Regular readers may remember I love So Bad They’re Good movies here at Balladeer’s Blog. Here are my favorites from the legendary H.G. Lewis. WARNING: Extreme concepts, despite the inept presentation.
TWO THOUSAND MANIACS (1964) – For people who’ve never heard of Herschell Gordon Lewis, I’ll point out that he’s known as “the Godfather of Gore.” And not even GOOD gore, but the obviously fake kind that makes you laugh. Add to that the inept acting, bland dialogue and quickie production techniques like you’d get in old black & white flicks and you’ll understand the man’s Bad Movie magic.
When it comes to horror films – good OR bad – I’ve always preferred those with supernatural menaces to those with mere crazed human beings doing ugly deeds. It helps if the premise has clever lore baked in, and Two Thousand Maniacs definitely has that, no matter how rushed and poorly made it is.
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One hundred years earlier, during America’s Civil War, the fictional Deep South town of Pleasant Valley (population two thousand) was utterly wiped out by renegade Union troops who destroyed every building and massacred every man, woman and child. Once every hundred years now, Pleasant Valley and its undead inhabitants will rematerialize for a few days, lure passing Northerners into it, and slaughter them as revenge for the ghost town’s destruction. Continue reading
SCORPION THUNDERBOLT – Yes, it’s Scorpion Thunderbolt, the horror movie that has absolutely NOTHING to do with EITHER scorpions OR thunderbolts! They could have titled this thing Terms of Endearment 2 and it wouldn’t have been any less appropriate. 
Here at Balladeer’s Blog I’ve always had a soft spot for the Resident Evil movies. I’m not implying that they’re good by any means, but as guilty pleasures I consider them pretty watchable in a Spaghetti Western sense. You don’t expect logic or well-maintained continuity in the original Django or Sartana series any more than you do from the Stranger or Hallelujah flicks or any of the other lower-level pulp series of Italo-Westerns. 
Seventies chop-socky films are another example. You might watch them but you sure as hell can’t defend them from criticism. 
SIX-HUNDRED & SIXTY SIX (1972) – Directed by Tom Doades and written by Marshall Riggan, this film is a very unusual blend of science fiction, horror, post-apocalypse drama and religious message. Cult actor Joe Turkel, perhaps best known as the ghostly Lloyd the Bartender in The Shining, stars as Colonel John Ferguson. 
Obviously, a post-Omen film would not blow their story’s final reveal in the title, like we get with Six-Hundred & Sixty Six.
THE KINDRED (1987) – This monster movie was the third horror project from the writing and directing team of Stephen Carpenter and Jeffrey Obrow. 
Rod Steiger, just one year away from his outrageous tour-de-force performance in the slasher film American Gothic (with YVONNE DE CARLO), plays Dr Phillip Lloyd, the villain of the story. The mad Dr Lloyd has been trying his own hand at the kind of research that Amanda Hollins excelled at. To that end he’s been paying an unscrupulous ambulance driver to covertly provide him with accident victims to use as human guinea pigs. 
Regular readers of Balladeer’s Blog may recall how fond I am of Clive Barker’s novel The Hellbound Heart and the subsequent Hellraiser horror film franchise. Mike LeHan and Paul Gerrard directed and produced a 2013 spec trailer hoping to get a reboot of the series greenlit. 
