FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE The revisions I would make are scattered throughout the synopsis below.
KILLRAVEN: THE GRAPHIC NOVEL (1983) – Killraven and his Freemen continued their guerilla war against Earth’s alien conquerors. In the 7th of its official line of graphic novels, Marvel Comics let writer Don McGregor and artist Craig Russell wrap up some of the storylines left dangling by the cancellation of the 1973-1976 series of Killraven stories. In the previous post I detailed how McGregor had, in the meantime, transferred many of the Killraven story elements and time period to his independent 1978 graphic novel Sabre.
In the meantime Eclipse Comics had signed McGregor to write a regularly published Sabre comic book series. In late 1982 the original black & white graphic novel was colorized and reprinted in serialized form in the first few issues of the new Sabre series. Unfortunately for Killraven fans that immediately made our red-headed rebel leader into the proverbial red-headed step-child among McGregor’s works.
Understandably – and fairly obviously – Don McGregor was already saving up his best ideas for his own Sabre title, reducing this last chance for closure on the Killraven saga to a rushed, mundane, unsatisfying mess devoid of much of what had made the original series worthwhile. Even the dialogue, despite a few flashes of the old KR style here and there, was lackluster and pedestrian.
Killraven and his Freemen seemed like pale imitations being handled by a fill-in writer as Don McGregor virtually Rian Johnson’ed his own characters. I’ll examine that in detail as we move along, but first let’s look at some of the changes necessitated by real-world events in the years between 1976 and 1983.
*** First, through no fault of Don McGregor or the original Killraven artists, Darth Vader became a huge pop culture figure in 1977. KR’s main alien villain, the High Overlord (introduced in 1974), had worn full-body armor and a Japanese feudal helmet like the kind Darth Vader went on to wear in Star Wars. Obviously, Star Wars was so much better known than the canceled Killraven series that this 1983 graphic novel dropped the helmet for the High Overlord to avoid looking like their villain was a rip-off of Vader, despite the fact that the High Overlord predated Star Wars.
That alteration to the look of the High Overlord was far from fatal, but became another of the distracting elements undermining this continuation of the KR story. Those other elements: Continue reading
THE LOG OF THE FLYING FISH: A STORY OF AERIAL AND SUBMARINE PERIL AND ADVENTURE (1887) – Written by Harry Collingwood (William J.C. Lancaster).
SOLO (1980) – Written by Jack Higgins. Solo is not exactly one of my favorite espionage novels but it is definitely my favorite by Jack Higgins. It’s the story of efforts to catch an international assassin code-named the Cretan Lover. Luckily that ludicrous codename is often shortened to just “The Cretan” throughout the novel. I’ll use the same review format that I used for my look at The Top Seven Robert Ludlum Novels.
It’s no secret that when the original 1973-1976 run of the Killraven series was canceled, writer Don McGregor transferred many of the story elements he had set up for Killraven over to his independent post-apocalypse comic book Sabre.
The original Sabre graphic novel was in black & white to accommodate its graphic violence, sexual themes and its female toplessness. When McGregor brought back the character Sabre in a continuing, full-color comic book series at Eclipse Comics in late 1982 the original Sabre tale became more popularly known by its subtitle Slow Fade of an Endangered Species. Human beings were that endangered species, of course.
*** Killraven wielded a sword, a photo-nuclear pistol and explosive throwing-stars along with his possession of The Power, a pre-Star Wars (as in 1973) version of The Force.
AMAZING ADVENTURES Vol 2 #39 (November 1976)
It is now January 2020, but we can just call it “44 years from now” as it would have been to 1976 readers. The setting is the Okefenokee Swamp, an unknown number of days after the previous issue’s New Year’s Eve celebration between Killraven and his Freemen and Brother Axe and his military-uniformed rebel colony.
AMAZING ADVENTURES Vol 2 #37 (July 1976)
The cause of the conflict soon becomes clear – Brother Axe is skeptical that Killraven really is THE Killraven, the world-famous scourge of Earth’s alien conquerors. He suspects KR and his band may be fakers trying to bamboozle him or – even worse – undercover human quislings trying to pinpoint the location of Brother Axe’s rebel band so they can betray the band to their alien masters.
THE THIN MAN (1934) – Mystery writer Dashiell Hammett’s final novel, The Thin Man, introduced former private detective Nick Charles and his wealthy socialite wife Nora. After marrying Nora, Nick left detective work in order to manage her business interests.
THE MONKS OF MONK HALL – This eerie and macabre 1845 novel features human and supernatural menaces operating in 1842 Philadelphia. “Twin Peaks Goes To The 1840s” is how I describe this book, which was America’s best-selling novel before Uncle Tom’s Cabin. CLICK
KILLRAVEN: THE FINALE OF THE DEATH-BIRTH SAGA – The final two chapters of the most acclaimed Killraven saga of them all. CLICK
MAD MAX (1979) – A lengthy review of the Mel Gibson/ George Miller post-apocalypse classic. CLICK
Jingle Bombs was the real title of this holiday tale which pitted superhero Luke Cage aka Hero for Hire aka Power Man against the one-off supervillain called Marley. Like a Guest Villain from the Adam West Batman show Marley uses a campy Christmas Carol motif for his nefarious plan … yet, oddly the story is kind of quaint.
DARK SHADOWS: A review of the Phoenix storyline from Dark Shadows
KILLRAVEN: WAR OF THE WORLDS – The first part of my ongoing look at the 1973-1976 Marvel Comics science fiction series about heroic rebels fighting Earth’s alien conquerors. CLICK
GLADIATOR: AN OPERA VERSION OF THE 1930 PHILIP WYLIE NOVEL – An opera about a man granted paranormal abilities by science. CLICK