For Part One of this series click HERE.
CAPTAIN AMERICA & THE FALCON Vol 1 #160 (April 1973)
Title: Enter: Solarr (The internal titles often differed from Marvel Comics’ titles on the cover.)
Villain: Solarr
Synopsis: We pick up an unknown number of nights after our previous installment. Captain America and the Falcon are still mopping up the scattered leftover criminals from the Cowled Commander’s organization called Crime Wave.
This is the final group of several masked men armed with machine guns and bazookas who were trying to pull off a robbery. The crooks remark out loud about how much stronger Cap is now, giving him and the Falcon the opportunity to explain to them (and to readers who missed the past few issues) how he now has Spider-Man level strength. It’s thanks to the way the Viper’s custom venom interacted with the super-soldier serum in his metabolism.
NOTE: This much higher level of super strength for Cap will last until Captain America & The Falcon #218 (February 1978).
After Cap and Falc defeat all but two of the masked men, that final duo try to escape by driving off in their gang’s armored vehicle. Our hero’s new strength makes him able to stop the vehicle, tear off the thick steel door and then easily knock out the final two Crime Wave operatives. Continue reading
For several years here at Balladeer’s Blog I have been trying to track down, watch and review all of the film versions of Hunterwali (Whip-wielding Woman), Bollywood Cinema’s butt-kicking masked female heroine. Often glibly dismissed as a female Zorro, there is much more cultural context to the Hunterwali figure – contextual significance that goes beyond the particular time period of each film version. 
Thus far I have been able to watch the 1935 original, which starred the actress billed as “Fearless Nadia” in India, and the 1988 Hunterwali. I have had no luck tracking down the 1959, 1972, 1977 and 2017 movie versions. Nor have I been able to buy the 1943 film, Hunterwali Ki Beti (Hunterwali’s Daughter), the very first sequel movie in Indian entertainment history. 
The basics of the Hunterwali story involve Princess Madhuri adopting a masked, whip-wielding and stunt-riding identity to combat the many injustices inflicted on the kingdom by her father’s evil Vazier Ranamal. That villain even imprisons the king and lusts after Madhuri, little realizing she is really the swashbuckling “protector of the poor and punisher of evildoers” called Hunterwali. 
Our story begins with the villainous Madame Lee (Mari Honjo), the Asian field boss of a criminal empire, observing a demonstration of her outfit’s new martial arts assassins in action. Ron Marchini IS White Death Machine, Michael Chong brings to life Asian Death Machine and Joshua Johnson wows as Black Death Machine. That’s exactly how our title trio are listed in the credits, by the way. 
PALADINS OF CHARLEMAGNE – The fictional setting of the legends surrounding the real-life Charlemagne, plus the introduction of several of his Paladins (knights). Click 
KID MONK BARONI (1952) – It’s not Rocky, it’s Spocky! Leonard Nimoy made his film debut in this half-assed, cliche-filled and trope-ridden mess of a movie. 
In lieu of prosthetic ears, Kid Monk Baroni finds Leonard sporting a prosthetic nose for a large part of the film, thus depicting the “ugliness” which drives his hostile urges. Paul Baroni has become a leader of sorts for his pack of juvenile delinquents called the Billy Goat Gang, an inferior imitation of Leo Gorcey and Huntz Hall’s Bowery Boys/ Dead End Kids/ Little Tough Guys and all the other names they used over the years. 
CAPTAIN AMERICA & THE FALCON Vol 1 #157 (January 1973) 
THE AURORAPHONE (1890) – Written by Cyrus Cole. This fun piece of vintage or “ancient” science fiction features the character Gaston Lesage, an eccentric genius who moves to the mountains of Colorado to continue his pet experiments. Lesage is obsessed with perfecting transmission and reception of radio signals, especially regarding potential contact with other planets. 
BRADAMANTE MEETS RUGGIERO – 
FIREPOWER (1979) – Sophia Loren, James Coburn, Tony Franciosa, Billy Barty and O.J. “Alec Baldwin Times Two” Simpson star in this late 70s combination of an espionage tale and a caper flick. Throw in Eli Wallach, Jake LaMotta and Victor Mature and you’ve got what may sound like the cast of a disaster movie but actually Firepower is a very good film from Lew Grade. 
As regular readers of Balladeer’s Blog know, December through Twelfth Night (January 6th) is the time of year in which I look at versions of the tales of Charlemagne and his Paladins. These are the legends about Charlemagne, not the actual history, so there will be dragons, monsters and magic. 
ROLAND VS MORGANA – We pick up where we left off, with the Paladin Roland, nephew of Emperor Charlemagne, having captured the sorceress Falerin. She informed Roland that she was merely a subordinate to Morgana, the Lady of the Lake, and it was Morgana who really imprisoned the many warriors that Princess Angelica wanted Roland to set free. 
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