THE FRONTIERADO HOLIDAY IS COMING UP ON FRIDAY, AUGUST 2nd!
As always, the Frontierado holiday (now celebrated on 6 continents) is about the myth of the Wild West, not the grinding reality.
MAVERICK (1994) – Richard Donner directed and Mel Gibson starred in this excellent tribute to the 1950s and 1980s Maverick television series. The original series starred James Garner as slick-talking gambler/ gunslinger Bret Maverick AND, in old-age makeup, as “Pappy” Beauregard Maverick, the gambler and con-man patriarch of that family of rogues. (No relation to the real-life Maverick family of Texas, for whom “maverick” cattle were named.)
Maverick was just as often comedic as dramatic and nicely anticipated the many deconstructions of Old West mythology that were to come in the decades ahead. Sometimes the program was daringly farcical as in episodes like Gun-Shy, a spoof of Gunsmoke, and Three Queens Full, a Bonanza parody set on the Sub-Rosa Ranch (as opposed to Bonanza‘s PONDErosa). The storyline featured Maverick encountering a Ben Cartwright-styled rancher and his three less-than-straight sons, hence the episode’s title.
The original series centered on Garner’s Bret Maverick (and later other Maverick family members) vying in cardplaying and con-games with assorted rival gamblers, gunslingers and con-men. Efrem Zimbalist Jr – in his pre-FBI years – played Dandy Jim, one of the recurring members of Maverick’s Rogue’s Gallery of foes.
Elaborate schemes and multiple double-crosses often kept viewers guessing who would come out on top til the very end, since Bret sometimes ended up on the losing side.
The constant betrayals and double-crosses were part of the charm of the television series and were perfectly captured by the 1994 big-screen adaptation of Maverick. This thoroughly enjoyable film is often dismissed as just another of the pointless movie adaptations of tv shows that began to flood theaters back then, but that is far from the truth.
Mel Gibson portrays Bret Maverick since by 1994 James Garner was too old for the role. Jodie Foster co-stars as rival gambler Annabelle Bransford and the iconic James Garner provides memorable support as a lawman.
NECESSARY SPOILER: Many people that I’ve discussed this movie with said they avoided it or stopped watching it once they realized Garner was not portraying a member of the Maverick family. In reality – as we learn near the very end – he IS. He may have been too old to play Bret this time around but he reprised his role of Pappy Beauregard from the original series – no old age makeup needed by that point.
Pappy is just POSING as a lawman and his son Bret obligingly plays along without blowing his Pappy’s cover. (Yes, as in Bret’s frequent “My ol’ Pappy always told me …” bits.) Continue reading
RIN TIN TIN (1918-1932) – Here at Balladeer’s Blog, I’m even fonder of dogs than I am of silent movies, so this post will combine the two topics. Sadly, most silent films have become so little remembered that few people even realize that there actually WAS a real Rin Tin Tin, adopted by American soldiers during World War One. 
THE SPY (1914) – This four-reel movie was based on the 1821 novel of the same name by THE James Fenimore Cooper. The story is set largely at a home in Scarsdale, New York as American Rebel families share feuds, intrigues and romances with British Loyalists. 
TELEVISION SPY (1939) – I’ve been reminiscing recently, what with Balladeer’s Blog’s 14th Anniversary just having passed a few days ago. I was reflecting on my long-ago review of the hilariously bad 1935 movie Murder by Television, which starred Bela Lugosi in a dual role. 
THE MANCHU EAGLE MURDER CAPER MYSTERY (1973, 1975) – This film was made in 1973 but not released until 1975. Where to begin with this bizarre detective “comedy” that starred Gabriel Dell long after his days with the Dead-End Kids/ Bowery Boys/ Little Tough Guys. For starters, fans of that series of films that ran from the 1930s onward will enjoy the fact that Dell gets to share a few scenes with his fellow veteran of those movies – Huntz Hall. 
ROGER CORMAN (April 5th, 1926 – May 9th, 2024) – Many words have already been said about the passing of this film industry legend and I’m sure many, many more are yet to be said. From the 1950s to the current year – and with projects still in production – Roger William Corman was a Hollywood fixture. 
Roger was never known as someone who lacked talent, he was just in it for the money most of the time, and therefore kept his budgets tight and his schedules tighter. From 50s monster movies to Raging Youth films to whatever horror trends were ascendant to big-screen soap operas that could be more explicit with their content, Roger Corman was there, raking in bucks and working with future giants of the industry. 
L’INFERNO (1911) – This 71-minute movie was an adaptation of Dante’s epic poem Inferno, one-third of his Divine Comedy along with Purgatorio and Paradiso. It was also Italy’s first feature-length film, beating Cabiria to theaters by three years. 
Second, L’Inferno has a certain grandeur from being filmed in Italy itself, the home of Dante Alighieri and his guide through Hell, Virgil. And third, nearly all of the footage set in the realm of the damned was filmed amid extinct and semi-extinct volcanoes in Italy, adding immeasurably to the infernal atmosphere. 
LE DUEL D’HAMLET (1900) – In this roughly 2-minute short, the 56-year-old Bernhardt gave cinema a gender-flipped Hamlet as she fenced with Pierre Magnier as Laertes in the climactic duel. 
TOSCA (1908, 1912) – Bernhardt portrayed Floria Tosca in this adaptation of the Puccini opera. (Yes, it’s a silent movie version of an opera.) The entire story was condensed into just 40 minutes and Sarah was so appalled with the production that she insisted that it not be released and, in fact, wanted it destroyed! 
Here at Balladeer’s Blog my love of enjoyably bad movies has been well established. You can count me as one of the many “Human Breens” as fans of filmmaker Neil Breen are called. 
As with the best of the bad auteurs Neil churns out productions that are uniquely his own. There is no mistaking a Neil Breen film with a film made by anyone else. Picture The Room’s Tommy Wiseau trying to make a David Lynch movie. But with a LOT more needless violence against laptop computers. 
DOUBLE DOWN (2005) – Neil Breen starred, wrote and directed this movie – and quite obviously he or an associate even wrote the IMDb description of the plot. That description calls Double Down “an edgy action thriller,” which would certainly come as a surprise to anyone who has actually SEEN the film. 
LOOK WHAT’S HAPPENED TO ROSEMARY’S BABY (1976) – With The First Omen currently in theaters, its creative team’s obvious desire to make their Omen prequel seem more like Rosemary’s Baby made me decide to review the often forgotten made-for-television sequel to that horror classic. 
