IDAHO TRANSFER (1973) – This film, directed by Peter Fonda and starring mostly unknowns, deals with time travel and post-apocalypse themes. It was retitled Deranged for its DVD release. I have no idea why.
Not so long ago Idaho Transfer was regarded among us fans of bad movies as a So-Bad-It’s Good example of the way so many 1970s sci-fi films were presented as if they were being deep and innovative when in truth they were just reworking ideas from old Twilight Zone and Outer Limits episodes but dragging them out to unbearable length.
Here in 2021 Idaho Transfer has fallen so far off the schlock charts that it’s unknown to many viewers. However, it is STILL one of the best So-Bad-It’s-Good examples of pretentious yet shallow 1970s sci-fi films. While this story might have made a decent episode of a half-hour anthology series it is excruciatingly stretched out to 86 minutes.
THE PREMISE: In the movie’s present-day (1973) a group of scientists in Idaho have been using their federal grant money to try developing a teleportation/ matter transfer device for the government. Along the way, however, they realized that they had accidentally invented a machine that transports people and objects through time instead of space. Continue reading
RIKI-OH: THE STORY OF RICKY (1991) – Back when I started Balladeer’s Blog in 2010 this Hong Kong martial arts/ splatter film was among the first movies I planned to review. Feeling intimidated by the need to describe the sheer scale of the joyously tasteless violence in this movie I kept postponing it. Eventually, it seemed so notorious that I figured too many people knew about it for me to bother. 
Riki-Oh (pronounced Ricky-HO) is also known as Violence King and with good reason. This Category 3 Hong Kong movie does the seemingly impossible – it more than lives up to the Japanese Manga it was based on. Siu-Wong Fan stars as the title character. Ngai Choi Lam directed and wrote the screenplay adaptation. 
THE BETSY (1978) – The popular 1970s television miniseries format proved to be perfect for adapting Harold Robbins’ novels since they were really just glorified soap operas, but for whatever reason this big-screen version of The Betsy attracted some very respected thespians for its cast. Name stars like Laurence Olivier, Robert Duvall, Katharine Ross, Jane Alexander and others pretty much slummed it in this flick, which was to the auto industry of Detroit as Dallas was to the Texas oilfields and Falcon Crest was to the California vineyards. 
GET MEAN (1975)- One of the weirdest Spaghetti Westerns ever made and that’s saying something! Get Mean stars Tony Anthony and was also released under the title The Stranger Gets Mean, making it the final movie in Anthony’s series of Italo-Westerns as the enigmatic gunslinger known only as the Stranger. 
DARKER THAN AMBER (1970) – Rod Taylor IS, for some reason, an Australian version of John D MacDonald’s detective Travis McGee. William “Big Bill” Smith plays the outrageously bleached-blonde villain Terry Bartlett and Theodore Bikel portrays McGee’s friend and idea man Meyer. McGee saves a woman (Suzy Kendall) from being forcibly drowned by her criminal associates only to see her get bumped off by them anyway. 
WHAT’S NEW PUSSYCAT? (1965) – TWO PETERS, ONE WOODY should probably have been the title of this blog post. Peter O’Toole, Peter Sellers and Woody Allen starred in this brazen (for its day) sex comedy set in Paris during the Swinging Sixties. 
The end result is still hailed for its pioneering depiction of promiscuity in a major studio release. The relaxing of cinematic standards permitted What’s New Pussycat? to be bolder and kinkier than any pre-1965 production could have been. Compared to films of the past 55 years, however, it often seems as mild and self-consciously “zany” as an episode of Three’s Company, which was daring for television of the 1970s but certainly not today. 
I WOKE UP EARLY THE DAY I DIED (1998) – Directed by Aris Iliopulos, this is the film that was made based on that notorious unproduced script written by THE Ed Wood, the master of badfilm behind Glen or Glenda, Plan 9 From Outer Space and more. 
There’s no dialogue, Easter Eggs regarding Wood’s various Golden Turkeys abound and excerpts from the actual screenplay appear on screen at times in case viewers are skeptical that the weirdness they’re witnessing really was in the original script. 
LIGHT SPEED ESPER (1967-1968) – This overlooked Japanese television show was titled Kousoku Esupâ in its nation of origin. If you enjoy live action programs like Ultraman or other shows from the tokusatsu subgenre of entertainment then Light Speed Esper will certainly appeal to you. 
Hikaru’s parents are killed in this intergalactic accident, filling the extraterrestrials – called Alien Espers or Esper Seijin – with immense feelings of guilt. They possess and animate the dead bodies of Hikaru’s mother and father to make amends. Very morbid amends, I grant you, but amends nonetheless. 
BIONIC NINJA (1985) – Hey! The people who dubbed this flick into English overused “Hey!” to such a degree that if you play the Hey! Drinking Game you’ll die of alcohol poisoning a third of the way through the movie. Leo Fong supposedly choreographed the fights and did some stunt work in and out of ninja garb in this film, another splice job of unrelated movies. 
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