THE DEATHMASTER (1972) – In between his pair of movies as the vampire named Count Yorga the one and only Robert Quarry starred as a vampiric Charles Manson wannabe in this film. The Deathmaster starts out with a great bit that wouldn’t look out of place in a Jean Rollin horror flick from France: the huge, hulking Barbado (Le Sesne Hilton) plays eerie flute music, seemingly luring ashore a sea-tossed coffin. This casket holds our “Deathmaster” – a vampire called Khorda.
Unfortunately it’s all downhill from there unless you’re like me and you really enjoy bad movies. Khorda eschews the usual vampire shtick of being a suave ladies’ man. His approach is to dress like early 1970s hippies do and model his coiffure and facial hair after Charles Manson. The filmmakers even admitted that was indeed the look they were going for.
Khorda feeds on assorted Californians while spending his spare time gathering around him a collection of 1960s losers and retreads plus some biker gang members just for good measure. Our undead heavy becomes their guru, spouting the type of generic, faddish spiritual nonsense that is always a good way to sound deep while not really saying anything at all. Continue reading
MARS PATROL (1953-1955) – At age 19 – and already smiling like somebody just broke his jaw – the go-getting Winston Conrad “Wink” Martindale was the star of 514 episodes of Memphis’ weekday show Mars Patrol. (Ignore the incorrect IMDb entry which lists him as the star of just 1 episode. Memphis newspapers and Martindale himself recount how he starred in the entire series.)
Martindale and the diminutive Mars Guard members wielded ray-guns in their adventures and also hosted episodes of old Flash Gordon and other space serials of the past, making Wink a kind of movie host variant as well. The young fans of Mars Patrol could write in and join the show’s Star Dodgers Club, complete with Captain Martindale photos and other merchandise. 
SERIAL: Before showing and mocking the movie machine-gun toting Randy and Richard, as members of the fictional Film Vault Corps (“the few, the proud, the sarcastic”) showed and mocked another chapter of the Republic Serial Radar Men from the Moon (1952).
THE MOVIE: Blood Beach (1980) was one of the least effective horror films of the 1980s. It had a half-decent premise – a monster beneath the sand at a California beach sucking victims down into its hellish maw – but squandered that premise with incredibly slow pacing.
WEREWOLVES ON WHEELS (1971) – You just knew this was the movie I would start with. A biker gang hassles a group of Satanists in the usual biker way in films. The Satanists get revenge by cursing some of the bikers to start turning into werewolves and preying on the others.
TOP SECRET (1984)
Balladeer’s Blog takes a look at the film appearances of Errol Flynn’s son Sean. The two did not get along, unfortunately, largely because of Errol only caring about Sean when the mood struck him according to Sean.
THE SON OF CAPTAIN BLOOD (1962) – Since the 1935 swashbuckler Captain Blood propelled Errol Flynn to stardom, the studio was hoping a Son of Captain Blood flick would do the same for Sean. Jock Mahoney, a former Tarzan and stunt man for Errol trained Sean in fencing and acrobatics to prepare for the role.
The ship Robert commands has among its passengers a handful of giggling young ladies being transported to England along with their stern lady chaperone. This new Captain Blood turns their heads and ultimately Abigail McBride (Alessandra Panaro) beats out the others for his heart.
I WAS A TEENAGE TIME LORD – In the style of Tom Baker & Jon Pertwee Doctor Who episodes and vintage Golden Turkeys of the past with faint undertones of old movie host shows comes this self-indulgent blog post.
My imaginary character wasn’t an alien from Gallifrey or anything, he was just from Earth of the future and wound up stranded in the past. His futuristic science kept him from aging, and he spent his time helping human beings battle weird menaces.
FRANKENSTEIN MEETS THE SPACE MONSTER (1965) – This black & white film is on many people’s lists of the worst movies ever made, so it was a dream come true for young me. Martian women have been rendered sterile from the radiation of the planet’s nuclear war.
The Red Planet’s Princess Marcuzan, her chief scientist Nadir and some troops have come to Earth, where they abduct nubile women vacationing in Puerto Rico to use as breeding stock. The aliens are opposed by a heroic android astronaut called Frank, supposedly short for First Robot Astronaut Corps.
The half-melted android (after crashing his craft) battles the aliens to save Earth ladies, ultimately fighting the space monster the Martians brought with them. For a couple minutes, anyway.
FIRE DRILL aka Simulacro de Incendio (1897) – On January 24th of this year, Gabriel Veyre (at left) held the very first exhibition of silent film shorts in Cuban history at a theater in Havana.
FILM COMMERCIAL FOR LA TROPICAL BEER aka the Missing Sorcerer (1898) – This was the very first film directed by a native Cuban – Jose Esteban Casasús, a noted pioneer of Cuban Cinema. Lasting just under a minute, this short advertised the brewery & product of La Tropical beer and was produced by Cinemataca de Cuba.
CONSTITUTIONAL ASSEMBLY (1901) – A film capturing the 1901 assembly, the equivalent of our Constitutional Convention. Following the defeat of Spain in the Spanish-American War, Cuba produced its first constitution a few years later. That document was openly based on the United States Constitution but had 115 articles instead of America’s 7.
THE FRENCH CONNECTION (1971)
CASABLANCA (1942) – Happy Valentine’s Day! A few readers of Balladeer’s Blog have asked me for my opinion on this classic movie so I figured Valentine’s Day was the perfect opportunity.
Getting back to Casablanca, it’s possibly the greatest “bittersweet ending” romantic flick ever made. I find that it appeals to almost everyone. If you’re young and naïve it can make you ache at the thought of persevering despite your broken heart. If you’re older and cynical it makes you nostalgic for a time when you actually thought a broken heart was the worst thing that could happen to you.