The Labor Day Holiday is taking on greater significance the more that the white collar criminals called Democrats and Republicans sell out the working class. Bought and paid for office-holders from both political parties are content to screw over the working class.
MATEWAN (1987) – This John Sayles film examines the 1920 Matewan Massacre in the West Virginia coal fields. The workers were attempting to form a union and the owners – the kind of people that the one percenters’ beloved New York Times has proclaimed to be “the conscience of the country” used hired thugs to harass – and even kill – the laborers.
On top of that the owners planned to bring in replacement workers who would work for less money and would not expect “luxuries” like worker safety measures and the like.
It’s like today as DemCorp and RepubCorp embrace Corporate Fascism by helping bloated rich pigs usher unlimited numbers of illegal immigrants into countries around the world in order to bring in people who will work for lower wages and without “luxuries” like sick leave and such.
Today’s rich pigs have added a new wrinkle: pretending to be showing “compassion” and lecturing the working class and the poor about the glories of a borderless society. Ultimately this will even overload Social Programs to the point where they all collapse from lack of funding.
AN IMPORTANT REASON FOR HAVING BORDERS IS PRECISELY BECAUSE OF THE LONG-HELD PRINCIPLE THAT A COUNTRY CAN HAVE SOCIAL PROGRAMS OR OPEN BORDERS BUT NOT BOTH. Borders also help in disease control and crime control, but the one percenters and bloated rich pigs never have to worry about either. Continue reading
HAMMETT (1982) – Directed by Wim Wenders and produced by Francis Ford Coppola’s Zoetrope Studios, Hammett is a criminally neglected valentine to Hard-Boiled Detective Stories and Film Noir. The flick is based on the novel by Joe Gores. 
Booze and coughing fits figure prominently in the movie, as you would expect given a protagonist who was an alcoholic with tuberculosis. For the sake of convenience the story that Hammett just finished before blacking out was one featuring his character the Continental Op (as in an operative for the fictional Continental Detective Agency). 
GET MEAN (1975)- One of the weirdest Spaghetti Westerns ever made and that’s saying something! Get Mean stars Tony Anthony and was also released under the title The Stranger Gets Mean, making it the final movie in Anthony’s series of Italo-Westerns as the enigmatic gunslinger known only as the Stranger. 
PRECIOUS FIND (1996) – This is a hilariously bad attempt to do a science fiction version of The Treasure of the Sierra Madre. That description makes this movie sound much, MUCH better than it really is. 
GANG OF ROSES (2003) – The annual Frontierado Holiday, coming August 2nd this year, is about the myth of the Old West, not the grinding reality. So is the movie Gang of Roses, which is why I cannot believe the merciless reviews this fun, harmless, escapist movie has gotten. I find it far better than the similar Bad Girls. 
Let me give a quick synopsis, then take a look at the main characters, following which I will state my counter-arguments to the most frequent criticisms leveled at this female-led Western:
BREAKHEART PASS (1975) – (Frontierado is coming up August 2nd and, as always, it’s about the myth of the Old West, not the grinding reality.) Alistair MacLean may be more closely associated with espionage and crime thrillers like When Eight Bells Toll, The Eagle Has Landed and Puppet on a Chain but his lone Western, Breakheart Pass, is a very solid story which transfers MacLean’s usual themes to the American West. 
Some critics bash this above-average film because they apparently thought Alistair MacLean’s name on the script meant it would be an over-the-top Western Spy actioner along the lines of Robert Conrad’s old Wild Wild West television series crossed with Where Eagles Dare. Instead, Breakheart Pass comes closer to grittiness than slickness and is all the more enjoyable for that. 
It may be my fondness for mythology that makes me love to watch particular movies around particular holidays. I say that because many of the well- known myths were recited on ancient holidays when their subject matter was relevant to those holidays. The stories helped accentuate the meaning of the special events and that’s the way I use various movies. 
THE COMIC (1985) – Virtually every film buff today knows the tale of Sam Raimi, Bruce Campbell and Robert Tapert raising money from doctors, grocers and dentists in Michigan to finance their subsequent horror hit The Evil Dead. 
The Comic takes place “in another place and another time” according to one of the female characters. From appearances it’s a near-future police state in which fairly ambiguous laws are enforced by goose-stepping goons who wear their hair in ponytails. This film seems to be reaching for the heights achieved in cult films like Eraserhead and Café Flesh but falls so far short that it’s more like The Jar. 
Balladeer's Blog 