Tag Archives: Balladeer’s Blog

GOTHIC HORROR: THREE MORE NEGLECTED TALES

Halloween month continues here at Balladeer’s Blog! Recently I examined three neglected Gothic horror stories. Here are three more that deserve more attention than they generally receive.

DON'T BELIEVE SOURCES THAT TRY TO PASS THIS OFF AS A TRUE STORY.

DON’T BELIEVE SOURCES THAT TRY TO PASS THIS OFF AS A TRUE STORY.

THE SQUAW HOLLOW SENSATION (1879) – Author unknown. This macabre tale from America should be as well-known as works like The House of the Seven Gables or The Legend of Sleepy Hollow. The Squaw Hollow Sensation deals with an Aztec mummy and was first published in serialized form in the California newspaper The Mountain Democrat in 1879.

The story was originally presented as if it actually happened but as it becomes more grisly and fantastic the reader realizes it’s fictional. When gold mining uncovers an Aztec tomb in California an obsessed scientist conducts macabre experiments to try to revive Sethos, one of the entombed mummies. Some things are better left alone, however as we learn in a tale that includes wandering Aztec ghosts, twisted experimentation on the bodies of Sethos’ fellow mummies and a catalogue of atrocities.   Continue reading →

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THE MAGICIAN (1926): SILENT HORROR FILM

The MagicianHalloween month continues here at Balladeer’s Blog! 

THE MAGICIAN (1926) – This early MGM movie was adapted from Somerset Maugham’s novel based on the notorious Aleister Crowley. Paul Wegener of The Golem fame portrays Oliver Haddo, the sinister title figure who discovers the secret of creating life through Black Magic. He and his dwarf assistant need to use blood from the hearts of female virgins as one of the ingredients, setting up the expected macabre goings-on.  

Balladeer's Blog

Balladeer’s Blog

WHY ISN’T THE MAGICIAN BETTER KNOWN?! This is a magnificent movie that modern audiences would probably embrace more than they do films like The Phantom of the Opera, Nosferatu and other classics beloved by me and my fellow silent film geeks. There is virtually no overacting or outrageous melodrama in The Magician, just VERY nicely handled horror and suspense. Continue reading →

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COLLEGE FOOTBALL RANKINGS FROM BALLADEER’S BLOG

North Greenville helmet NEWNCCAA –   1. NORTH GREENVILLE UNIVERSITY CRUSADERS     ###      2. KENTUCKY CHRISTIAN UNIVERSITY KNIGHTS     ###      3. GREENVILLE COLLEGE PANTHERS     ###      4. UNIVERSITY OF NORTHWESTERN EAGLES     ###      5. SHORTER UNIVERSITY HAWKS     ###      

Warner Memorial U Royals helmet6. WARNER UNIVERSITY ROYALS     ###      7. CAMPBELLSVILLE UNIVERSITY TIGERS ###      8. MCMURRY UNIVERSITY WAR HAWKS     ###      9. TRINITY INTERNATIONAL UNIVERSITY TROJANS     ###      10. SOUTHWESTERN ASSEMBLIES OF GOD UNIVERSITY LIONS Continue reading →

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THE BEST HALLOWEEN OPERA: TALES OF HOFFMANN

Tales of Hoffmann

Tales of Hoffmann

Yes, as if I wasn’t boring enough already I’m also into opera! Now, I know traditionally “the” Halloween Opera has always been Don Giovanni , but I’ve never bought into that notion since there’s really only one scene in the whole opera that qualifies as spooky and supernatural. At this time of year I prefer Offenbach’s Tales Of Hoffmann. Not only is it full of appropriately eerie and menacing elements, but it’s also the perfect opera for you to share with someone who’s seeing their very first opera.

One of the reasons for that is that it’s in short segments, surrounded by a wraparound opening and finale. Offenbach adapts short stories written by E.T.A. Hoffmann, who in real life was a pre-Edgar Alan Poe author of eerie short stories in his native Austria during the 1800’s. At any rate since this opera’s in short segments novices to the artform won’t have time to Continue reading →

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THESE PEOPLE WILL COME TO GET YOU IF YOU DON’T READ BALLADEER’S BLOG

 

BALLADEER'S BLOG'S STAFF PICNIC PHOTO

BALLADEER’S BLOG’S STAFF PICNIC PHOTO

Halloween is coming! Don’t miss a single day of Balladeer’s Blog or my staff in the photo above will have to have a few words with you. 

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THE RED SPECTRE (1907): TEN MINUTE SILENT HORROR FILM

The Red Spectre with the bottled souls of his victims.

The Red Spectre with the bottled souls of his victims.

THE RED SPECTRE (1907) – 9-10 minute Pathe production which features beautifully rendered red tinting. The central figure is a demon in the depths of Hell clad in a red cape plus skull makeup and skeletal central costume.  

The Red Spectre toys with the captive souls of various women until an angel shows up to end his evil deeds and do battle with him. The angel is played by a woman with very short hair so it may have been meant to be a little boy angel. Continue reading →

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GOTHIC HORROR: THREE NEGLECTED NOVELS

HALLOWEEN MONTH IS HERE! In addition to all my usual blog posts I will also be throwing in my looks at forgotten or neglected works of horror – either novels, movies, television shows, even operas (yes, operas). To kick off this fun month at Balladeer’s Blog here is my look at three seriously neglected Gothic horror novels of the  late 1700s and the 1800s. Everybody remembers the big names like Dracula and Frankenstein but I want to introduce readers to some forgotten gems of Gothic horror.

Oakendale AbbeyTHE HORRORS OF OAKENDALE ABBEY (1797) – The author of this unjustly forgotten work is known only as “Mrs Carver” but is often speculated to be a man with the leading candidate being Sir Anthony Carlisle. The tale centers around the beautiful (of course)  and strong-willed (ditto) Laura, a refugee from the Reign of Terror following the French Revolution.   

When Laura is reluctant to accomodate the less-than-selfless motives of her British patron Lord Oakendale he has her and a devoted maid banished to the long-abandoned Oakendale Abbey. The Abbey is believed to be haunted, a reputation enhanced by the repeated disappearances of people who venture into its sinister interior. Shortly after arriving in the mysterious decaying building Laura discovers a Continue reading →

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BLOODBEAT (1982) MOVIE REVIEW

Bloodbeat BIGBLOODBEAT (1982) – The presence of a female slasher adds a fresh (but not uprecedented) feel to Bloodbeat. This film is so obscure people seldom if ever get its year of release correct let alone the storyline. Even in the world of weird film premises this little honey manages to stand out. Bloodbeat is about a woman who goes to spend Christmas with her boyfriend’s family in Wisconsin only to find herself possessed by the spirit of a dead samurai warrior who forces her to go on a killing spree with his sword.

bloodbeatExcept for the confusing fact that many of the killings are commited BEFORE the samurai possesses her body but even those murders are – for some unexplained reason – synchronized with the possessed woman’s orgasms (No, I’m NOT kidding). Even more confusing is the fact that at least one of the samurai’s killings was committed BEFORE the woman even showed up in this Wisconsin town. Anyway, the samurai’s sword is a war trophy in a trunk in the home of the main characters. The fact that we are never even told the last names of any of the main characters should give you a hint about the storytelling ineptitude on display in this flick. Continue reading →

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ANNE RICE’S HUMPTY DUMPTY

6a00d8341cedea53ef00e5539859d58833-pi (300×319) Humpty Dumpty sat on the wall. The wall was where Humpty Dumpty had decided to sit. Humpty Dumpty could be found on the wall, sitting. Sitting was the activity Humpty Dumpty was engaging in and the wall was the place he had chosen to sit. Everyone agreed that the wall was where Humpty Dumpty was sitting. It was of no avail to wistfully pretend that Humpty Dumpty was seated elsewhere. With an air of resignation all and sundry were forced to agree that the wall, despite how much they might desperately wish for it to be otherwise, was indeed where Humpty Dumpty sat.

Brick WallThe wall had first been constructed eighty-seven years earlier by two laborers named Stanislaw and Ernst. Throughout his workday Stanislaw often reflected on how he might think of Ernst as the most beautiful man in the world, if not for the fact that, if the truth be known, he considered Ernst to be the most physically repugnant man he had ever seen. Or smelled, for that matter. Still, though, Stanislaw couldn’t help but wonder and it made his pulse quicken each and every time.

Humpty Dumpty 2Stanislaw wondered what it would be like to be a voluptuously beautiful young blonde woman – or, in his more kittenish moods a redhead – and to have Ernst take him and smother him with kisses, and all the while he would helplessly struggle to free himself from both of Ernst’s tanned, muscular arms. But then he would remember that that dream was impossible – Ernst only had one arm. Everyone agreed that this was so. Ernst was a man who had lost one arm and therefore had only one arm left. If one were to describe a man with two arms there was no denying the fact that it could not be Ernst whom they were thus describing. After all, as everyone from both far and near knew … Ernst had only one arm. And it was beautiful. Continue reading →

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LIBERALS AND CONSERVATIVES AND ANDREA CHENIER: AN OPERA FOR OUR TIME

Andrea ChenierOver the past decade or so I’ve grown fonder and fonder of Umberto Giordano’s 1896 opera Andrea Chenier. Like many Americans I used to consider myself a Liberal before Liberalism became as oppressive, totalitarian and intellectually suffocating as Christian Conservatism had always been. I’ve never gone as far as people like Roger Simon, David Horowitz and others who went overboard the other way and became Conservatives but I definitely despise the cowardly hypocrites and mindless conformists called American Liberals.

Andrea Chenier, the title figure of Giordano’s opera, was a poet who happily embraced the French Revolution at the outset but later grew appalled at the excesses of the Reign of Terror. He courageously wrote condemnations of the Jacobins, whom he felt distorted the original aims of the Revolution and turned it into a vehicle for their own personal abuse of power.

Andrea Chenier 2Chenier paid the price for his courage and for speaking his conscience. He was guillotined a few days before the mass executions ended. The demented zealots of the American Left have likewise gone too far and similarly turn on former allies over the slightest departure from dogma. Giordano’s opera is not entirely about such themes but I find myself going back to it at least once a year in these times because of how much the message still resonates.  

American Liberals have become nothing but fascists who disregard other people’s civil rights and ignore the rule of law. They favor censorship on a massive scale, the rewriting of history to suit their political fetishes of the moment and the blacklisting of anyone who opposes them. Worst of all are the 1960’s generation of Liberals. They are far too spineless to address the real issues so they endlessly restage old battles against wrongs that were corrected long ago. And all the while they pretend they’re the Young Turks in town, pushing daring new ideas even though all they do is regurgitate the conventional wisdom from five decades ago. Continue reading →

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