Balladeer’s Blog’s month-long celebration of Halloween continues with this look at Canadian werewolf lore.
THE WERWOLVES (1898) – Written by Honore Beaugrand, this story features fairly unique werewolf lore. The tale is not structured in a traditional way but instead expands upon accounts of lycanthropy in campfire tales as if they really, truly happened.
A modern comparison might be with those far-fetched tales of the supernatural from supermarket tabloids or online Creepypastas. The pretense of reality adds to the fun.
Set in the very early 1700s The Werwolves treats readers to a pack of Iroquois lycanthropes rampaging around Quebec and elsewhere in Canada. These werewolves are much more intelligent and gregarious than many other such monsters.
They operate in a pack to steal away victims and even dance around a fire in their wolfmen forms howling and chanting before devouring their victims.
These Canadian variations also look much different than readers might expect: they have the heads of wolves and the tails of wolves but the rest of their bodies remain human after their nocturnal transformation. Continue reading
FRANKENSTEIN (1910) – This first ever cinematic depiction of the classic horror story was produced by Edison Studios, as in Thomas Edison. Luckily Frankenstein has survived, and existing copies run from 11 minutes to 16 minutes. 
Edison Studios efforts were known for their slipshod, seat of their pants nature, and Frankenstein serves up my all-time favorite back-to-back dialogue boards. “Frankenstein leaves for college.” followed by “Two years later Frankenstein has discovered the mystery of life.” (… And Frankenstein Created Cram School) 
PENITENTE (Penitent) 
To redeem himself in the eyes of Heaven, the Penitente had to save seventy times seven the number of innocent victims he had killed while alive. As part of this purgative servitude he would also be periodically pitted against dark forces which had escaped from Hell. 
Comment: Our hero rose from his grave and masked his decaying, scarred face behind a red cloth like those worn during Brazil’s Procession of the Penitents. 
Halloween Month continues as Balladeer’s Blog takes an anticipatory look at Terrifier 3, which hits theaters tomorrow, October 11th. Despite making his first appearance in 2008, Art – the blood-and-gore-soaked supernatural killer of the Terrifier franchise – still gets hailed as a “new” figure because general audiences were unaware of him until 2016. 
The previous installments of Fool Killer lore have seen the neglected 1800s folk figure in a variety of roles: 
In honor of the Halloween season this post will look at the Fool Killer as a 1980s slasher. 
THE FOOL KILLER – As we all know, Anthony Perkins starred in the eerie 1965 movie The Fool Killer as an amnesiac Civil War veteran who came to believe he was really the legendary title figure. A 1980s slasher version of the Fool Killer could feature a deranged killer who has similarly come to regard himself as the “real” one.
EZRA PEDEN – This was Allan Cunningham’s tale about the deeds of Scottish Presbyterian Minister Ezra Peden and his encounters with the forces of the supernatural in Scotland from the late 1600s to around 1706. It makes for nice Halloween Season reading and practically makes you feel the chilliness of Scotland in late October as Cunningham depicts the brave, if humorless, Ezra adventuring in the moonlight. 
SWAMP THING Vol 1 #3 (March 1973) 
Alec’s body was dumped in the swamp, where the bio-restorative chemicals his body had been soaked in interacted with his own anatomy, the mud and the plant life in the swamp, letting him rise from the dead as a murk-monster. The Swamp Thing retained Alec Holland’s intelligence but could not speak for the first several issues. 
Halloween Month at Balladeer’s Blog continues with this look at Mexican horror figures who haven’t had a truly striking movie in decades. Well, outside of La Llorona, who still gets featured every few years. 
DOCTOR M
The image of the returned Dr. M in his hideous new body playing a mournful tune on a violin to prove his identity to a friend is a scene worthy of the greatest Gothic horror films. Even better would have been a scene of him later playing the same tune over his own grave. 
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