Category Archives: FRONTIERADO

NEGLECTED FEMALE GUNSLINGERS OF THE WEST

Frontierado is Friday, August 2nd! In honor of that upcoming 3-day holiday here is a look at female gunslingers who don’t get as much attention as the big names like Calamity Jane, Belle Starr and Annie Oakley.

Queen Kitty

Queen Kitty

QUEEN KITTY – Kitty LeRoy was also known as Kitty the Schemer, Dancing Kitty, the Female Arsenal and much later as Deadwood Kitty. Queen Kitty is the most appropriate nickname in part because of her last name but mostly because she was variously known as “the Queen of the Hoofers”, “the Dancing Queen”, “the Queen of the Barbary Coast” and “the Queen of the Faro Tables”.

Kitty was born in 1850 and by the age of 10 was earning money for her family as a professional dancer and novelty act in her home state of Michigan. By 14 she was performing exclusively at adult venues and had added trick shooting to her repertoire.

Her most famous shooting trick at this time was shooting apples off the heads of volunteers. At age 15 Queen Kitty was performing in New Orleans and married her first husband – the only man in the city brave enough to let Kitty shoot apples off his head while she was riding around him at a full gallop.

LeRoy loved flirting and sleeping around, however, and this led to the breakup of her first marriage within a year. By 1870 Queen Kitty had married a second time, to a man named Donnaly, with whom she had a daughter. The Queen had gravitated more and more to the Faro tables, making a killing as a celebrity dealer.

With Dallas as a home base Kitty and her husband would travel throughout Texas with LeRoy earning money dancing and dealing Faro. Kitty also earned a name for being able to handle any violence that came her way from sore losers and was involved in multiple gunfights and knife fights in dangerous saloons. Continue reading

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ALLMAN BROTHERS: RAMBLIN’ MAN

With the countdown to Frontierado now well and truly underway, Give Them A Shoutout Before They’re (All) Dead features the Allman Brothers’ Ramblin’ Man. It may not be about the West but the lyrics “My father was a gambler down in Georgia/ And he wound up on the wrong end of a gun” sure as hell FEEL like it!

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KID RUSSELL: EPISODE THREE

For Episode One plus background information click HERE  For a look at the Kid Russell legend click HERE 

William Smith good Kid Russell 4

William Smith would have made a good Kid Russell long ago.

KID RUSSELL

EPISODE THREE

Title: The Judith Basin Cattle Roundup

The Year: 1883

Synopsis: This episode will open up with Kid Russell (Charles Marion Russell) among the five or six players in a poker game at one of the saloons in Helena, MT. His regular saloon gal Dutch Leina is hovering nearby. Accusations of cheating eventually erupt and, while the Kid’s friend Charlie Bowlegs gets shot down, Russell himself manages to blow away the attacker. (The Kid’s real-life friend Charlie Bowlegs really did get shot to death in saloon card-game violence.)

William Smith good Kid Russell 5After a few days in jail, Kid Russell’s case comes up and he is found not guilty on self-defense grounds and released. While cooling his heels in stir the Kid got to talking to some cowhands getting ready for the upcoming Judith Basin Cattle Roundup, an annual event which was, even then, achieving legendary status.

Russell, always a romantic, can’t shake a desire to once again try the cowboy lifestyle he once aspired to. After his initial run at a sheep ranch getting leaned on by the Cattlemen (Episode One) and his two years guiding tycoons and European Blue-Bloods on big-game hunts with Lucky Boy Hoover (Episode Two), Charley finds himself itching for a change. Continue reading

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KID RUSSELL: EPISODE TWO

For Episode One plus background information click HERE

William Smith Kid Russell 2

William Smith would have made a good Kid Russell in the 60s.

KID RUSSELL

EPISODE TWO

Title: LUCKY BOY

The Year: 1882

Synopsis: We move on to the period in which future artist Kid Russell was working for the famed Jake “Lucky Boy” Hoover. Lucky Boy was a former prospector turned trapper, guide and professional big game hunter. After having been fired by his previous employer in 1881 (see Episode One), Russell struck up a friendship with Hoover.

William Smith good Kid Russell 2During the two years that Kid Russell worked for Lucky Boy, he learned all about trapping and hunting, though he never fully warmed up to either trade, however, since he preferred painting wildlife to blood-sports. He took much more enthusiastically to learning the survival lore that went hand-in-hand with them.

Charley’s favorite of all the businesses he and Lucky Boy pursued was serving as guides for wealthy Easterners as well as European and Russian Nobility and tycoons, many of whom flocked to the Montana area in the 1880s. These magnates and blue-bloods loved vacationing in the already romantic Wild West and enjoyed the scenery plus the big-game hunting. (See the Euro-Western Shalako as well as The Hunting Party for the kind of dangers such expeditions could encounter.)  Continue reading

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KID RUSSELL: THE TELEVISION SERIES – EPISODE ONE

Kid Russell

Self-portrait by Kid Russell

With the Frontierado Holiday coming up in just over a month and a half, Balladeer’s Blog decided to whet readers’ appetites with this look at a gritty cable western series based on the real-life gunslinger turned artist Kid Russell (Charles Marion Russell).

As always, Frontierado is about the myth of the American West, not the grinding reality. This ties it in with Balladeer’s Blog’s examinations of myth and folklore and the ways in which the human tendency toward embellishment crafts everything from religious lore to heroic legends.

Even in the 1800s the exploits of real-life gunslingers were being exaggerated in Dime Novels or overblown newspaper accounts to the degree that the surviving tales of Western figures often bear little resemblance to their actual lives. Television added another layer of distortion as the need for weekly stories saw Western shows presenting the likes of Doc Holliday, Wild Bill Hickok, Bat Masterson and many others in adventures that dropped all pretense of being based on anything “real.”

Even a figure like Annie Oakley, who actually saw no action against outlaws, was depicted fighting crime out west in a weekly series. In that same spirit here’s my presentation of how the framework of fictional adventures can be used to familiarize modern audiences with occasional facts about the adventurers themselves.

William Smith good Kid RussellKID RUSSELL (Cable Series) – “Before he made the art, he LIVED it!” would be the kind of eye-rolling advertising tagline that one could picture being used for a show like this. I’m not implying any disrespect to Kid Russell or his artistic legacy. Regular readers of Balladeer’s Blog are familiar with my regard for the man. (FOR MY LOOK AT THE KID RUSSELL LEGEND CLICK HERE )

I can’t help but speculate that the Kid’s fondness for “windies” would make him smile at the kind of concentrated embellishment I’m about to bring to his real-life adventures. Russell’s famously coy line about how he “… never said how law-abiding I was or wasn’t” made many of the wildest legends about the man seem like there might be more than a kernel or two of truth to them.     Continue reading

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COMIN’ AT YA! (1981): SPAGHETTI WESTERN REVIEW

Comin at Ya 2COMIN’ AT YA! (1981) – Directed by Ferdinando Baldi, Comin’ At Ya! is often credited with starting the pointless and bizarre 1980s revival of 1950s-style 3D movies. The film stars Tony Anthony, famous to us Spaghetti Western fans for the movie series in which he played a gunslinger called the Stranger. He appeared in others, as well, some reasonably good and others, like Blindman, so bad as to be virtually unwatchable.

Tony’s standout feature is the way he always looks like he’s ready to burst into tears, which always set him apart from the countless tough guys in Italo-Westerns. That feature stands him in good stead in Comin’ At Ya!

Tony Anthony

Tony Anthony IS Tinsley – I mean H. H. Hart – in Comin’ At Ya!

Anthony stars as gunfighter H.H. Hart. No, not H.H. Holmes, which would be an entirely different type of movie. Hart has, like many a fictional gunman, decided to leave his past behind and settle down with his one true love – a female gambler called Abilene aka the Cajun Queen. Abilene is portrayed by European actress Victoria Abril.

On their wedding day, H.H. and Abilene are separated when the ceremony is crashed by a gang of white-slavers led by brothers Pike and Polk Thompson. Our story inverts the setup of Louis L’Amour’s western The Shadow Riders, in which two brothers who fought on opposite sides of the Civil War set aside their differences to recover female family members from white-slavers headed for Mexico. 

In Comin’ At Ya! it’s the villains who are such a pair of brothers. Pike served on the Union side and Polk on the Confederate side. The duo command an enormous gang made up of veterans from both sides of the war in addition to renegade Indians and Mexican pistoleros. They steal the lovely Cajun Queen from her new husband and add her to the rest of their haul of young women to sell into slavery down in 1870s Mexico.

comin at ya - cinema quad movie poster (1).jpgOur main character, Triple H, ain’t havin’ it and sets out to recover his new bride and set free the other unfortunate women seized by the Thompson Gang. Needless to say he’ll also kill every member of the gang as well as some of the snobbish, upper-class Mexican aristos – male and female – who buy the ladies at an elegantly-appointed mansion/ former convent now used for slave auctions.

Even though this is really just a Spaghetti Western, albeit with slightly better production values, releasing a film titled Comin’ At Ya! clearly means you want it to stand or fall purely on its gimmick: 3D. First I’ll address the 3D effects and then examine the movie as a whole. Continue reading

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YELLOWHAIR AND THE FORTRESS OF GOLD (1984)

Yellowhair and the Fortress of GoldYELLOWHAIR AND THE FORTRESS OF GOLD (1984) – Reviewers need to lighten up about this movie. Especially over at IMDb. If those reviewers actually think this film deserves a low rating of 4.2 they’re being silly. I eat, sleep and breathe bad movies and I settled in to finally watch this supposed bomb fully expecting something hilariously awful. Nope. It’s no masterpiece but it’s a fairly good movie with a butt-kicking female lead. 

Actually, Yellowhair and the Fortress of Gold is better than 1980s schlock like the Allan Quatermain flicks or many Chuck Norris films. The production values are above many other Eurowesterns, which is what this really is, despite its Raiders of the Lost Ark pretensions. They’re also above many, many Grade Z action movies of the decade.

Yellowhair and the Fortress of Gold 2In my opinion the admittedly dopey opening seems to prejudice too many reviewers, who harden into hatred before the movie properly gets underway. The success of the first Indiana Jones movie a few years earlier prompted many studios to try touting all their new action releases as being “like Raiders of the Lost Ark.”

To capture that same old-fashioned cinema/ Republic Serial feel, director Matt Cimber presents the opening moments of Yellowhair and the Fortress of Gold as a “meta” trip to a movie theater, complete with excited, squeeing children. To pile on the corn even more, there’s a melodramatic voice-over setting the scene by depicting this movie as if it’s the latest chapter of the serialized adventures of Yellowhair (Laurene Landon), our half-breed Indian heroine, and her platonic friend the Pecos Kid (Ken Roberson). 

Pecos KidNOTE: Yes, that makes for a cringingly lame opening sequence but let’s face it, it’s only slightly more awkward than if Cimber had relied on setting the scene with an opening scroll like Star Wars and its sequels had revived years earlier and which other movies had been copying ever since. Anyway, you can tell some reviewers don’t bother watching beyond that opening sequence since their reviews bash the whole movie as if it’s like that. Actually, the voiceover disappears and the story proceeds like in any other film after that ill-advised opening dose of nostalgia.  Continue reading

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ALIEN OUTLAW (1985): MOVIE REVIEW

Alien Outlaw bigALIEN OUTLAW (1985) – Starring Kari Anderson. Written and directed by Smoot … PHIL Smoot (Da dut da DAAA/ Da da-da). Phil was one Smoot operator and showed the imagination that low-budget filmmakers so often demonstrate but whose lack of financial resources prevents them from fully bringing that imagination to life.

Smoot got his start with the Dixie DeMille himself, Earl Owensby, often called “Roger Corman south of the Mason-Dixon Line.” And that wasn’t said as an insult. Like Corman, Owensby specialized in unpretentious B-movies that always made a profit due to budget-consciousness.

Before setting out on independent projects of his own, Phil Smoot worked in various capacities on Owensby’s North Carolina flicks like Challenge, The Brass Ring, Tales of the Third Dimension and many others.

Alien OutlawWith Alien Outlaw, Smoot showed the Owensby influence: North Carolina locations, meandering scenes that begged to be edited down and lots of annoying Southern-Fried humor that wouldn’t have made the cut on Hee Haw. On the plus side he also demonstrated a flair for fun B-movie premises that mixed genres.

Smoot’s other best-known work as writer-director was The Dark Power, a Toltec zombie horror film with Western elements (a work previously reviewed here at Balladeer’s Blog). Like The Dark Power, Alien Outlaw starred old, old, OLD Western actor Lash Larue, who was the middle man in the Whip-Wielding Action Star Trimurti, coming after Don Q: Son of Zorro and before Indiana Jones.

Alien Outlaw JesseAlien Outlaw mixed Western elements with science fiction in a way that made you root for the film, despite the way Phil Smoot defeated himself at every turn. The potential was here to craft a fun, slick, modest money-maker which played like a Western version of a Tom Baker-era episode of Doctor Who. And with a butt-kicking female lead.     

THE PREMISE: An alien spaceship lands in 1985 North Carolina and conceals itself by submerging in a body of water. That body of water is a stream the water level of which couldn’t even conceal a small car let alone a large space-craft.

THE POTENTIAL FIX: A lake or a make-believe cloaking device would have worked better.

THE STORY: A few aliens, wearing back-packs and masks to breathe our air, attack random people, take their guns and begin terrorizing the countryside. We are never told if their ship landed on Earth deliberately or made the best out of a crash landing. Nor are we told why aliens capable of interstellar flight have to confiscate primitive firearms. Continue reading

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BOONE MAY: NEGLECTED GUNSLINGER

Boone MayBOONE MAY – We ring down the curtain on another Frontierado holiday with this look at neglected gunslinger Daniel Boone May, better known as just Boone May.

Daniel Boone May was born in Missouri in 1852 and raised on the family farm in Kansas following a move around 1860. In the early 1870s Boone headed west with his brothers Jim and Bill. By some accounts Boone drifted into bounty hunting as a way of making a living while his brothers were into more sedate and settled livelihoods.

With the Black Hills Gold Rush raging in 1876 the three May Brothers headed to Deadwood, SD to seek their fortunes. Bill tried his hand at prospecting while Boone and Jim invested some of Boone’s bounty money in a series of horse-team changing stations between the gold fields and the railroad in Cheyenne, WY.  

Boone earned a solid reputation for being able to use his guns to keep the changing stations safe from bandits AND from bands of Sioux warriors. Before long he had made enough money to buy a home and land near the Platte River outside Deadwood.   Continue reading

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BOOT HILL – A MINOR VALHALLA

JUST SIXTEEN DAYS UNTIL FRONTIERADO! IT’S THE FIRST FRIDAY OF AUGUST, MEANING IT’S FRONTIERADO! NOW CELEBRATED ON SIX CONTINENTS!

The joyous day is here at last so let’s enjoy our meals of buffalo meat, Tumbleweed Pizzas, Southwest Fried Rice, corn on the cob, Cactus Salad, mashed potatoes and Western Spaghetti ! Later we can wash down some Deuces Wilds (Red or Black) and Cactus Jacks while playing Frontierado Poker or watching Silverado.

Boot HillBOOT HILL: The name has survived in much western lore as THE name for graveyards filled with gunslingers, outlaws and other stock figures of the Wild West. Today it serves as a blog post in which I focus on the causes of death for many of the men and women who have shown up in my Frontierado items over the years.

Jack Harris Vaudeville TheatreTEXAS BEN THOMPSON – Shot to death by multiple gunmen at Jack Harris’ Vaudeville Theater in San Antonio, TX on March 11th, 1884. It was a revenge killing that also claimed Thompson’s friend and fellow gunslinger John “King” Fisher.

DOC HOLLIDAY – Died of natural causes on November 8th, 1887 in Glenwood Springs, CO.

SAM SIXKILLER – Shot to death while unarmed on Christmas Eve of 1886 in Muskogee, OK (still called Indian Territory at the time).

“QUEEN” KITTY LEROY – Shot to death by her own husband in Deadwood, SD’s Lone Star Saloon on December 6th, 1877. Her husband then took his own life. Continue reading

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