Balladeer’s Blog’s 9th Annual Christmas Carol-A-Thon continues with this take on one of the perennial staples of Christmastime viewing. Readers are often surprised that I haven’t reviewed this one even though it’s one of my favorites. No special reason, it’s just that so many excellent reviews have already covered this Carol that I wanted to hit the more obscure versions first.
A CHRISTMAS CAROL (1984) – Let me kick off this review with my old, overused joke about wanting to hear George C Scott holler “Dickens, you magnificent bastard … I READ YER BOOOOOOOOK!”
My only complaints about this undeniable classic would be 1) the way it’s one of those Carols which unnecessarily add extra tension to the relationship between Scrooge and his father and 2) unnecessary magnification of why the poor and unemployed are sad at Christmas. Dickens put it poetically. This adaptation belabors it.
Moving on to the performances:
SCROOGE – Be thankful that George C Scott toned down his George C Scottishness for this role. If you’ve seen him as Fagan in the 1982 adaptation of Oliver Twist you know what a bullet this Christmas Carol dodged. (“When you put your hand into a pile of goo that a minute ago was the Artful Dodger’s face … You’ll know what to do.” That’s the last time I’ll do that. I promise.) Continue reading



GIZMO (1977) – An entertaining documentary about some of the oddest inventions you could possibly imagine. Some never made it anywhere close to actually working, while others worked but proved so hopelessly impractical that you’ll howl with laughter at the wasted effort. 
Next we have a series of scenes featuring some of the more sinful citizens of the deep southern town. Adultery, bigotry, covetousness, greed and outright murderous passions lurk behind every corner of this Mayberry-turned-Sodom and Gomorrah. These scenes go on so long even Larry Buchanan would scream “Pick up the pace, dammit!” at the screen.
Halloween is celebrated all month long here at Balladeer’s Blog. Here’s my review of this Jean Rollin film. For even more reviews of horror films with a nudity theme click 
THE CREEPY LINE (2018) (AVAILABLE ON I-TUNES) – This is a terrific and highly-detailed look at the abuses involved in selective censorship on Social Media and other internet sites. The techno-fascists at Facebook, Google, Twitter and similar 21st Century Robber Baron domains are finally getting the kind of scrutiny that those privileged (and partisan) one percenters deserve. 
Paul “Jacinto Molina” Naschy was Spain’s King of Horror decades ago. Many of his films featured his recurring character Waldemar Daninsky, a tormented lycanthrope who was seeking a cure for his curse.
HELLRAISER (1987) – “Jee-zuz WEPT!” Clive Barker helped translate his novel The Hellbound Heart to the big screen in this film. It’s incredibly rare for a novelist to get to DIRECT a movie version of one of his own works but Barker made the most of it.