver the death blow. Ozidi’s lightning sword sliced his foe’s body in half at the waist. Continue reading

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OZIDI EPIC OF NIGERIA: PART SIX

FOR PART ONE CLICK HERE. FOR PART TWO CLICK HERE. FOR PART THREE CLICK HERE. FOR PART FOUR CLICK HERE. FOR PART FIVE CLICK HERE.

PART SIX – Corresponding with the one-day hiatus from the story tellers and singers performing the Ozidi Epic, our hero has been sleeping after slaying Badoba. Tall Badoba was the latest of his father’s killers to meet their end at the hands of Ozidi the Younger. Only the leader of the murderers remained – Ofe.

At the end of the previous installment, cowardly and treacherous Ofe had fled Orua in hopes of escaping Ozidi’s wrath. Overnight, however, he realized that Ozidi would never abandon his revenge quest because he had to slay every single one of his father’s killers in order to free Ozidi the Elder’s spirit from the deadlands limbo in which it was imprisoned.

Ofe glumly returned to Orua and sought shelter in his home. Meanwhile, at the home of Ozidi’s uncle King Temugedege, the mentally unfit ruler installed as a puppet by the murderers of Ozidi the Elder, it was time for Ozidi the Younger to wake up.

Our hero’s mother Orea and his sorceress grandmother Oreame fed him breakfast until he was full. Then it was time once again to go into action, so Ozidi reached down his throat and pulled out of his mouth his sword made of lightning, his battle clothing, his musicians and attendants plus his spear and other weapons. He pulled out his monkey and lizard, too.

As Ozidi walked Ado, the capitol of Orua, the people all grabbed their children and fled into the jungle to avoid being caught in the fallout of the battle between Ozidi and Ofe. Continue reading

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THE OZIDI EPIC OF NIGERIA PART FIVE

FOR PART ONE CLICK HERE. FOR PART TWO CLICK HERE. FOR PART THREE CLICK HERE. FOR PART FOUR CLICK HERE.   

PART FIVE: At the conclusion of Part Four, the hero Ozidi, who possessed the strength of ten men, a lightning sword and the ability to pull other weapons out of his mouth/ innards, had killed yet another of his father’s murderers. That latest fallen foe was Akpobrisi, Wielder of Net Weapons as well as his troops.

Ofe, the main villain behind the slaying of our hero’s father, had hoped Akpobrisi and his soldiers would be capable of eliminating Ozidi. Ofe was expected to be the next man to face the avenging Ozidi but he was far too craven to do so. He blamed the citizens of Orua for the murder of Ozidi the Elder, lying that they pressured him to betray the dead victim even though the ambition of him and his co-conspirators was truly to blame.

Still, cowardly Ofe sought to throw another against Ozidi the Younger. He forced his right-hand man Badoba to face Ozidi in battle. Badoba tried to convince the despicable Ofe that they should both attack the hero together. Ofe refused, still hoping to avoid facing Ozidi in combat. Continue reading

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THE OZIDI SAGA OF NIGERIA: PART FOUR

FOR PART ONE CLICK HERE. FOR PART TWO CLICK HERE. FOR PART THREE CLICK HERE.     

PART FOUR: When our previous installment ended, Ozidi had killed and beheaded three of his father’s murderers, bringing his soul that much closer to being freed from the deadlands limbo where it was stranded.

He and his sorceress grandmother Oreame began planning to deal with Ofe, the leader of the conspirators who murdered Ozidi the Elder so that they could rule Orua through the elder Ozidi’s mentally unfit brother, King Temugedege. Ofe was growing to fear Ozidi the Younger after the power and skill he had demonstrated in killing his first three opponents.

Ofe manipulated one of his other co-conspirators, Akpobrisi the Net-Wielder Whose Touch Was Death, into attacking Ozidi at the home of his uncle, King Temugedege. And not one-on-one like the three dead and decapitated men Ozidi the Younger had already slain, but with an army of men at his side. Continue reading

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THE OZIDI SAGA OF NIGERIA: PART THREE

FOR PART ONE CLICK HERE. FOR PART TWO CLICK HERE.

PART THREE: When we left off, our hero Ozidi the Younger had just finished slaying the first of his father’s murderers and Ozidi reminded his mentally unfit uncle, King Temugedege, that he is having to take care of the family business that he is incapable of. When all of the killers of Ozidi the Elder have been dealt with, his father’s spirit will be free from the deadlands limbo in which it currently dwells. 

Azezabife the Half Man (also called Kemepara), another of his father’s murderers, is the next to confront Ozidi. The narrative makes it clear that despite his bluster and his graphic description of the way he intends to kill our hero, Azezabife is frightened deep down.   

This figure is called the Half Man because one half of his body is normal while the other half is hideous and monstrous. Azezabife was spawned by the deadlands and in that limbo there is another of him whose body is human on the half where the living Azezafife is monstrous and vice versa. Continue reading

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THE OZIDI SAGA OF NIGERIA: PART TWO

FOR PART ONE CLICK HERE.

PART TWO: Ozidi’s maternal grandmother Oreame performs the ritual to transform him from a mere mortal into a spiritual warrior who is as strong as ten men, has eyes that blaze like lightning and can see through the lies of deceitful men and ears that can hear the whispers of the Niger River gods. The ritual includes bathing Ozidi in palm oil and river water.

The sky gods send down a hawk which perches on our hero’s shoulder and serves as his messenger. Next, Oreame summons the sorcerer Bou-Akarakarabiri, who uses a spell that reduces all manner of tools, weapons and animals into a potion.

Oreame forces the potion down Ozidi’s throat so that it rests in his intestines. The magical mixture will enable him to summon any of the tools, weapons and animals out of his mouth to use them during his adventures. Continue reading

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AFRICAN EPIC MYTH: THE OZIDI SAGA OF NIGERIA

OZIDI – Over the years, Balladeer’s Blog has examined several epic myths from around the world. I’ve reviewed Navajo, Hawaiian, Vietnamese, Chinese, Greek, Roman and African epics. Among the African epics I’ve examined were the Mwindo Epic, the Woi Epic, the sagas of Aiwel Longar, Bakaridjan Kone and others.

For today, the subject is the tale of Ozidi of the Ijo/ Ijaw people in what is now Nigeria. It is another African Epic performed in words and music over the course of several days. Every major character has a musical theme of their own which gets repeated throughout the performance of this epic, a wonderful anticipation of modern-day musical scores for movies.  

PART ONE: Among the Orua, the nation’s kingship is rotated among each of its royal clans. (In the popular 1990s adaptations this was instead depicted as the rotating series of political candidates who rise to become the head of state.) It is now the turn of the clan of Ozidi the Elder, commander of the army but Ozidi himself is the second-oldest son and therefore not eligible to become king. Continue reading

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AFRICAN EPIC MYTH: BAKARIDJAN KONE

Balladeer’s Blog resumes its blog posts about neglected mythological epics from around the world. This particular epic comes from the Bambara people of the Kingdom of Segu in what is now Mali.

THE BAKARIDJAN KONE EPIC – Djeli, the poet-historians of the Bambara people for over 300 years, would often recite, chant and sing this epic myth while playing their stringed instruments called ngoni.

A. The future father of Bakaridjan Kone is a noble-born farmer in Disoro Nko. He grows tired of his agrarian lifestyle and his wives. (“Segu City’s where he’d rather stay/ He gets allergic smelling hay” Had to be said.) Hearing that Da Monzon, the great ruler of the Kingdom of Segu, knows how to create gold, the disenchanted farmer goes to Segu City and becomes part of the court of Da Monzon, only to learn the gold story is not true.

A ngoni instrument

A ngoni

B. Kumba, one of the errant farmer’s wives, gives birth to a boy. His deadbeat dad refuses to be present for the naming ceremony but hints around to Da Monzon that maybe he should provide him with a gift to celebrate the birth. Da Monzon is disgusted with the man for abandoning his wives and not being present for said naming ceremony.

              Instead, the king sends cowries to the wives so they can perform a proper ceremony, at which he wants the baby to be named Bakaridjan Kone. As the provider of the boy’s name, Da Monzon has made himself the child’s adopted father.

C. Years go by, and, royal politics being what they are no matter the culture or time period, Da Monzon begins to worry that he may get killed and/or overthrown before any of his sons are old enough to take over as king. His morike (oracle or diviner) tells him that no full-grown man poses a threat, but there is a boy-child who would one day be able to seize the throne. The morike advises Da Monzon to find a boy who is tough enough to not cry out when his foot is pierced by the king’s spear. THAT is the boy who might overthrow the king. Continue reading

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MERINA GODS IN MADAGASCAR

mgnewzz.gif (320×350) Covering the myths and deities of the various peoples of Madagascar is a pretty sizeable job to undertake. I decided to use the same approach I’m using with the Americas and take things on a tribe-by-tribe basis.

First off I’ll be tackling the Merina people. Let me emphasize that for my fellow mythology geeks – this list will be JUST about Merina gods and myths. There are a variety of cultural groups from Madagascar, each with their own pantheon of deities, but plenty of mythological reference books do them the disservice of lumping everything into one big category labeled “Madagascar” or “Malagasy Mythology”.

This causes confusion because it would be like lumping gods from Celtic, Norse, Greco-Roman, Slavic, Etruscan and Hittite mythology in one big puddle called “European Gods” with no attempt to break them into their separate pantheons. So if the following gods either are not in whatever reference books you personally use or if your books list a different figure as “Madagascar’s” patron deity of a certain concept there is no need to jump in with objections. I will eventually hit all the cultural groups. 

ITRIMOBE – The primordial sea-beast who lived on the Earth when it was nothing but endless ocean. For untold years Itrimobe enjoyed its solitary subaquatic existence. Eventually it grew bored and set out to examine the parameters of the world it lived in. It swam down all the way to the bottom of the sea, then swam upward as far as it could go and at last poked its head out into the air and sunlight.

Itrimobe swam east, north, west and south but found no land and no way out of the endless ocean. Curious, the entity dug three holes in the center of the Earth and one hole at each end, allowing much of the water to drain. This drainage caused the formation of the continents, which the now-amphibious Itrimobe explored. Unfortunately the blazing sun overhead eventually dried Itrimobe out to a dangerous degree and blinded it.  The remaining ocean water was nowhere near deep enough for the gigantic creature to submerge itself ever again, causing its body to die. Continue reading

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