Halloween Month continues here at Balladeer’s Blog with a review of an underappreciated gem.
IN THE MOUTH OF MADNESS (1994) – Directed by John Carpenter and written by Michael De Luca, this movie was an unabashed valentine to H.P. Lovecraft, Stephen King’s imitations of Lovecraft, and The King in Yellow by Robert W Chambers. The King in Yellow, of course, is the 1895 book previously reviewed here at Balladeer’s Blog, and which Lovecraft admitted was an influence on his own works.
That story is about the title “king”, or more precisely about a stage play about that monarch. Everyone who reads the play The King in Yellow goes insane, causing worldwide chaos. Some of the King’s minions enter into our dimension to do his evil bidding, but unlike Lovecraft’s tentacled, enormous Old Ones, the monstrous servitors of the King in Yellow are humanoid in size and form.
That out of the way, let’s take it from the top. My LEAST favorite element of this otherwise excellent movie is the way it opens up. We are shown a crazed John Trent (Sam Neill) being committed to an insane asylum. Dialogue makes it clear that he’s just one of many people going mad in a worldwide epidemic of violent insanity. Even some of the staff at the insane asylum seem like they’re not all there anymore.
Soon, Trent is visited in his padded cell, where he has used a black crayon to cover his body and the padded walls with crucifixes for protection. His visitor is Dr Wrenn, played by David Warner, the panicked, crucifix-surrounded man from The Omen, now talking to the panicked, crucifix-surrounded Sam Neill in this film. (I admit that’s a sly touch in keeping with the style of the movie. It even has echoes of the victim in the 1970s film Equinox fixating on his protective crucifix.) Continue reading
JOHN CARPENTER’S VAMPIRES (1998) – Halloween Month rolls along with this look at John Carpenter directing James Woods as Vatican-sanctioned vampire hunter Jack Crow. As always, James Woods is like a force of nature. When he’s on the screen he virtually blows away most of the people with whom he shares that screen. 
TWO THOUSAND MANIACS (1964) – For people who’ve never heard of Herschell Gordon Lewis, I’ll point out that he’s known as “the Godfather of Gore.” And not even GOOD gore, but the obviously fake kind that makes you laugh. Add to that the inept acting, bland dialogue and quickie production techniques like you’d get in old black & white flicks and you’ll understand the man’s Bad Movie magic. 
SCORPION THUNDERBOLT – Yes, it’s Scorpion Thunderbolt, the horror movie that has absolutely NOTHING to do with EITHER scorpions OR thunderbolts! They could have titled this thing Terms of Endearment 2 and it wouldn’t have been any less appropriate. 
Here at Balladeer’s Blog I’ve always had a soft spot for the Resident Evil movies. I’m not implying that they’re good by any means, but as guilty pleasures I consider them pretty watchable in a Spaghetti Western sense. You don’t expect logic or well-maintained continuity in the original Django or Sartana series any more than you do from the Stranger or Hallelujah flicks or any of the other lower-level pulp series of Italo-Westerns. 
Seventies chop-socky films are another example. You might watch them but you sure as hell can’t defend them from criticism. 
SIX-HUNDRED & SIXTY SIX (1972) – Directed by Tom Doades and written by Marshall Riggan, this film is a very unusual blend of science fiction, horror, post-apocalypse drama and religious message. Cult actor Joe Turkel, perhaps best known as the ghostly Lloyd the Bartender in The Shining, stars as Colonel John Ferguson. 
Obviously, a post-Omen film would not blow their story’s final reveal in the title, like we get with Six-Hundred & Sixty Six.
THE KINDRED (1987) – This monster movie was the third horror project from the writing and directing team of Stephen Carpenter and Jeffrey Obrow. 
Rod Steiger, just one year away from his outrageous tour-de-force performance in the slasher film American Gothic (with YVONNE DE CARLO), plays Dr Phillip Lloyd, the villain of the story. The mad Dr Lloyd has been trying his own hand at the kind of research that Amanda Hollins excelled at. To that end he’s been paying an unscrupulous ambulance driver to covertly provide him with accident victims to use as human guinea pigs. 
