Tag Archives: movie reviews

GLEN OR GLENDA (1953): ON THE TEXAS 27 FILM VAULT

Glen or GlendaBefore MST3K there was … The Texas 27 Film Vault! In the middle 1980s, way down on Level 31 Randy Clower and Richard Malmos, machine-gun toting Film Vault Technicians First Class hosted this neglected cult show. Balladeer’s Blog continues its celebration of this overlooked Movie Host program. 

ORIGINAL BROADCAST DATE: Unknown but definitely before May of 1986. One of the old newspaper articles from early May of that year refers to Glen or Glenda as one of the movies having already been shown on The Texas 27 Film Vault. Anyone with more specific info feel free to contact me.

SERIAL: Unknown. Again, if you have info contact me.  

COMEDY SKETCHES: Unknown. We’ve exhausted the episodes where I DO know the date, serial and sketches. 

THE MOVIE: Continue reading

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THE HOOKED GENERATION (1968): BAD MOVIE

hooked generationTHE HOOKED GENERATION (1968) – Directed and co-written by the one and only William Grefe. William is known to me and my fellow fans of bad movies for Florida-filmed cult turkeys like Sting of Death, Death Curse of Tartu, The Wild Rebels and Impulse, with William Shatner.

The Hooked Generation is horribly mistitled. That title makes it sound like one of the many over-the-top, heavy handed anti-drug movies of the past. Instead, the film is really about a sleazy, violent gang of small-time drug dealers who bite off more than they can chew when they try to move up in the crime world.

Mascot and guitar

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For a glib description, think of it as a “gangsters headed for a bad end” flick like Humphrey Bogart, James Cagney and Edward G Robinson used to appear in, but with a low-rent cast that is more like the type of overdone hippie/ counter-culture felons you’d see on 60s and 70s episodes of Hawaii Five-O. There’s plenty of violence, drug use and lurid appeal, though.   

The small-timers whose abilities don’t match their ambitions use their boat to make a clandestine pickup from their Cuban connections out at sea. Those connections are sailors from Castro’s navy who make side money dealing drugs in between the coasts of Florida and Cuba. Continue reading

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IN THE MOUTH OF MADNESS (1994)

Some of Balladeer’s Blog’s readers have let me know that they feel I did not do as many blog posts about horror as I usually do during October. I’m all about you readers, so here’s a horror film review to help make up for it.

in the mouth of madnessIN THE MOUTH OF MADNESS (1994) – Directed by John Carpenter and written by Michael De Luca, this movie was an unabashed valentine to H.P. Lovecraft, Stephen King’s imitations of Lovecraft, and The King in Yellow by Robert W Chambers. The King in Yellow, of course, is the 1895 book previously reviewed here at Balladeer’s Blog, and which Lovecraft admitted was an influence on his own works.

The story is about the title “king”, or more precisely about a stage play about that monarch. Everyone who reads the play The King in Yellow goes insane, causing worldwide chaos. Some of the King’s minions enter into our dimension to do his evil bidding, but unlike Lovecraft’s tentacled, enormous Old Ones, the monstrous servitors of the King in Yellow are humanoid in size and form.

That out of the way, let’s take it from the top. My LEAST favorite element of this otherwise excellent movie is the way it opens up. We are shown a crazed John Trent (Sam Neill) being committed to an insane asylum. Dialogue makes it clear that he’s just one of many people going mad in a worldwide epidemic of violent insanity. Even some of the staff at the insane asylum seem like they’re not all there anymore.

in the mouth of madness picSoon, Trent is visited in his padded cell, where he has used a black crayon to cover his body and the padded walls with crucifixes for protection. His visitor is Dr Wrenn, played by David Warner, the panicked, crucifix-surrounded man from The Omen, now talking to the panicked, crucifix-surrounded Sam Neill in this film. (I admit that’s a sly touch in keeping with the style of the movie. It even has echoes of the victim in Equinox fixating on his protective crucifix.)   Continue reading

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TWENTY-FOUR GREAT SILENT HORROR FILMS

Halloween month continues at Balladeer’s Blog with this look at two dozen of my favorite silent horror films.

The Crimson Stain MysteryTHE CRIMSON STAIN MYSTERY (1916) – This was a 16 chapter silent serial that contained multiple horrific elements. The fact that it is so little remembered these days makes it perfect for this list, given Balladeer’s Blog’s overall theme. A mad scientist calling himself the Crimson Stain experiments on human guinea pigs in an attempt to create an intellectually superior race. His experiments all fail, producing hideous, mutated monsters. The Crimson Stain organizes his misbegotten menagerie into a villainous organization and wages a campaign of terror on the world at large. A heroic detective leads the opposition against them and tries to learn the identity of the Crimson Stain. Chapters in this serial boasted wonderfully campy titles like The Brand of Satan, The Devil’s Symphony, Despoiling Brutes and The Human Tiger.  

THE MAN WITHOUT A SOUL (1916) – A man returns from the dead bereft of any trace of morality or humanity. He now views the people around him as victims and prey. 

THE GOLEM AND THE DANCER (1917) – In the very first known horror movie sequel Paul Wegener starred and directed himself once again as the clay monster called the Golem. In this enjoyably “meta” production decades before Scream or The Human Caterpillar II, Wegener played himself. Continue reading

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ZUMA (1985) AND DAUGHTER OF ZUMA (1987)

Halloween month rolls along with Balladeer’s Blog’s salute to Zuma, the king of Philippine horror movies, and his sequel film Daughter of Zuma.

ZUMA (1985) – Category: Enjoyably bad movie elevated by its obscurity value      

There’s an old saying that goes “Once you have a big green bald guy with pythons growing out of his neck you never go back.” Or something to that effect. This monstrous figure is Zuma  himself, the Freddy Krueger of the Philippines in the 1980s. Big, muscular and green like the Hulk, bald like Mr Clean and with pythons growing out of his neck like the late Michael Jackson. (Disclaimer: The preceding remark is probably not true)

Originally a comic book character in the Philippines, Zuma took the film industry of the islands by storm with his debut film in 1985 and a sequel in 1987. Copies of these films have been Continue reading

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MUSICAL MUTINY (1970): IRON BUTTERFLY, A GHOSTLY PIRATE AND A MAD SCIENTIST

musical mutinyMUSICAL MUTINY (1970) – Halloween Month continues here at Balladeer’s Blog with a Barry Mahon movie that’s more frighteningly bad than it is frightening. I’ve recently become obsessed with this made in Florida wonder that features the ghost of a long-dead pirate, the deskbound narrator from Blood Freak and a mad scientist intent on taking over the world with his new beverage which gets drinkers higher than marijuana. There are also three on-stage performances by Iron Butterfly (yes, really), including the full-length version of In A Gadda Da Vida.

pirates worldPerhaps most importantly for me and my fellow Bad Movie geeks, this is the earliest movie release done as a promotional piece for Pirates World, the long-defunct Florida amusement park featured in notorious Grade Z films like Jack and the Beanstalk, Thumbelina plus Santa and the Ice Cream Bunny (reviewed in 2010 here at Balladeer’s Blog). In fact, Musical Mutiny is so obscure that as of this writing there are only five user reviews at IMDb. Continue reading

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LARAINE NEWMAN’S CANNED FILM FESTIVAL (1986)

ritzTHE CANNED FILM FESTIVAL STARRING LARAINE NEWMAN (1986) – Halloween Month continues at Balladeer’s Blog with this look at a neglected Movie Host show, since Movie Hosts/ Horror Hosts are as associated with Halloween as are monsters and cosplay.

In this post I won’t be covering the entire history of movie hosting and the “So Bad They’re Good” film subculture. For that, there are my many other blog posts covering movie hosting from Vampira and her contemporaries, through Moona Lisa, then Son of Svengoolie, Elvira, and programs like Saturday Night Dead, The Texas 27 Film Vault and MST3K

canned film festival castTHE SHOW: The Canned Film Festival Starring Laraine Newman. From June 21st to September 13th of 1986 this syndicated program sponsored largely by Dr Pepper aired on Saturday nights in various time slots around the United States. Elvira’s show Movie Macabre had run from 1981 to 1986 and was winding down. The Texas 27 Film Vault, which had debuted on February 9th, 1985 was still on the air and would run for roughly two and a half years in Texas and Oklahoma.

Along came The Canned Film Festival, which, with a nationally known name like Laraine Newman attached to it, may well have been the reason that one of the attempted syndication deals for T27FV fell through. Be that as it may, Laraine Newman’s show would – like The Texas 27 Film Vault – show more than just lame horror and sci-fi films and would cover the whole spectrum of bad and/ or campy cinema of the past.

laraine as the usheretteTHE HOSTESS: Laraine Newman may be best known for Saturday Night Live and for her character actress work, but she had been a member of The Groundlings improvisational comedy troupe … As had Cassandra Peterson aka Elvira. Newman was also known as an aficionado of horror and fringe cinema. Continue reading

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ROLLER BLADE (1986): POST-APOCALYPSE PAP

roller bladeROLLER BLADE (1986) – They’re the Cosmic Order of the Roller Blade and they’re female Jedi Knights on roller skates. Well, sort of. Where does one begin when reviewing this film that is so beloved by all of us fans of bad movies? Let’s start with the setting and then tackle the characters as well as Roller Blade’s legendary director Donald G Jackson (R.I.P.). 

This film is set in the future during The Second Dark Age, years after humanity’s “energy weapons” have unleashed an apocalypse which has left the world a ravaged mess of ruined cities yet immaculately maintained roads and highways. Go figure.

Amid the usual tableau of feral gangs and predatory mutants there stands a force for good dedicated to rebuilding the world: a religious order of warrior nuns called the Cosmic Order of the Roller Blade … Even though none of them wear actual roller blades, just regular roller skates. 

skate or die“Skate or Die” is the ugly motto of the survivors in this kill or be killed future. That’s because the filmmakers absurdly pretend that traveling via roller skates or skateboards is the only way to move swiftly enough to have a chance of evading the dangerous gangs and mutants.

If you have any goods or supplies that you are taking with you the only way to transport them is in metal grocery carts that can roll along with you as you skate through the post-apocalyptic landscape. I’m not joking. This grocery cart nonsense is another idiotic element that the movie takes 100% seriously despite how inane it looks. 

Our characters:

Mother SpeedMOTHER SPEED (Katina Garner) – The Mother Superior of the Order of the Roller Blade. She is in a wheelchair yet still wears roller skates on her feet since such skates are part of the Order’s sacred garments. Mother Speed, like all the good guys in Roller Blade, speaks in grandiose faux-Shakespearean littered with “thees” and “thous” and “yea, verilies.” ESPECIALLY “yea, verilies.” 

Making Mother Speed even more fun is the way she speaks with a weird accent that makes her sound like popular 1980s sex therapist Dr Ruth Westheimer. Continue reading

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IDAHO TRANSFER (1973): MOVIE REVIEW

IDAHO TRANSFER (1973) – This film, directed by Peter Fonda and starring mostly unknowns, deals with time travel and post-apocalypse themes. It was retitled Deranged for its DVD release. I have no idea why.

Not so long ago Idaho Transfer was regarded among us fans of bad movies as a So-Bad-It’s Good example of the way so many 1970s sci-fi films were presented as if they were being deep and innovative when in truth they were just reworking ideas from old Twilight Zone and Outer Limits episodes but dragging them out to unbearable length.

Here in 2021 Idaho Transfer has fallen so far off the schlock charts that it’s unknown to many viewers. However, it is STILL one of the best So-Bad-It’s-Good examples of pretentious yet shallow 1970s sci-fi films. While this story might have made a decent episode of a half-hour anthology series it is excruciatingly stretched out to 86 minutes.

THE PREMISE: In the movie’s present-day (1973) a group of scientists in Idaho have been using their federal grant money to try developing a teleportation/ matter transfer device for the government. Along the way, however, they realized that they had accidentally invented a machine that transports people and objects through time instead of space.  Continue reading

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RIKI-OH: THE STORY OF RICKY (1991): CULT MOVIE CLASSIC

riki-ohRIKI-OH: THE STORY OF RICKY (1991) – Back when I started Balladeer’s Blog in 2010 this Hong Kong martial arts/ splatter film was among the first movies I planned to review. Feeling intimidated by the need to describe the sheer scale of the joyously tasteless violence in this movie I kept postponing it. Eventually, it seemed so notorious that I figured too many people knew about it for me to bother.

This week I was floored to meet a fellow fan of bad movies and learn that they had never even heard of Riki-Oh: The Story of Ricky. That galvanized me to finally post a review of the movie.

WARNING: For people who shy away from ultra-violence and the like, I will point out that this film usually grosses out and disgusts viewers just as much as some other flicks I’ve reviewed, like Father’s Day, Mandy, Lewd Lizard, Headless, etc. If you hated those reviews, you’ll likely hate this one, too.

riki oh in prison yardRiki-Oh (pronounced Ricky-HO) is also known as Violence King and with good reason. This Category 3 Hong Kong movie does the seemingly impossible – it more than lives up to the Japanese Manga it was based on. Siu-Wong Fan stars as the title character. Ngai Choi Lam directed and wrote the screenplay adaptation.

Get ready for a kung fu film which combines the violent sensibilities of the Three Stooges crossed with the gore of Psycho Gothic Lolita, Dead Alive plus the aforementioned Mandy and Father’s Day.  Not to mention more shots of men standing at urinals than you’d see at a major league ball park.  Continue reading

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