ALLEGRO NON TROPPO (1976) – Balladeer’s Blog takes a look at the infamous Italian parody of Disney’s Fantasia. In our current year, where the avaricious Disney corporation has engulfed and devoured countless film properties and tried to trademark so many figures from world folklore, writer and director Bruno Bozzetto’s satirical poke at The Mouse That Ate Entertainment deserves to be revisited.
Allegro Non Troppo was the only film until Shrek to take satirical aim at the Disney Empire. Bruno Bozzetto’s film combined black & white live action scenes with state of the art animation for the 1970s. Bozzetto introduces us to an Italian film producer, played by Maurizio Micheli, who thinks he’s come up with an original idea: an animated film with its episodes set to classical music.
Right up front the film takes a shot at Disney’s (even then) notoriously litigious nature by having the overly unctuous producer/ presenter receive a phone call warning legal action since this premise has been done before, in Fantasia. The producer, equal parts used car salesman and circus ringmaster, shrugs off the threats from “Prisney or whoever” and goes on with the show.
Micheli’s character keeps his animator (Maurizio Nichetti) in chains in a dungeon as another swipe at the House of Mouse. As if that’s not enough he also keeps his musicians in a cage, letting them loose only to do their work for him.
Once the browbeaten, put-upon animator begins drawing the illustrations spring to life as the color cartoons sprinkled throughout the movie. In between those cartoons are comedy sketches with the presenter, animator, orchestra and conductor (Nestor Garay). The comedy sketches range from acceptable to cringe-inducing and never approach the brilliance or bite of the opening salvos against Disney.
As for the cartoons and the works of classical music to which they are set: Continue reading
Terminator: Dark Fate is – as of this writing – on course to lose 120 million dollars due to its lackluster performance. (UPDATE: The projected loss has now been increased to 130 million dollars)
Halloween Month continues at Balladeer’s Blog.
Halloween Month continues here at Balladeer’s Blog, this time with the definitive horror/ sci-fi/ monster franchise in cinema. 2019 is the 40th anniversary of the original movie Alien and earlier this year six authorized (not fan-made) short films were released to mark the occasion. 
MAD MAX (1979) – Balladeer’s Blog’s “Weirdness at the End of the World” takes a look at one of the best movies in the best franchise in the crowded Post-Apocalypse sub-genre. 
Though in real life this sense of no larger government having control may have been a function of the film’s low budget, I find it adds nicely to the uncertain atmosphere. In just a few years the American telefilm The Day After would come close to presenting that same air of confusion about the new state of affairs following a catastrophic war. 
HELLRAISER (1987) – “Jee-zuz WEPT!” Clive Barker helped translate his novel The Hellbound Heart to the big screen in this film. It’s incredibly rare for a novelist to get to DIRECT a movie version of one of his own works but Barker made the most of it. 
THE DEAD PIT (1989) – This horror film was the directorial debut of the very prolific director Brett Leonard. While not a four-star movie The Dead Pit is enjoyable enough for the Halloween Season and should certainly appeal to anyone into 1980s horror flicks. This movie’s hybrid of zombie elements and slasher elements is both its charm AND the reason behind its love-it-or-hate-it status. 
BRIGHTBURN (2019) – This mid-level budget movie has been criminally underrated in my opinion. Its horror twist on the usual superhero story (especially Superman) is well-handled and should have been just the thing audiences flocked to for a change of pace from the flood of superhero movies in recent years. 
I have been getting a lot of readers asking me to review some of the more recent releases from major studios. Balladeer’s Blog regulars know that I tend to focus on incredibly obscure items or hilariously bad movies from decades ago. 
SOLO: A STAR WARS STORY – Thankfully someone FINALLY addressed the elephant in the room of the Star Wars universe: the origin of Han Solo’s last name. 
NO SURVIVORS PLEASE (1964) – This obscure black & white wonder from West Germany is one of the most memorably weird movies of its time. It’s not easy to describe what makes it so appealing. The fundamental story – aliens plan to wipe out all life on Earth – has been done too many times to count. Not even their method is all that unique – the ET’s project their consciousness into the bodies of freshly-dead human beings – which has been done in other movies. 
No Survivors Please
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