Tag Archives: movie reviews

HAPPY NATIONAL VCR DAY 2026!

We pause in memory of the many Blockbuster Video store owners who fell on the beaches of – Oh, wait! I’m a day behind! As usual for National VCR Day, here’s a look at several VHS movies that I’ll probably never find the time to write full-length reviews about.

CAR CRASH (1981) – Travolta … Joey Travolta. Yes, it’s Barbarino’s older brother in this Italian-Spanish coproduction. Ever wonder what the Fast and Furious franchise would be like if Frank Stallone was the overall star? This movie provides the answer – sped up footage to (unsuccessfully) lend the illusion of speed, and model cars just one step above Hot Wheels toys passing for the race cars much of the time!

Travolta stars as the fast and fatuous driver Paul Little. He wins a race, infuriating the crime boss who rigged the event to let his own driver win. Paul then faces the gangster, his men and several other competitors in a race called the Imperial Crash. With Johnny Carson’s frequent 1980s joke Ana Obregon. Continue reading →

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BAD MOVIE REVIEW: D-DAY ON MARS (1945, 1966)

D-DAY ON MARS (1945, 1966) – Obviously, the Sixth of June marks the solemn remembrance of World War Two’s Normandy Invasion, but I did my annual salute recently. For today I’m reviewing D-Day on Mars, the edited down feature film version of the 1945 serial The Purple Monster Strikes.

During the 1960s, various studios truncated their old 1940s and 1950s movie serials down into feature film length and released them on television. For instance, the Commando Cody serial Radar Men from the Moon was edited down into the telefilm Retik the Moon Menace and Zombies of the Stratosphere was edited down into Satan’s Satellites.

In 1966 D-Day on Mars was broadcast as a very, very shortened version of The Purple Monster Strikes.

THE MOVIE: Continue reading →

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COLLISION COURSE (1989) – PAT MORITA AND JAY LENO IN A BUDDY COP MOVIE?

COLLISION COURSE (1989) – Yes, it’s Pat Morita and Jay Leno as reluctant investigative partners. For starters, I owe an apology to Chinatown Connection (1990), which I previously called the worst Two-Race Buddy Cop film I’d ever seen. In that flick Lee Majors the Second and Bruce Ly play the mismatched cops who have to work together to bring down some bad guys.

Collision Course and Chinatown Connection may have the same initials, but the former is actually a worse movie, as hard as that is to believe. Collision Course went through three different directors on its way to cinematic infamy.

Despite this Pat Morita-Jay Leno joint having a bigger budget and a supporting cast made up of real actors (Chris Sarandon, Al Waxman, Soon-Tek Oh and others), this production sucks like a Hoover vacuum. Not even some 80s street cred in the form of Randall “Tex” Cobb could save Collision Course, which was recognized as such a bomb that it didn’t get released – on video, at that – until 1992. And even then it was done solely to exploit Leno taking over The Tonight Show from Johnny Carson.

Mr. Miyagi and Pelican Head’s attempt to make the next 48 Hours or Lethal Weapon or Running Scared is set in Detroit, where an engineer from Japan named Oshima has come to sell a newly developed turbo charger to a struggling new car company run by Derek Jarryd (Dennis Holahan). Continue reading →

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RICHARD TODD’S SWASHBUCKLER MOVIES

Richard Todd enjoyed a long career during which he played nearly every type of role imaginable. Among those were a few swashbucklers.

ROB ROY: THE HIGHLAND ROGUE (1953) – Accurate history has no place in this Disney film in which Richard Todd stars as Scottish Clan leader and legendary outlaw Rob Roy MacGregor. The film begins in 1715 as Clan MacGregor is among the Scottish forces fighting against King George the First of England in the Jacobite Uprising.

The Duke of Argyll (James Robertson Justice) leads troops loyal to the king and defeats the rebellious clans despite his grudging admiration for them, especially Rob Roy MacGregor. By 1717, Argyll’s rival the Duke of Montrose is placed in charge of the Scottish Highlands and is much harsher than the Duke of Argyll was.

Montrose pardons all the Jacobite Clans except the MacGregors, who are forbidden to even use their surname, hence their leader being renowned as simply Rob Roy. Our hero is imprisoned by Montrose but escapes and leads his kinsmen and loyalists in rustling Montrose’s cattle and looting his estates.   

And so the film goes, with the Duke of Montrose used as a Prince John in Robin Hood figure and his underling Killearn serving as a Sheriff of Nottingham type. Rob Roy and his men thwart the bad guys at every turn, and ultimately the Duke of Argyll arranges a truce between Rob Roy’s clan and the king.

Glynis Johns co-stars as Rob’s wife Helen Mary MacGregor with Michael Gough portraying the villainous Montrose. 81 minutes. Continue reading →

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THE SWASHBUCKLER MOVIES OF PAUL HENREID

Paul Henreid, perhaps best known as Victor Laszlo in Casablanca, also starred in a few swashbuckler films in the 1940s and 1950s.

THE SPANISH MAIN (1945) – In the 1600s, Dutch Captain Laurent van Horn (Paul Henreid) is using his ship to transport refugees from the current war in Holland to safety in the Carolina Colonies. Storms and other misfortunes cause the ship to go wildly off course, ultimately wrecking near Cartagena. Spanish Colonial Governor Don Juan Alvarado (Walter Slezak) imprisons Laurent and his crew, sentencing them to hang.

Captain van Horn leads his men in escaping the prison and stealing a ship they rechristen the Barracuda. Over the next five years they thrive as pirates preying on Spanish shipping and thumbing their noses at villainous Governor Alvarado every chance they get.

One day they seize the Spanish Galleon taking Contessa Francesca (Maureen O’Hara) to Cartagena to marry Alvarado. Feisty Francesca impresses Laurent with her spirit and her beauty, so when she offers him her hand in marriage if he spares the lives of her escorts he gladly accepts.

Captain van Horn and his crew take the Contessa to the port where the Barracuda and other pirate vessels hide out. A very inaccurate rendition of pirate Anne Bonny (Binnie Barnes) is jealous that Francesca has taken her man Laurent. She joins forces with pirate captains who resent van Horn’s leadership to deliver Francesca to Alvarado.

The bad guys and gals also capture Laurent and offer to turn him over to Alvarado for a big payday. Naturally, the pirate captain and the Contessa manage to defeat the villains and cement their romance. 100 minutes.  Continue reading →

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SECRET OF THE INCAS (1954) CHARLTON HESTON AS A MORE GROUNDED INDIANA JONES AND HAN SOLO

SECRET OF THE INCAS (1954) – Considering that some of the costume and design staff members for Raiders of the Lost Ark have openly stated that they did repeated viewings of this neglected Charlton Heston film while putting together the “look” of that 1981 blockbuster I admit to being as puzzled as they are that Secret of the Incas isn’t mentioned as much as old serials are as an influence.

And let me emphasize that I do mean “influence”, and not imitation or rip-off. In my opinion, the most that could be said is that this 1954 flick is like Raiders of the Lost Ark before they added the choreographed action scenes and special effects. The storyline in Secret of the Incas involves violent, double-crossing and deadly attempts by shady and not-so-shady figures to discover and claim/ steal an ancient Inca relic … from Machu Pichu itself!

Location filming in Peru greatly improves the quality of this overlooked film. Footage of Machu Pichu’s 1950s condition is fascinating and Peruvian singer Yma Sumac as priestess Kori-Tica performs a few folk songs in honor of Inca culture. Expect a movie closer to Film Noir with archeological trappings rather than an action spectacle and you may enjoy Secret of the Incas as much as I do. Beautiful Nicole Maurey plays Heston’s love interest.    

Moving on to the elephant in the room, Charlton Heston as Harry Steele wears beard stubble and what is now called “an Indiana Jones hat” in addition to an Indy jacket. Heston’s character is also a pilot so the jacket has logo patches on each side and is accessorized by a flight scarf but otherwise he looks every inch the visual basis for a certain two-fisted archeologist.

Remember when Marion Ravenwood tells Dr. Jones “You’re not the man I knew ten years ago.” Well, it’s tempting to think that Harry Steele IS what Indy was like ten years ago. Brasher than Jones in Raiders and as ruthless as Han Solo, Steele is also fluent in multiple languages, including Quechua. As a veteran relic hunter he’s also well-versed in ancient cultures and is buddies with the scholars at Cuzco’s museum. Continue reading →

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BAD MOVIE: HAPPY MOTHER’S DAY! LOVE, GEORGE (1973)

Despite the movie poster’s warning this flick won’t even untie your shoelaces.

HAPPY MOTHER’S DAY! LOVE, GEORGE (1973) – Directed by THE Darren McGavin and featuring his wife Kathie Browne in a small role, this hilariously bizarre film is also known as Run, Stranger, Run. “Run, Potential Viewer, Run” would be a more appropriate title. 

Happy Mother’s Day Love, George  (henceforth HMDLG) is often described as a psycho-sexual thriller but actually it is nothing more than a melodramatic soap opera with a few murders and VERY few scenes of blood and gore. Those blood and gore scenes are so over-the-top they are completely at odds with the low-key, almost made-for-tv mildness of the rest of the movie.

This was a theatrical release but is so subdued and slow-paced it seems like a telefilm. You and your friends can keep yourselves entertained making jokes about the recognizable cast members to kill time since the first murder doesn’t happen until we’re more than an hour into this flick.

Mascot FOUR original pics

Balladeer’s Blog

Ron Howard IS Johnny, a teenager who has come to town to discover who his birth parents are but who mostly just stands around staring at people and ESPECIALLY at houses. He seems completely taken aback that the townspeople find this somewhat creepy. Johnny is intrigued by the rash of missing persons plaguing the small town and feels they are connected to the secret of his past. Continue reading →

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BAD MOVIE: THE BRAIN (1962)

THE BRAIN (1962) – Freddie Francis directed this black & white film, which was the third movie adaptation of Curt Siodmak’s science fiction novel Donovan’s Brain. The characters’ names were changed and the sci fi elements were mixed with detective story elements this time around.

Max Holt, a callous, bloated rich pig of the George Soros/ Koch Family type, is one of the passengers on an airplane which crashes near the laboratory of Dr Peter Corrie (Peter van Eyck). That reclusive doctor and his colleague Dr Frank Shears (played by Bernard Lee himself) have been conducting experiments to see how long they can keep monkey brains alive once removing them from their host body.

Corrie and Shears discover that Max Holt is the only one of the airplane passengers still clinging to life, but just barely, and has no hope of survival. Corrie browbeats Shears into helping him get Holt’s body back to their lab, where they remove his brain to see how long they can keep it alive in one of their fish aquarium containers filled with life-preserving fluids and equipment.

The pair of unethical physicians turn over the rest of Holt’s body for burial while continuing to monitor the preserved brain of Max Holt. Instrument readings indicate there is still thought wave activity in the disembodied organ. Continue reading →

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INVASION OF THE BEE GIRLS (1973) BAD MOVIE REVIEW

INVASION OF THE BEE GIRLS (1973) – Category: More weird than bad, but with a classic premise and execution  

This little honey (sorry) is the perfect example of why I prefer bad movies from the 1980s and earlier: because back then they played them straight and weren’t constantly making self-aware jokes to the audience. If this movie had been made more recently it would have been INTENTIONALLY cheesy and goofy, like the Killer Condom flicks or the Gingerdead Man movies.

Invasion of the Bee Girls plays like a sexploitation version of The X-Files long before that show was on the air. The hero of the movie is a State Department investigator played by cult figure William Smith, known from the tv series Laredo and from countless exploitation flicks like Black Samson to the “Hell’s Angels Fighting the Vietnam War” biker movie The Losers. The film’s screenwriter was THE Nicholas Meyer of Star Trek II and The Seven Percent Solution fame. Herb “The Worm Eaters” Robbins also shows up onscreen.

William Smith’s character, Neil Agar, is sent to California to investigate why a scientist involved in top secret government research dropped dead under suspicious circumstances – he died of apparent sexual exhaustion and people nearby swear they heard a sound like bees buzzing at Continue reading →

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BAD MOVIE REVIEW: ZERO TO SIXTY (1978) WITH DARREN MCGAVIN AND JOAN COLLINS

ZERO TO SIXTY (1978) – Want to see Darren McGavin of all people bare his butt for the camera in two separate scenes? Want to see Darren McGavin getting his bare butt spanked by the Hudson Brothers in one of those scenes? Want to see Darren McGavin in sex scenes with Joan Collins at her smoking hot best?

Usually, you’d have me at the words “Want to see Darren McGavin” because I’m a huge fan of the guy. And not just as Carl Kolchak in The Night Stalker but most of his big-screen work and small-screen work from the 1950s onward. Well, I finally met a Darren McGavin movie I wasn’t ready for.

Zero to Sixty was produced by McGavin’s wife Kathie Browne and directed by Psychotronic Hall of Famer Don Weis. As I watched Darren in screwball car chases and in scenes full of “comedy” that wouldn’t have made the cut in one of Burt Reynolds’ Cannonball Run movies I was having trouble getting my head around what I was seeing.

During a scene in which McGavin pretends to be wetting himself I think I began babbling “But … but … that’s Darren McGavin.” Believe it or not, Denise Nickerson – Violet Beauregard from Willy Wonka – playing an underaged Car Repossession Agent helped bring things into focus for me.      Continue reading →

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