Balladeer’s Blog continues its examination of the 1967 science fiction/ existential drama The Prisoner. For Part One, in which I examined the themes and concepts at play in the series click HERE
Episode Title: A. B. AND C. … In the ongoing debate about the exact numbering of the 17 episodes of The Prisoner I place this as the 10th episode.
As this episode begins we are still in the period of days with the same Number Two (Colin Gordon) as last time serving his time as a rotating executive of the Village.
The Story: A very nervous Number Two is in one of the Village’s concealed laboratories with Number 14, a blonde female scientist. (If you’ve seen the Simpsons episode parodying The Prisoner she’s the blonde lady to whom the bald Village Supervisor says “Tell me again why you thought a big balloon would stop people from escaping” and she replies “Shut up! THAT’S why!”)
This Number Two is on very thin ice with the Board after the way he failed to stop the Prisoner and the traitorous Number Twelve from sabotaging two of the most crucial devices advancing the Villagekeepers’ conspiracy. Frequently chugging milk for his ulcer, he anxiously hopes to recover some favor and credibility by at last maneuvering Number Six into admitting why he resigned from British Intelligence.
(For newbies to The Prisoner I’ll point out that if the Villagekeepers succeed at making Number Six admit why he resigned it will symbolize his surrender to them and recognition of their authority over him, like agreeing that “2+2=5” in Orwell’s 1984 symbolized surrender to The Powers That Be.)
Dialogue makes it clear that Number Two is forcing Number Fourteen to proceed more quickly than she would like onto a human subject for her combined drug & electronic method of monitoring dreams of sleeping primates. As always on The Prisoner these reminders that humans are basically animals, too, serve like Rousseau’s “Noble Savage” metaphor for humanity. Continue reading
Episode Title: THE GENERAL … In the ongoing debate about the exact numbering of the 17 episodes of The Prisoner I place this as the 9th episode.
Centralizing and monopolizing the dissemination of information for ugly partisan purposes and in order to police the free exchange of ideas has become nightmarishly easy for those so inclined. Freedom of expression is becoming limited to those who mindlessly agree with the Democrat Party’s dogma. All other opinions are increasingly banned as “hatred” or “violations of community standards.” 
Episode Title: FREE FOR ALL 
Needless to say our protagonist figures this election nonsense is just another experimental Head Game of the Villagekeepers. His suspicion increases when he sees that the Villagekeepers had already printed up campaign posters for him and distributed them to all the other Villagers. Despite our main character’s misgivings he gets swept along in this new cerebral duel with his captors. 
Episode Title: ARRIVAL 
All inhabitants/ captives of the Village are either former Intelligence Operatives like himself, or scientists or figures from the government or military. And from all around the world, too, not just the West. 
Regular readers of Balladeer’s Blog are very familiar with my high regard for Patrick McGoohan’s 1967 science-fiction/ existential drama The Prisoner. Over the many times I’ve referred to this 17-episode program I’ve heard back from a few readers here and there saying they have heard of the show but never saw any episodes and don’t understand its appeal. 
The premise of The Prisoner reflects Patrick McGoohan’s disillusionment and disgust with the way pop fiction romanticized Intelligence Agents, who are actually just government thugs, not heroes. From interviews McGoohan did over the years he seemed to feel a certain sense of personal guilt over his own contribution to that romanticized image, especially from his successful run as Intelligence Operative John Drake on Danger Man and Secret Agent. (His acclaim from those programs was such that Patrick was supposedly approached to play James Bond in Dr No. He declined.)
Either way, John Drake or not John Drake, the point is that McGoohan portrays a Secret Agent who resigns from the Intelligence Services in disgust. Soon after, he is gassed into unconsciousness and abducted. 
It’s been just over two weeks since the finale of the 18 episode run of new Twin Peaks chapters on cable. Like many other fans I’m still digesting some of those new episodes in light of the gloriously dark and nightmarish conclusion, so this particular blog post applies ONLY to the original Twin Peaks television series, the 1992 film Fire Walk With Me and its deleted scenes from The Missing Pieces. 
Say what you will about Mondays, I don’t know how anyone can feel anything but great today after last night’s developments in Twin Peaks: The Return. 
I was one of the people who was actually okay last week with Philip Jeffries being reincarnated as a teapot-kinda-thingie because hey – David Bowie’s dead in real life. With that voice actor imitating Bowie pretty well maybe they’ll give us a brief scene of old Bowie footage with this guy dubbing in new dialogue for a Jeffries Tulpa. 
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