Balladeer’s Blog resumes its examination of the neglected Pulp Hero G-8. This continues a story-by- story look at the adventures of this World War One American fighter pilot who – along with his two wingmen the Battle Aces – took on various supernatural and super- scientific menaces thrown at the Allied Powers by the Central Powers of Germany, Austria- Hungary and the Ottoman Muslim Turks.
G-8 was created by Robert J Hogan in 1933 when World War One was still being called simply the World War or the Great War. Over the next eleven years Hogan wrote 110 stories featuring the adventures of G-8, the street-smart pug Nippy Weston and the brawny giant Bull Martin. The regular cast was rounded out by our hero’s archenemy Doktor Krueger, by Battle, G-8’s British manservant and by our hero’s girlfriend R-1: an American nurse/ spy whose real name, like G-8’s was never revealed.
16. THE X-RAY EYE (January 1935) – Add another mad scientist to the pile of G-8’s Rogue’s Gallery of villains! This story features our hero and his faithful sidekicks going up against Dr Gurnig, another Teutonic terror of the technical sciences. Dr Gurnig has created a HUGE remote- controlled flying head-like object with a single eye that shoots highly concentrated X-Rays.
Those X-Rays pass through a specially designed prism that amps up their power like lasers do with light, so maybe the concentrated X-Rays could be jokingly called “xasers”. Continue reading
DJANGO: AN OPERA – Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so now I’m trying it with operas. A little while back I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. This time I’m addressing the 1966 original version of the Spaghetti Western titled Django.
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur.
Scene One: The opera would open with a stage version of one of the most iconic visuals from the 1966 film. Our title character, DJANGO, clad in his long blue jacket with his well-worn Union Army uniform underneath it, slowly, wearily drags a coffin behind him as he walks along singing his mournful song. He pulls the coffin via a rope slung across one shoulder.
And with many people home from work for the day the 2020 Frontierado Holiday Weekend has started! The actual holiday is tomorrow, August 7th, but many of you have indicated that you’ve taken to getting started on the Thursday night before, or “Frontierado Eve” I guess we could call it.
Or if you prefer your drinks with no mixers there’s plenty of the OFFICIAL bourbons of Frontierado – 
MORE WILD, WILD WEST (1980) – Awhile back, Balladeer’s Blog reviewed the 1979 telefilm
Robert Conrad was back as Jim West with Ross Martin once again appearing as his sidekick Artemus Gordon. But that’s about all that went right.
LATITUDE ZERO (1969) – Just as absence makes the heart grow fonder, the unavailability of certain movies over extended periods lends them a certain mystique that they can’t possibly live up to when they are finally released once again to the public. Recently Balladeer’s Blog dealt with this while reviewing the long locked-away movie Toomorrow, starring a young Olivia Newton John. Now it’s Latitude Zero‘s turn.
Unfortunately, it’s neither the “science fiction classic” nor the “so bad it’s good masterpiece” that it was hyped as during its period in video exile. A bathysphere containing two scientists and a newsman is rescued from destruction by a futuristic submarine and taken to an underwater utopia. Japan misleadingly marketed the movie as if it was a sequel to Atragon, oddly enough.
WHAT HAPPENS IN VEGAS STARTED IN DODGE CITY – The Las Vegas in this article is Las Vegas, NEW MEXICO, not the more famous Las Vegas in Nevada. This lesser known Las Vegas held a degree of renown from the 1846-1848 war with Mexico onward. Its earliest history dated back to the 1600s.
BLACKOUT
LONDON
Powers: London was in the peak of human condition and excelled at unarmed combat. He also possessed the agility of an Olympic gymnast. In addition, this hero was a crack shot with the handgun he carried.
Comment: This superhero may SOUND run of the mill, but there’s just something about the name “London” plus the great font for the letter “L” on his forehead that makes him more appealing to me than other “regular guys in a costume” heroes. 

When he was age 16 Charles’ well-to-do parents gave up trying to force him to continue his schooling at an eastern military academy and let him move to Montana, where, clad in a brand-new buckskin outfit, he worked on a friend’s sheep ranch north of Helena. It took skill with a gun and a true survival instinct to live through encounters with rustlers, hostile cattlemen and their hired gunmen but Charles, already being called Kid Russell, thrived and felt more at home in this rough and tumble lifestyle than among his family’s hoity-toity friends in St Louis high society.
Even though there are signs here and there that audiences are getting fatigued with the oversaturation of superhero adaptations for the big and small screens, there still doesn’t seem to be any end in sight.
The central character uses his powers in World War One but afterward must cope with the limits of “super-powers” when it comes to dealing with political corruption and other problems that can’t be solved with violence. Or in which flexing his super-muscles would be counter-productive, maybe even ushering in a dictatorship. 
COMIN’ AT YA! (1981) – Directed by Ferdinando Baldi, Comin’ At Ya! is often credited with starting the pointless and bizarre 1980s revival of 1950s-style 3D movies. The film stars Tony Anthony, famous to us Spaghetti Western fans for the movie series in which he played a gunslinger called the Stranger. He appeared in others, as well, some reasonably good and others, like Blindman, so bad as to be virtually unwatchable. 
Our main character, Triple H, ain’t havin’ it and sets out to recover his new bride and set free the other unfortunate women seized by the Thompson Gang. Needless to say he’ll also kill every member of the gang as well as some of the snobbish, upper-class Mexican aristos – male and female – who buy the ladies at an elegantly-appointed mansion/ former convent now used for slave auctions.