Tag Archives: Rudolph Valentino

SON OF THE SHEIK (1926) RUDOLPH VALENTINO’S LAST FILM

THE SON OF THE SHEIK (1926) – Having had more flops than hits in recent years, Valentino jumped at the chance to try reviving his box office mojo by playing both father and son in this sequel to his mammoth hit The Sheik

Agnes Ayres returned as the Sheik’s wife Diane, and in old age makeup she and Rudy reprised their roles from the 1921 film. Via split-screen technology, Valentino’s aged Sheik interacted with his son, also named Ahmed.

The younger Ahmed falls in love with a dancing girl named Yasmin (Vilma Banky), who acts as the honeypot to lure wealthy suckers into her father’s web of con artist scams. The attraction is mutual, and Ahmed and Yasmin begin regular rendezvous at desert ruins near the city of Touggort, where she dances and her father’s gang pulls off their cons. Continue reading

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THE EAGLE (1925) RUDOLPH VALENTINO’S IMITATION OF DOUGLAS FAIRBANKS FILMS

For more reviews of Rudolph Valentino films click HERE.

THE EAGLE (1925) – Valentino dabbled in Douglas Fairbanks territory as the masked hero of this tale set in Russia under Catherine the Great. Our man plays Vladimir Dubrovsky, a lieutenant in Czarina Catherine’s Imperial Guard.

Vladimir’s masculine heroics catch the eye of Catherine the Great (Louise Dresser), and she plans to make him her latest male conquest. She promises Dubrovsky a meteoric rise in the military … IF he climbs into bed with her.

The young officer declines the offer and rides off to avoid Catherine’s wrath. She puts a price on Vladimir’s head. The fugitive covertly visits his family estate, where he learns the land has been stolen from them by the evil nobleman Kyrilla Troekouroff. 

Dubrovsky is furious and wants revenge. He becomes the Black Eagle, the masked leader of a band of outlaws who go on to prey on Troekouroff’s interests everywhere in the region. Continue reading

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RUDOLPH VALENTINO: HIS SILENT FILMS

Balladeer’s Blog’s periodic look at silent movies and silent film stars continues with a sampling of Rudolph Valentino’s movies, from both before and after he became the Latin Lover sensation of his era.

the sheikTHE SHEIK (1921) – Edith Maude Hull’s 1919 novel came to the big screen to cement Rudolph Valentino’s rising star. He shone as Sheik Ahmed Ben Hassan with Agnes Ayers as Lady Diane Mayo.

Diane is an adventuress who has spurned all marriage proposals thus far and her latest escapade is a tour of the desert led by Arab guides. In a ritzy casino the night before her expedition departs, she dresses as a dancing girl to sneak into an exclusive event being held by Ahmed.

The Sheik is charmed and aroused by this wild and haughty Western woman who listens to no man, not even male relatives like her brother. Ahmed and his troops surreptitiously follow Diane’s caravan and when the time is right, the Sheik abducts her and carries her off to his elaborate tent-mansion deep in the desert.

valentino and ayresA lot of Gothic Romance Novel antics follow in this film that has not aged well. Valentino’s wide eyes and flaring nostrils were masterfully parodied by Peter Sellers in a comedy bit decades later.

It’s impossible to take his performance seriously through modern eyes, which is just as well since he is basically guilty of kidnapping and taking advantage of the young woman.

sheikAs their battle of wills goes on, Diane is seized by caravan robbers and taken to their leader’s lair. Sheik Ahmed leads his men to the rescue, and, with Stockholm Syndrome well and truly in charge, Lady Diane “realizes” how much she has fallen in love with her abductor.

The most laughable aspects of silent film histrionics make immersion in this 86-minute movie impossible. Luckily, it’s so ridiculous that you can never forget you’re watching a movie, and that Diane is never really in any danger from Valentino or anyone else. 
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