Balladeer’s Blog continues its examination of the 1967 science fiction/ existential drama The Prisoner. For Part One, in which I examined the themes and concepts at play in the series click HERE
DO NOT FORSAKE ME, OH MY DARLING – This is the third and final of the 3 episodes I would drop from this 17 episode series because they either do not serve the premise or don’t serve it well. I will synopsize the storyline, point out why I would drop it and add how I would change it.
NOTE: This episode’s title is so associated with the song of the same name from the western film High Noon that many people confuse this installment with Living in Harmony. Because of the storyline it is also frequently confused with the episode titled A Change of Mind.
THE STORY:
At a meeting of co-conspirators of the Villagekeepers it is decided to have one of their agents out in the real world try to track down a missing scientist named Dr Seltzman. They reach this decision when they fail to crack a code which would lead them to their latest would-be captive.
The Villagekeepers demonstrate for this agent the Colonel (yes, a third “colonel” appears in the series) Dr Seltzman’s device for switching minds between two human subjects. They do not fully understand the process nor do they understand how to switch the minds back to their respective bodies afterward.
Our villains want to use the process to further their plans. It is decided that the Prisoner is the most qualified man to track down Seltzman due to his previous association with the man. But how to release him from the Village to undertake this mission without him contriving to give them the slip and go on the run again? Continue reading →