DEATH GAME (1977) – Also released under the title The Seducers, this horror movie/ psychological thriller was filmed in 1974 but not released until 1977 due to assorted legal entanglements. Sondra Locke and cult queen Colleen Camp starred with Seymour Cassell in this thoroughly bizarre exploitation movie.
Death Game was remade decades later as Knock Knock starring Keanu Reeves. The 1970s original may have been a trippy exploitation flick which spotlighted titillation and violence but so was the Eli Roth remake. And the original actually feels more honest and less cringe because it lacks the corporate cinematic feel of the Keanu Reeves movie, despite Locke co-producing and Camp making a cameo appearance.
After the oft-invoked nonsense about the film being based on a true story Death Game begins.
Two predatory young women, Agatha Jackson (Sondra Locke) and Donna (Colleen Camp) insinuate themselves into the home of 40 year old George Manning (Seymour Cassell) on a rainy night when his wife and family are out of town. After seducing him they refuse to leave and behave in increasingly menacing and psychotic ways, subjecting him to physical and psychological abuse. Continue reading
CHROME AND HOT LEATHER (1971) THE Marvin Gaye made his big-screen debut in this relentlessly absurd example of the bad biker films of the 1960s and 1970s. 
THE AFTERMAN (1985) – Balladeer’s Blog’s Weirdness at the End of the World category of movies returns with this bizarre little honey. The Afterman also marks the return of my sub-category “Those Darn Belgians.” Yes, just like Rabid Grannies this flick was created in Belgium. 
The story opens up in the year 2011. For twenty years our lead character, called simply the Man, has been living in a high-tech bomb shelter. The shelter was stocked with plenty of aerosol spray-food from “futuristic” 1991, when the nukes fell. Elaborate security cameras and leftover news reels have been almost the only diversions the Man has had for two decades, aside from drawing sketches. 
BIG ZAPPER (1973) – Linda Marlowe stars as Harriet Zapper, a two-fisted private investigator, in this first of two Zapper movies directed by Balladeer’s Blog’s old friend Lindsay Shonteff. If they ever build a Museum of Britsploitation Films, Shonteff will have an entire wing dedicated to him. 
Often forgotten were the man’s pair of films about a virtual “Dirty Harriet” with sexy Linda Marlowe as the lead. I’ve read some reviews that bash Marlowe’s performance as Harriet Zapper but all I can say is those critics must never have seen Lindsay Shonteff’s other film projects. NO actor can come off looking talented under Shonteff’s direction. 
Meet Michelle and Natalie, the two pop culture reviewers whose YT Channel is called Force of Light Entertainment. The ladies offer reviews and commentary on current day big movies and television shows, in contrast with Balladeer’s Blog’s examination of productions from the (often distant) past. 
Michelle and Natalie try to stay positive when they can, and avoid the more sarcastic approach that I employ. When they do have to jump into cultural commentary depending on the item being reviewed, they push back against SJW idiocy and censorship. Below is a sample of the two sisters’ approach as they express their displeasure with an episode of The Book of Boba Fett. 
MR NO LEGS (1978) – Ted Vollrath, a Korean War veteran who lost his legs due to injuries he suffered during the conflict, became a multiple black belt in martial arts disciplines and established Martial Arts for the Handicapable Incorporated in 1971. In addition to appearing in a documentary titled Let Me Live In Your World he starred as a scene-stealing badass in Mr No Legs, which was also released under titles like Killers Die Hard, Pushers Die Hard, Dope Runners Die Hard and the much less descriptive Gun Fighter. 
Lou himself is deadly in or out of his chair, as he is highly skilled with knives and handguns, but his most dangerous trait is the way he can use his muscular, toned body to kick the butts of all comers in unarmed combat. Lou’s status as the enforcer and hit man for a Tampa drug lord has earned him big money and a buxom blonde lady who sees to his various needs. 
For several years here at Balladeer’s Blog I have been trying to track down, watch and review all of the film versions of Hunterwali (Whip-wielding Woman), Bollywood Cinema’s butt-kicking masked female heroine. Often glibly dismissed as a female Zorro, there is much more cultural context to the Hunterwali figure – contextual significance that goes beyond the particular time period of each film version. 
Thus far I have been able to watch the 1935 original, which starred the actress billed as “Fearless Nadia” in India, and the 1988 Hunterwali. I have had no luck tracking down the 1959, 1972, 1977 and 2017 movie versions. Nor have I been able to buy the 1943 film, Hunterwali Ki Beti (Hunterwali’s Daughter), the very first sequel movie in Indian entertainment history. 
The basics of the Hunterwali story involve Princess Madhuri adopting a masked, whip-wielding and stunt-riding identity to combat the many injustices inflicted on the kingdom by her father’s evil Vazier Ranamal. That villain even imprisons the king and lusts after Madhuri, little realizing she is really the swashbuckling “protector of the poor and punisher of evildoers” called Hunterwali. 
Our story begins with the villainous Madame Lee (Mari Honjo), the Asian field boss of a criminal empire, observing a demonstration of her outfit’s new martial arts assassins in action. Ron Marchini IS White Death Machine, Michael Chong brings to life Asian Death Machine and Joshua Johnson wows as Black Death Machine. That’s exactly how our title trio are listed in the credits, by the way. 
KID MONK BARONI (1952) – It’s not Rocky, it’s Spocky! Leonard Nimoy made his film debut in this half-assed, cliche-filled and trope-ridden mess of a movie. 
In lieu of prosthetic ears, Kid Monk Baroni finds Leonard sporting a prosthetic nose for a large part of the film, thus depicting the “ugliness” which drives his hostile urges. Paul Baroni has become a leader of sorts for his pack of juvenile delinquents called the Billy Goat Gang, an inferior imitation of Leo Gorcey and Huntz Hall’s Bowery Boys/ Dead End Kids/ Little Tough Guys and all the other names they used over the years. 
FIREPOWER (1979) – Sophia Loren, James Coburn, Tony Franciosa, Billy Barty and O.J. “Alec Baldwin Times Two” Simpson star in this late 70s combination of an espionage tale and a caper flick. Throw in Eli Wallach, Jake LaMotta and Victor Mature and you’ve got what may sound like the cast of a disaster movie but actually Firepower is a very good film from Lew Grade. 
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