R.I.P. Robert Duvall. This year we say goodbye to this monumental actor like we said goodbye to his friend and fellow thespian giant Gene Hackman early last year. Most tributes will cover Duvall’s roles in his many, many films whose titles are household words. This being Balladeer’s Blog I’ll instead look at some of his overlooked gems.
TOMORROW (1972) – Robert Duvall – who called this one of his favorite performances – plays poverty-stricken farmer and sawmill operator Jackson Fentry of Mississippi. One cold December evening he comes across the pregnant Sarah Eubanks, a poor woman whose abusive husband has abandoned her because he wants nothing to do with raising their child.
The lonely Fentry nurses Sarah back to health and supports her through her baby’s birth. He promises to raise the child as his own and keeps his word even when his and Sarah’s relationship is cut short by her poor health. Fentry’s fundamental decency rubs off on the boy, who shows signs of being as compassionate as Jackson himself.
SPOILERS: Unfortunately, Sarah’s violent brothers eventually learn that “Jackson Jr.” (Johnny Mask) is their sister’s child and take him from Fentry by force. From then on, the boy grows into the same kind of violent criminal that his uncles are. Ultimately, the young man is murdered, and his killer is let off because the jury views the slaying as a public benefit given what a depraved criminal the late Jackson Jr. was.
Horton Foote (who adapted the screenplay for To Kill a Mockingbird in which Duvall played Boo Radley) expanded one of William Faulkner’s short stories about lawyer Gavin Stevens into this film’s screenplay. A shorter version was first performed on tv’s Playhouse 90.
The film drags, but Robert performs brilliantly as a downtrodden man whose dignity and character shine through despite the deficient vocabulary his lack of education has left him with. Continue reading
THE DOBERMAN GANG (1972) – I’m a lifelong dog lover, so let me point out that this was the very first film to carry the American Humane Association’s guarantee that “No animals were harmed in the making of this film.” Despite spawning a franchise, The Doberman Gang flies by the proverbial seat of its pants, and while it’s good to know that no dogs were harmed this flick features a few Doberman attacks on humans that seem too gritty. 
RAGE OF THE BUCCANEERS (1961) – Montalban stars as 1600s buccaneer Captain Gordon aka the Black Pirate (no relation to 
Romero’s most dangerous ally is Captain Tortuga (Jose Jaspe), a ruthless slaver who has clashed with Captain Gordon over the years. Montalban shines as the hero viewers can’t help but cheer for, especially when he thwarts the efforts of slavers to dump their chained human “cargo” overboard to drown rather than have our pirate captain liberate them. 
CUCUMBER CASTLE (1970) – Eight years before the Bee Gees embarrassed themselves on the big screen with a horrible movie forcing a storyline to the Beatles album Sgt. Pepper’s Lonely Hearts Club Band they embarrassed themselves on the small screen forcing a storyline to their own album Cucumber Castle. 
Cucumber Castle is so awful that not being in it was presumably brother Robin Gibb’s greatest professional triumph. He had recently left the Bee Gees in a huff to try a solo career, and little Andy Gibb was only twelve years old, so Barry and Maurice, who also produced, were left holding the 
RAIDERS OF THE SEVEN SEAS (1953) – John Payne plays the real-life 1500s pirate Barbarossa (Redbeard) in this fictional version of his exploits. While working as a corsair for the Sultans of the Middle East, the daring and accomplished seadog spends a little too much time with a Sultan’s harem and is sentenced to death. 
Eventually, during a raid of Tortuga, our hero seizes the incumbent Spanish governor Alida – played by Donna Reed in uncharacteristic spitfire mode – and holds her for ransom. Barbarossa and his crew take on Spanish galleons and Alida’s treacherous betrothed Captain Salcedo (1950s smug jackass Gerald Mohr). 
BLOOD SABBATH (1972) – Anthony Geary, best known as Luke Spencer on General Hospital when that soap opera was kicking off the absurd trend of daytime dramas being more like Republic Serials, has passed away. Balladeer’s Blog marks the sad event with this review of Geary’s most Psychotronic movie. 
For her part, Genie had to suffer through a real-life marriage to Commander Riker from Star Trek: The Next Generation and Anthony had to suffer through bombs like Blood Sabbath. 
Charles Buchinsky, better known as Charles Bronson, was a World War Two veteran who went on to superstardom as one of the most iconic “tough guys” in film history. 
SOMEONE BEHIND THE DOOR (1971) – This Eurothriller directed by Nicolas Gessner was also released as Two Minds for Murder. Charles Bronson stars as an amnesiac patient of sinister brain-surgeon and psychiatrist Laurence Jeffries (Anthony Perkins himself). 
Anthony Perkins tones down his twitchiness a bit and Bronson is credible as the manipulated amnesiac thinking he’s met the wife his memory loss wiped from his mind. 
FOES (1977) – Though I’m reviewing this movie under my Bad and Weird Movies category, let me be clear that Foes is not bad and it is weird in the best way possible. I’ve watched the 91-minute version with Jerry Hardin (Deep Throat from The X-Files) and Macdonald Carey (“Like sands through the hourglass …”) top billed AND the 72-minute version with just the virtual unknowns appearing. 
AGAINST THE DARK (2009) – As Halloween night creeps ever closer, let’s take a look at the most atypical movie from Steven Seagal’s Down Years. Say what you will, but Against the Dark at least stands out among the Waddlin’ Warrior’s many direct to video turkeys during his Fat Elvis phase. 
Viewers are thrown right into the post-apocalypse setting. A disease has heavily reduced the global population. Many are dead but many more live on as violent predators who feed on the living.
Can you believe it’s just one week until Halloween! 
BARTHOLOMEW 
MISTER RABBEY
