Actor Ron Ely passed away not long ago. He was best known for playing Tarzan but in keeping with the theme of Balladeer’s Blog I’m taking a look at Ron’s Eurowesterns.
HALLELUJAH AND SARTANA … SONS OF GOD (1972) – Ron Ely played Hallelujah and Alberto Dell’Acqua was Sartana in this at best so-so Spaghetti Western.
For newbies to the more obscure level of Italo-Western heroes, Hallelujah (at left) was a gunslinging conman and gambler whose nickname came from his impersonations of clergymen as part of his grift.
Sartana, on the other hand, was a long-established Spaghetti Western figure who was portrayed by plenty of other actors during the 60s and 70s. Sartana was a pro bono vigilante when he wasn’t busy at card tables across the west.
Ron Ely’s Hallelujah was a combination of James Garner’s Bret Maverick depiction of a gunman-grifter with a heart of gold crossed with Terence Hill’s seriocomic gunslinger Trinity from his own trilogy of movies. Continue reading
RED SUN (1971) – I had originally planned to review this international production during Frontierado Season of 2025, but French superstar Alain Delon’s recent death made me decide to post it now. Red Sun was a French-Italian co-production starring America’s Charles Bronson, France’s Alain Delon and Japan’s Toshiro Mifune in a Spaghetti Western. 
The train also carries a shipment of gold targeted by a gang of outlaws led by a charismatic but cruel man called Gauche (Alain Delon) and his longtime partner in crime Link Stuart (Charles Bronson). The bandits rob the gold as the train passes through the western deserts. Gauche displays his callous ruthlessness by not caring that he has to kill an innocent passenger while gunning down a man trying to play hero.
THOMASINE & BUSHROD (1974) – The Frontierado Holiday is Friday, August 4th this year, so here is another seasonal post – a review of the black western Thomasine & Bushrod. This tale of a pair of outlaw lovers is a nice change of pace since it is set in the fading Wild West of 1911-1915. Automobiles are beginning to show up here and there, making Thomasine & Bushrod a fascinating fusion of “Robin Hood Outlaw” tales bridging both the old west and the later Pretty Boy Floyd era. 
While collecting the money from her most recent success, Thomasine sees a fresh Wanted poster for her old boyfriend J.P. Bushrod, a gunslinging bank robber and rustler portrayed by Max Julien from the previous year’s blaxploitation hit The Mack. 
Frontierado is celebrated the first Friday of every August, so this year it will be marked on August 4th. This holiday celebrates the myth of the old west, not the grinding reality. Here’s a seasonal post regarding my look at an opera version of the original Django spaghetti western from 1966, which strips the story down to its essentials, with no gold subplot.
DJANGO: AN OPERA – Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’m trying it with operas. A little while back I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. This time I’m addressing the 1966 original version of the Spaghetti Western titled Django. 
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur. 
Scene One: The opera would open with a stage version of one of the most iconic visuals from the 1966 film. Our title character, DJANGO, clad in his long blue jacket with his well-worn Union Army uniform underneath it, slowly, wearily drags a coffin behind him as he walks along singing his mournful song. He pulls the coffin via a rope slung across one shoulder. 
RELIC OF FORT TEJON (November 3rd, 1957) – Here’s something a little different from the usual for Balladeer’s Blog’s Forgotten Television category. The 1950s James Garner series Maverick was an all-time classic, but this particular episode is often overlooked. 
Previously, I’ve examined the 
And with many people home from work for the day the 2020 Frontierado Holiday Weekend has started! The actual holiday is tomorrow, August 7th, but many of you have indicated that you’ve taken to getting started on the Thursday night before, or “Frontierado Eve” I guess we could call it. 
Or if you prefer your drinks with no mixers there’s plenty of the OFFICIAL bourbons of Frontierado – 
FRONTIERADO IS COMING UP ON FRIDAY, AUGUST 7th! As always the Frontierado holiday (now celebrated on 6 continents) is about the myth of the Wild West, not the grinding reality. It’s just like the way medieval festivals celebrate the era’s romantic aspects, not “the violence inherent in the system” (for my fellow Monty Python fans). Here’s another Balladeer’s Blog review of a seasonal movie. 
MAVERICK (1994) – Richard Donner directed and Mel Gibson starred in this excellent tribute to the 1950s and 1980s Maverick television series. The original series starred James Garner as slick-talking gambler/ gunslinger Bret Maverick AND, in old-age makeup, as “Pappy” Beauregard Maverick, the gambler and con-man patriarch of that family of rogues. (No relation to the real-life Maverick family of Texas, for whom “maverick” cattle were named.)
Mel Gibson portrays Bret Maverick since by 1994 James Garner was too old for the role. Jodie Foster co-stars as rival gambler Annabelle Bransford and the iconic James Garner provides memorable support as a lawman. 
INCIDENT AT PHANTOM HILL (1966) – With the massive Frontierado Holiday just a few months away let’s start getting in the mood with a review of this 1966 western directed by Earl Bellamy. 
A major complication: The desert region where the bullion is buried is located in the Staked Plains, which were recently ceded to the Comanche Indians in the latest treaty. If uniformed troops are spotted poking around in the area a fresh Comanche war could break out. 
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