A MODERN MUSKETEER (1917) – This 68-minute film was released on December 30th, 1917, when Douglas Fairbanks was known for his comedies rather than for his later success as cinema’s first swashbuckling superstar.
A Modern Musketeer gave the world the first glimpse of what Fairbanks could do if let loose in sword-swinging tales of derring-do. The opening 5 minutes and 36 seconds of the movie consist of a flashback depiction of D’Artagnan in the 1620s taking on an entire tavern full of rival swordsmen competing to return a fair maiden’s dropped handkerchief.
I’m not exaggerating when I say that that opening segment provides almost as many thrills and spectacular stunts as the entirety of Doug’s 1921 serious turn as D’Artagnan in his silent Three Musketeers film. However, it would not be until 1920’s Mark of Zorro that Fairbanks would get to start his long series of costume swashbucklers.
When the initial 5:36 is over, the movie resumes in 1917 Kansas, where Ned Thacker (Fairbanks), an energetic dynamo of a man, is obsessed with seeking out adventure and protecting women like his fictional idol D’Artagnan. He even runs an organization called the Society for the Prevention of Cruelty to Women. Continue reading
HURRICANE NELL, THE GIRL DEAD-SHOT (1877) – Written by Edward L. Wheeler. This blog post is dedicated to the prolific author and fellow blogger 
That brings us back to Hurricane Nell, the Girl Dead-Shot, also known as Hurricane Nell, the Queen of the Saddle and Lasso, and, in a misleading re-titling, as Bob Woolf, the Border Ruffian. (NOT three separate books.) Though published in May of 1877, Nell’s adventures were set earlier in the 1800s than most of the other big-name heroines of Dime Novels, so I am starting with her and will move on to the others in the next few weeks. 
DAREDEVIL AND THE BLACK WIDOW Vol 1 #95 (January 1973) 
When the Man-Bull begins rampaging through Frisco in order to flush out our hero, the Black Widow and Daredevil swing into action against him. Eventually the villain renders Daredevil unconscious, leaving the Black Widow alone against him for the cliffhanger ending. 
FERD THE DANDY (1821-1866) – The Frontierado holiday is coming up on Friday, August 4th this year, so here is another seasonal post from Balladeer’s Blog. This one covers a ruthless, yet often forgotten, gambler-gunslinger. 
Come 1859 Ferd the Dandy had acquired too big a reputation as a professional gambler to even get in a game anymore, so he gravitated to the Sailors’ Diggings Gold Rush near Waldo, Oregon. The mining town had already known the murderous rampage of the Triskett Gang by the time Patterson arrived to stain Waldo with his own activities. 
Balladeer’s Blog’s recurring feature Forgotten Television returns with this look at four television presentations of works by the Russian writer Anton Chekhov.
TEMPLE LEA HOUSTON (August 12th, 1860-August 15th, 1905) – This future gunslinging lawyer and last child of Sam Houston with his wife Margaret Lea-Houston was born in the Governor’s Mansion in Austin, TX. His storied father, the first president of the short-lived Republic of Texas was then serving as governor for the state of Texas.
It was during this time that Temple met an old friend of his father, who arranged a job for the young man as a Senate Page in Washington, DC. Working in that capacity for 3 years, Temple developed an ambition to study law and enter politics himself someday. 
THE LAND OF THE CHANGING SUN (1894) – By William N. Harben, a former American literary giant who has since been forgotten. 
THOMASINE & BUSHROD (1974) – The Frontierado Holiday is Friday, August 4th this year, so here is another seasonal post – a review of the black western Thomasine & Bushrod. This tale of a pair of outlaw lovers is a nice change of pace since it is set in the fading Wild West of 1911-1915. Automobiles are beginning to show up here and there, making Thomasine & Bushrod a fascinating fusion of “Robin Hood Outlaw” tales bridging both the old west and the later Pretty Boy Floyd era. 
While collecting the money from her most recent success, Thomasine sees a fresh Wanted poster for her old boyfriend J.P. Bushrod, a gunslinging bank robber and rustler portrayed by Max Julien from the previous year’s blaxploitation hit The Mack. 
ADVENTURE COMICS VOL 1 #352 (January 1967) 
The Fatal Five are Tharok, a cyborg whose cybernetic brain makes him more intelligent than Brainiac 5; Validus, a huge purple monstrosity whose insanity drives it to perpetual violence; the Emerald Empress, evil ruler of an entire planet whose populace recently won a war to overthrow her; the Persuader, a killer and plunderer whose armor and Atomic Axe make him unstoppable; and Mano, a mutant whose hand wields energies so powerful that the hand destroyed his entire home planet. 
Frontierado is celebrated the first Friday of every August, so this year it will be marked on August 4th. This holiday celebrates the myth of the old west, not the grinding reality. Here’s a seasonal post regarding my look at an opera version of the original Django spaghetti western from 1966, which strips the story down to its essentials, with no gold subplot.
DJANGO: AN OPERA – Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’m trying it with operas. A little while back I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. This time I’m addressing the 1966 original version of the Spaghetti Western titled Django. 
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur. 
Scene One: The opera would open with a stage version of one of the most iconic visuals from the 1966 film. Our title character, DJANGO, clad in his long blue jacket with his well-worn Union Army uniform underneath it, slowly, wearily drags a coffin behind him as he walks along singing his mournful song. He pulls the coffin via a rope slung across one shoulder. 
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