Frontierado is coming up on Friday, August 2nd! Here’s a brief look at two films presented on The Texas 27 Film Vault that match the old west theme of this holiday season. Randy Clower and Richard Malmos were the hosts.
A movie guaranteed to contain absolutely NO accurate information.
FRONTIER MARSHAL (1939)
Original Broadcast Date: Saturday October 25th, 1986 from 10:30pm to 1:00am.
Serial: An episode of Mysterious Doctor Satan was shown before the movie. This 1940 serial presented the title villain trying to take over the world with a big, goofy robot while being opposed by a masked superhero called Copperhead.
Movie: Frontier Marshal is notorious as the LEAST historically accurate depiction of the Gunfight at the O.K. Corral. Randolph Scott starred as Wyatt Earp with Cesar Romero as Doc Holliday. Nobody can pronounce Doc’s name right, plus he’s presented as a Medical Doctor instead of a dentist. Meanwhile Doc himself starts out the film drinking only milk. (?)
Randy (right) and Richard way down on Level 31 hosting The Texas 27 Film Vault
No Clantons or McClaurey’s are to be found anywhere, nor are Wyatt’s brothers. Doc is shown getting killed off BEFORE the Gunfight at the O.K. Corral even happens! To top it all off the famous gunfight takes place at night for no apparent reason and Wyatt’s only ally in the battle is a saloon girl who had a crush on Doc. Bad craziness all around in this little honey. Continue reading
GET MEAN (1975)- One of the weirdest Spaghetti Westerns ever made and that’s saying something! Get Mean stars Tony Anthony and was also released under the title The Stranger Gets Mean, making it the final movie in Anthony’s series of Italo-Westerns as the enigmatic gunslinger known only as the Stranger. 
PRECIOUS FIND (1996) – This is a hilariously bad attempt to do a science fiction version of The Treasure of the Sierra Madre. That description makes this movie sound much, MUCH better than it really is. 
GANG OF ROSES (2003) – The annual Frontierado Holiday, coming August 2nd this year, is about the myth of the Old West, not the grinding reality. So is the movie Gang of Roses, which is why I cannot believe the merciless reviews this fun, harmless, escapist movie has gotten. I find it far better than the similar Bad Girls. 
Let me give a quick synopsis, then take a look at the main characters, following which I will state my counter-arguments to the most frequent criticisms leveled at this female-led Western:
BREAKHEART PASS (1975) – (Frontierado is coming up August 2nd and, as always, it’s about the myth of the Old West, not the grinding reality.) Alistair MacLean may be more closely associated with espionage and crime thrillers like When Eight Bells Toll, The Eagle Has Landed and Puppet on a Chain but his lone Western, Breakheart Pass, is a very solid story which transfers MacLean’s usual themes to the American West. 
Some critics bash this above-average film because they apparently thought Alistair MacLean’s name on the script meant it would be an over-the-top Western Spy actioner along the lines of Robert Conrad’s old Wild Wild West television series crossed with Where Eagles Dare. Instead, Breakheart Pass comes closer to grittiness than slickness and is all the more enjoyable for that. 
It may be my fondness for mythology that makes me love to watch particular movies around particular holidays. I say that because many of the well- known myths were recited on ancient holidays when their subject matter was relevant to those holidays. The stories helped accentuate the meaning of the special events and that’s the way I use various movies. 
THE COMIC (1985) – Virtually every film buff today knows the tale of Sam Raimi, Bruce Campbell and Robert Tapert raising money from doctors, grocers and dentists in Michigan to finance their subsequent horror hit The Evil Dead. 
The Comic takes place “in another place and another time” according to one of the female characters. From appearances it’s a near-future police state in which fairly ambiguous laws are enforced by goose-stepping goons who wear their hair in ponytails. This film seems to be reaching for the heights achieved in cult films like Eraserhead and Café Flesh but falls so far short that it’s more like The Jar. 
THE LAST DAYS OF PATTON (1986) – George C Scott SINGS! Yes, an ENTIRE SONG while camping it up like he’s in a vaudeville revue! 
Roughly half of the movie is spent with the great George C Scott in a hospital bed, like we’re watching Whose Life Is It Anyway, Ya Pusillanimous Sons of Bitches? Scott is always watchable, and really shines here, but the other actors have no room. With such a gigantic figure – real-life Elmer Fudd voice aside – it may have been like that in reality, too. Sharing any stage with the likes of George S Patton must have been suffocating for one’s own ego. 
COMIN’ AT YA! (1981) – Directed by Ferdinando Baldi, Comin’ At Ya! is often credited with starting the pointless and bizarre 1980s revival of 1950s-style 3D movies. The film stars Tony Anthony, famous to us Spaghetti Western fans for the movie series in which he played a gunslinger called the Stranger. He appeared in others, as well, some reasonably good and others, like Blindman, so bad as to be virtually unwatchable. 
Our main character, Triple H, ain’t havin’ it and sets out to recover his new bride and set free the other unfortunate women seized by the Thompson Gang. Needless to say he’ll also kill every member of the gang as well as some of the snobbish, upper-class Mexican aristos – male and female – who buy the ladies at an elegantly-appointed mansion/ former convent now used for slave auctions. 
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