OZIDI – Over the years, Balladeer’s Blog has examined several epic myths from around the world. I’ve reviewed Navajo, Hawaiian, Vietnamese, Chinese, Greek, Roman and African epics. Among the African epics I’ve examined were the Mwindo Epic, the Woi Epic, the sagas of Aiwel Longar, Bakaridjan Kone and others.
For today, the subject is the tale of Ozidi of the Ijo/ Ijaw people in what is now Nigeria. It is another African Epic performed in words and music over the course of several days. Every major character has a musical theme of their own which gets repeated throughout the performance of this epic, a wonderful anticipation of modern-day musical scores for movies.
PART ONE: Among the Orua, the nation’s kingship is rotated among each of its royal clans. (In the popular 1990s adaptations this was instead depicted as the rotating series of political candidates who rise to become the head of state.) It is now the turn of the clan of Ozidi the Elder, commander of the army but Ozidi himself is the second-oldest son and therefore not eligible to become king. Continue reading
THE BAKARIDJAN KONE EPIC – Djeli, the poet-historians of the Bambara people for over 300 years, would often recite, chant and sing this epic myth while playing their stringed instruments called ngoni. 
Covering the myths and deities of the various peoples of Madagascar is a pretty sizeable job to undertake. I decided to use the same approach I’m using with the Americas and take things on a tribe-by-tribe basis.
Balladeer’s Blog presents another neglected epic myth from around the world. In this case, Liberia’s Woi Epic of the Kpelle people. 
A. Ngai, the creator god, divider of the universe, divider of the land from the sea and owner of the dazzling light, descended to the Earth shortly after making it. Mists covered the entire world because of how freshly made it was.
After Balladeer’s Blog’s examination of the Mwindo Epic many readers expressed an interest in Nyanga mythology. I’m all about giving readers what they want so here are brief looks at the deities of the Nyanga people. 
In the versions where they are two separate entities Mwindo is a villainous figure while Kabutwa-kenda is the main hero of the epic. Regular readers of Balladeer’s Blog will be reminded of the Navajo twin gods Nayanazgeni and Thobadzistsini. Nayanazgeni was usually the hero of the epic about the defeat of the evil gods called the Anaye but in the Apache version of the myth his brother Thobadzistsini is the hero and Nayanazgeni is reduced to being a comic relief coward. 
RUHANGA