This weekend’s light-hearted, escapist superhero post here at Balladeer’s Blog examines Canadian-made superheroes from the 1940s. When imports of American comic books were banned in Canada in late 1940 to try trimming their trade deficit, writers and artists north of the border filled the gap with some unjustly neglected characters.
NELVANA OF THE NORTHERN LIGHTS
Secret Identity: Alana North
First Appearance: Triumph-Adventure Comics #31 (August 1941). Her final Golden Age appearance came in 1947.
Origin: Nelvana was the daughter of a mortal woman and Koliak, god of the northern lights. When she became an adult, she took to using her powers as a demigoddess to battle the forces of evil.
Powers: Nelvana could fly at the speed of light, turn invisible, shoot heat rays from her hands and disrupt radio and other communications. In addition, she possessed the power of telepathy.
Comment: Nelvana was one of the superheroines to be in print before Wonder Woman herself. Nelvana has been on postage stamps in Canada and is still synonymous with Canadian-made comic books of the Golden Age.
BLACK WING
Secret Identity: Phil Dauntless
First Appearance: Lucky Comics #1 (June 1941). His final Golden Age appearance came around mid-1944.
Origin: While serving as a fighter pilot in World War Two Europe, Phil Dauntless stole the Flying Fish, a virtually indestructible experimental plane/ submarine from the Nazis. Nazi spies framed Phil for treason, causing him to adopt the costumed identity of Black Wing as he went on to fight crime and Axis villains while seeking evidence to clear himself.
Powers: Black Wing was in peak physical condition and excelled at unarmed combat. He was also a superb pilot and had the advantage of flying the high-tech craft he had stolen from the Nazis.
Comment: Black Wing had two sidekicks – his love interest Dizzy and his co-pilot Hap. After a few issues Black Wing and Hap overhauled the Flying Fish to be wingless like a rocketship. Continue reading
TWO SORROWS OF THE KINGDOM OF HEAVEN (Dá brón flatha nime) – This is a variation of the tales about Elijah and Enoch, who asked to be risen physically to Heaven while still alive. Because of their virtuous lives, their desire was fulfilled, but their “sorrows” centered around the limitations of their physical forms amid the wonders of Heaven. For just one example, they cannot fly like the angels and souls around them. 
Next, he reads to them about Christ returning for the Final Judgment accompanied by the Hosts of Heaven. Each human who appears before him is accompanied by a personal angel and a personal devil. The angel speaks of the person’s good deeds and the devil about their bad deeds. Jesus then assigns souls to Heaven or Hell. 
NAIA (National Association of Intercollegiate Athletics) 
NCCAA (National Christian College Athletic Association) DIVISION ONE
BOOK OF THE DUN COW (Lebor na hUidre) – In the past, Balladeer’s Blog has done deep dives into gods, goddesses and epics from 
SIX AGES OF THE WORLD (Sex aetates mundi) – This was one of the many texts from many Christian-influenced cultures that viewed the world from Creation through Jesus Christ as being Six Ages. In this fictional context each age was roughly 1,000 years. 
HITLER – DEAD OR ALIVE (1942) – You’ve heard of grindhouse movies? Well, you could consider this a GRINDE-HOUSE movie, because it was directed by Nick Grinde and produced by Charles House. 
Hitler – Dead or Alive starts out with a pair of stereotypical hungry reporters who bluff their way into a face-to-face meeting with eccentric, unorthodox, Howard Hughesesque tycoon Samuel Thornton. Thornton has just donated a million dollars worth of fighter planes to the war effort, and the snooping reporters ask if there’s any connection to the million-dollar reward he offered for Hitler a few months earlier. 
NCAA DIVISION TWO CHAMPIONSHIP GAME – This title tilt pitted the undefeated NOVA SOUTHEASTERN UNIVERSITY SHARKS against the WEST LIBERTY UNIVERSITY HILLTOPPERS. 
JUSTICE LEAGUE OF AMERICA Vol 1 #21 (August 1963) 
The company’s method of adapting more “up to date” versions of their Golden Age heroes without losing the copyrights on those figures was to state that the original versions of all their old heroes came from an alternate Earth, designated Earth-Two. The Earth with the newer heroes was called Earth-One, since they were the newer, CURRENT versions. 
TWO THOUSAND MANIACS (1964) – For people who’ve never heard of Herschell Gordon Lewis, I’ll point out that he’s known as “the Godfather of Gore.” And not even GOOD gore, but the obviously fake kind that makes you laugh. Add to that the inept acting, bland dialogue and quickie production techniques like you’d get in old black & white flicks and you’ll understand the man’s Bad Movie magic. 
FLORIS (1969 and 1975) – Actor Rutger Hauer and director Paul Verhoeven first worked together for this adventure series set during the very early 1500s. The program aired on Netherlands television in 1969, then was remade – again with Hauer in the swashbuckling title role – in 1975 for German television and ran for even more episodes than the original series. 
Around the year 1502, word finally caught up with our wandering hero that his father and two older brothers had died. Floris returned home, accompanied by his adventuring sidekick Sindala (Jos Bergman), an Indian Fakir. (Floris and the Fakir was originally going to be the title of the series.) 
Floris and Sindala fought their way out of the hands of the enemy and wound up allied with Wolter van Oldenstein and his men at Castle Oldenstein. I often wonder if the 1991 film Robin Hood, Prince of Thieves took partial inspiration from the premise of Floris, with a returning nobleman fighting oppression alongside a nonwhite comrade from his overseas adventures. 
THE MONK (1796) – Written by Matthew G. Lewis. Though The Monk was preceded by other works of Gothic Horror like The Castle of Otranto (1764) and The Necromancer (1794), Lewis’ novel cranked up the supernatural elements a great deal. It also painted the Catholic clergy in extremely unflattering terms, at least in the initial edition. 
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