Here at Frontierado Headquarters we’re doing a mini-marathon of the holiday’s Top Three films for today. Below are my reviews of those three which are perfect for Frontierado (August 7th this year.):
NUMBER ONE
Top Frontierado Movie
SILVERADO (1985) – I’ve never made any secret about how Silverado is, to me, THE official movie of the Frontierado holiday. The film has all the high spirits and family appeal of Star Wars plus the well-choreographed action scenes of Raiders of the Lost Ark. On top of that Silverado features all the highly stylized gunplay of the best Spaghetti Westerns but NOT the mud, blood, sweat and brutality of that genre.
This movie is pure escapism and features the kind of preternaturally accurate gunslingers that I jokingly describe as “Jedi Knights in the Olllld West”. These guys (as well as most of the villains) can literally shoot the needles off a cactus, simultaneously draw and shoot with pin-point accuracy and can just “sense” when some low-down hombre might be pulling a gun on them, even with their backs turned and from half a room away. Continue reading
A MAN CALLED SLEDGE (1970) – Garner’s lone Spaghetti Western was a fascinating departure from his usual depictions of a roguish but not ruthless rascal. This time around he plays Luther Sledge, a grim, pitiless bandit leader who becomes obsessed with robbing a fortune in gold from its temporary storage place in a combination fortress and prison for hardened criminals.
GET MEAN (1975)- One of the weirdest Spaghetti Westerns ever made and that’s saying something! Get Mean stars Tony Anthony and was also released under the title The Stranger Gets Mean, making it the final movie in Anthony’s series of Italo-Westerns as the enigmatic gunslinger known only as the Stranger. 
BREAKHEART PASS (1975) – (Frontierado is coming up August 7th and, as always, it’s about the myth of the Old West, not the grinding reality.) Alistair MacLean may be more closely associated with espionage and crime thrillers like When Eight Bells Toll, The Eagle Has Landed and Puppet on a Chain but his lone Western, Breakheart Pass, is a very solid story which transfers MacLean’s usual themes to the American West. 
Some critics bash this above-average film because they apparently thought Alistair MacLean’s name on the script meant it would be an over-the-top Western Spy actioner along the lines of Robert Conrad’s old Wild Wild West television series crossed with Where Eagles Dare. Instead, Breakheart Pass comes closer to grittiness than slickness and is all the more enjoyable for that. 
GANG OF ROSES (2003) – The annual Frontierado Holiday, coming August 2nd this year, is about the myth of the Old West, not the grinding reality. So is the movie Gang of Roses, which is why I cannot believe the merciless reviews this fun, harmless, escapist movie has gotten. I find it far better than the similar Bad Girls. 
Let me give a quick synopsis, then take a look at the main characters, following which I will state my counter-arguments to the most frequent criticisms leveled at this female-led Western:
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