KUNG FAUX (2003) – Created and crafted by Mic Neumann, this half-hour comedy series was basically a hip hop version of old movies and television shows that overdubbed non-comedies with comedic dialogue, music and sound effects. In Kung Faux‘s case it featured re-edited and highly stylized martial arts films from the 1970s overdubbed with contemporary music and a hip hop comedic sensibility.
Though Kung Faux brands this treatment as “dubtitling” as a nod to dubbed and subtitled dialogue, the approach debuted on vintage television shows like Fractured Flickers (1963), in which celebrities would dub improvised comedic dialogue over old silent movies.
The theatrical release What’s Up, Tiger Lily? (1966), Woody Allen’s overdubbing of a Japanese spy movie to make it a battle over an egg salad recipe, is still the best known of these ventures. Not even serials were exempt from such treatment, with my favorite example being Firesign Theater’s production Hot Shorts (1984) featuring items like Sperm Bank Bandits in which the comedy team inserted comical dialogue over old serials like Canadian Mounties vs Atomic Invaders. Continue reading
MOONBASE 3 (1973) – This BBC attempt at realistic, “no aliens or monsters” science fiction is a mixed bag, but I think it deserves a much bigger audience. Among the elements in the show’s favor is the fact that only 6 fifty-minute episodes were made, so it makes viewers a little more willing to forgive the program’s faults. 
Created by Barry Letts and Terrance Dicks of Doctor Who fame, Moonbase 3 is sort of like Doomwatch crossed with The Sandbaggers. However, Moonbase 3 keeps its science even closer to reality than Doomwatch did, so it can be a bit dry. Well, okay, VERY dry, but that’s a nice antidote to non-stop explosions, ray-guns blasting and other Space Opera cliches. 
As for the show’s similarities to The Sandbaggers, there is bureaucratic in-fighting aplenty, unexpected deaths and an emphasis on dialogue over action. And, like both of those other programs, Moonbase 3‘s characters have to deal with perpetually tight budgets limiting the success of their missions. 
Here at Balladeer’s Blog I’ve long found Midnight’s Edge to be the most accurate site when it comes to entertainment news. I would put Clownfish TV in second place. As for Midnight’s Edge, not only do they carefully label what has already been proven and what is merely word from sources, but over the past few years they have been the only entertainment site I’ve seen that winds up being ACCURATE, especially in the long run, after all the facts have come out. 
THE RIVALS OF SHERLOCK HOLMES (1971-1973) – The Rivals of Sherlock Holmes was not just a collection of stories by mystery writers who were contemporaries of Arthur Conan Doyle but also a television series which adapted such mysteries. Just as Holmes’ tales were set during the Victorian and Edwardian Eras so, too, were the stories of these detectives. The series lasted two seasons of 13 episodes each and presented the best non-Holmes London-by-Gaslight Detectives. 
Episode One: A MESSAGE FROM THE DEEP SEA (September 20th, 1971)
The episode introduces us to Dr John Evelyn Thorndyke (John Neville), a forensic physician/ Police Surgeon of the era, as he is teaching a classroom of students. (Kind of a Quincy opening feel.) He is assisted by Dr Jervis (James Cossins), Thorndyke’s version of Dr Watson. 
THE AMERICAN GIRLS – If you’ve ever wondered what Charlie’s Angels might have been like if it had tried doing slightly (very slightly) more serious stories, The American Girls is your answer. Priscilla Barnes in her pre-Three’s Company days co-starred with Debra Clinger in her post-Clinger Sisters days in this series about two sexy female reporters for a television news program. 
Barnes played Rebecca Tomkins and Clinger portrayed Amy Waddell, two field journalists for The American Report, a fictional 60 Minutes or 20/20 style television news magazine. They traveled the country in a van which served as a mobile studio with plenty of up to date equipment. David Spielberg played their producer Francis X Casey, making him a combination Charlie AND Bosley for the show. 
Director Shinya Tsukamoto hails from Japan and is noted for his surreal, nightmarish excursions into the darker side of transformative industrial technology … especially any technology that impacts the human anatomy. 
Tetsuo: The Iron Man (1989) – From the early shots of a man removing one of his own bones and replacing it with a piece of metal viewers knew this was a work of true genius. Tetsuo becomes more and more relevant by the year, especially with the advent of nanotechnology and its potentially invasive effect on the human mind and body. 
KID GLOVES (1951) – This joyously tasteless program from the early years of television featured children AGE THREE TO TWELVE beating each other’s brains out in boxing matches. No, I’m not joking.
Balladeer’s Blog takes a look at several controversial pieces of entertainment too edgy for the mainstream. 
I have been getting a lot of readers asking me to review some of the more recent releases from major studios. Balladeer’s Blog regulars know that I tend to focus on incredibly obscure items or hilariously bad movies from decades ago. 
SOLO: A STAR WARS STORY – Thankfully someone FINALLY addressed the elephant in the room of the Star Wars universe: the origin of Han Solo’s last name. 
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