Tag Archives: badfilm

SCREAMTIME (1984): FILM REVIEW

Screamtime 1Screamtime is one of the forgotten horror anthology films from the 1980s. Supposedly the three main horror tales were originally filmed as individual episodes of a British tv series. Depending on which source you use either the series was cancelled (or never picked up) OR the episodes were deemed to be of too poor a quality.

The trio of horror stories were then edited into movie format for theatrical release with a wraparound story set in New York City. The oddity of the hard-assed New Yorkers watching three veddy, veddy British horror tales is part of the fun of this lame but bearable film. VHS it ain’t. Hell, it’s not even Beta Continue reading

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BAD MOVIES 4 NEW YEAR’S EVE

Here at Balladeer’s Blog I’m very fond of cinematic turkeys that have seasonal tie-ins. In that spirit here’s a look at bad movies with a New Year’s Eve theme. As usual, full-length reviews of these films can be found on my Bad Movie page.

AKA Time Warp

AKA Time Warp

BLOODY NEW YEAR (1987) – Also released under the title Time Warp but it’s grisly enough for the more explicit title. A handful of British boaters who are fleeing a family of soccer hooligans (no, really) wind up on an island with a deserted hotel that’s been decorated for a New Year’s Eve party since the 1950s.

This Norman J Warren film stars nobody and borrows heavily from Sam Raimi’s original Evil Dead in terms of its imitation “Deadites” and its POV tracking shots. It also features a killer who emerges from a movie being watched, a monster who climbs out of a tablecloth, homicidal kitchen utensils, indoor snowfall, laughing shrubbery and living walls. All the chaos is being caused by hapless souls who have been trapped in limbo for decades and will do anything to get out or to drag others into their hellish undead existence with them.

Bloody New Year is a neglected bad movie classic that has all the Continue reading

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SHORT FILMS FOR THE SHORTEST DAY OF THE YEAR

Yes, it’s December 21st once again! This time around Balladeer’s Blog presents a look at assorted short films to go with today’s “shortness” theme.

The United Fund

The United Fund

THE MEANEST MAN IN THE WORLD (1954) – This heavy-handed United Fund short was probably effective in its day. Back then people may have felt they were being too callous by openly laughing at the antics in this public service message.

Our central character, “Jim”, comes home late at night after a marathon work day. He startles his wife, who, in typical 50s fashion sleeps in a separate bed. In fact he startles her SO much you get the impression she had a man on the side who may have left her bed a little too close to Jim’s homecoming for comfort.

Jim’s got even bigger problems, though. Money is tight, so tight that Jim tells his still-paniced wife that this year they won’t be able to afford their usual contribution to the United Fund. Our hero then falls asleep, while the disgusted narrator of this ham-fisted production sneers at his alleged callousness.

Now the real fun begins. This joyously tasteless  production tries to equate being unable to afford a United Fund contribution to monumental acts of deliberate cruelty. Jim’s dream counterpart stalks up to a hospital and viciously KICKS THE CRUTCHES out from under a poor crippled boy, then STANDS THERE LAUGHING HYSTERICALLY while looking down at Continue reading

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THE ENERGY CAROL (1975)

Energy CarolWATCH IT BEFORE IT GETS TAKEN DOWN AGAIN!

During past Christmas Carol-A-Thons I’ve reviewed The Energy Carol, a Canadian educational short which adapts the theme of A Christmas Carol to energy conservation.

It was taken down from Youtube years ago but I just noticed it was posted again.

TO WATCH IT, CLICK Continue reading

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JEWISH GAUCHOS (1975)

j-gauchosJEWISH GAUCHOS (1975) – It’s no secret that I love cinematic oddities. For this go-round I’ll examine the movie Jewish Gauchos based on the 1910 novel by Alberto Gerchunoff. The film deals with the musical adventures of a group of Jewish immigrants from Russia working as gauchos (Argentine cowboys) in Argentina in the very early 1900s.

This film plus a few westerns filmed in Israel but set in the American frontier make up the very, very unusual subgenre called Matzoh Westerns (as I’m sure you’ve guessed, those are the Jewish version of the Italian Spaghetti Westerns).

Outside of the bizarre subgenre of amputee kung fu movies from Hong Kong, Matzoh Westerns are my favorite cul de sac in the weirdass movie neighborhood. Continue reading

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LEFTOVERS: NEGLECTED BAD MOVIES

The day after Thanksgiving means two things: college football and leftovers.

WavelengthWAVELENGTH (1983) – Robert Carradine, Cherrie Currie and Keenan Wynn play a reclusive rock singer, his new girlfriend and his eccentric neighbor who get caught up in a government coverup about extraterrestrial life.

Captured aliens telepathically contact Cherrie Currie’s character and plead to be rescued from the government facility where they are being held. Our heroic trio attempt to save them only to discover the aliens may have brought a world-destroying disease with them. CLICK HERE 

Scorpion Thunderbolt 2SCORPION THUNDERBOLT (1983) – From Balladeer’s Blog’s old friend Godfrey Ho comes this horror film that has absolutely NOTHING to do with either scorpions OR thunderbolts.

As always Godfrey Ho edits some of his newly-shot footage of fading action star Richard Harrison into an odd and bloody Asian movie. Get ready for snake-monsters who walk on two legs, a High Priestess with claws like Freddy Krueger’s razored glove, a blind night watchman (seriously) and kung-fu fights for no good reason. CLICK HERE
Continue reading

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TALES OF THE THIRD DIMENSION (1984)

tales-of-the-3rd-dimensionTALES OF THE THIRD DIMENSION (1984) was yet another of the six 3D movies released in the 1980s by Balladeer’s Blog’s old friend Earl Owensby. Earl was known as “The Dixie DeMille” since he and his film company operated almost exclusively out of North Carolina. To me he’s always seemed more like Roger Corman, however, since Owensby’s flicks were mostly just unpretentious B Movies made with so little money they were guaranteed to turn a profit. 

Many of Earl’s film ventures are okay time-wasters but horror was definitely not his forte. Previously I reviewed three of Owensby’s other gems of Bad Movie Goodness: Wolfman, A Day of Judgment and Dogs of Hell. Recently I finally got a chance to watch his horror anthology Tales of the Third Dimension.  

Let’s start with the title. Since we live in a 3-dimensional universe there is nothing eerie or macabre about anything from “the third dimension.” Usually movies reference the fourth or fifth dimension. And that brings us to the film’s biggest problem: it seems to be an attempt at horror-comedy, like some of the elements in the Creepshow movies. That being said I guess it’s possible that the title was supposed to be a joke … kind of.  Continue reading

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THE VISITOR (1979)

The Visitor

THE VISITOR (1979) – This Italian-made movie deserves a Plan 9-sized cult following so I’m surprised that it’s still com-paratively unknown. The film is directed by “Michael J Paradise” (Giulio Paradisi) and features appearances by such name stars as Franco Nero, Glenn Ford, Lance Henriksen, Shelley Winters, John Huston, Sam Peckinpah, Kareem Abdul Jabbar and Mel Ferrer.

Paradisi directs this film in such a way that the actual point of most scenes is lost because virtually every shot includes extraneous footage completely irrelevant to the storyline. The extra footage just distracts from what otherwise might have been a halfway passable sci-fi thriller.  

Never before has anyone used the words “This movie could have used more Kareem Abdul- Jabbar” but they apply to this flick.

All that being said I want to point out that I disagree with the general consensus that The Visitor makes no sense. Sure, it has plotholes, inconsistent behavior from the characters, poorly chosen reaction shots and villains who over-complicate things for themselves, but the basic story DOES make sense. In fact I bet X-Files fans would like it and would immediately understand what’s going on.

The Visitor 4Part of the confusion can be attributed to the edited version that omits so much footage that it’s difficult to understand what is going on. It’s not always easy to understand what’s going on in the complete 108 minute version, either, but at least it retains all the relevant footage. Since so many people seem lost when they first watch this movie I’ll provide a handy synopsis of the film. It’s not quite right to say there are spoilers ahead since most people apparently don’t understand what is going on when they watch the film anyway. Continue reading

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SPOOKIES (1986)

Spookies 1SPOOKIES (1986) – Halloween month continues here at Balladeer’s Blog with a look at a bad movie classic that deserves a Plan 9-sized cult. I mean who does this movie have to sleep with in order to be better known?

Spookies is loaded with laughable and outrageous monsters, acting that porn stars would dismiss as amateurish and gore effects that go from wincingly realistic to childishly weak and back again throughout the flick.

The reason for the uneven tone is that Spookies is yet another example of a bad film that was not completed and then was later combined with new footage to slap together a movie with a long enough running time for theatrical release. They Saved Hitler’s Brain, Monster A Go-Go, The Pink Angels plus Santa and the Ice Cream Bunny are four of the best-known examples of these hybrid monstrosities.  

For obvious reasons the characters in the original footage and the completion footage can never interact in the film and part of the fun for lovers of bad movies lies in the awkward lengths the filmmakers go to to try to hide the cut-and- paste nature of their movie. Continue reading

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CROSS OF THE SEVEN JEWELS (1987)

Cross of the Seven Jewels 1Halloween month continues at Balladeer’s Blog!

CROSS OF THE SEVEN JEWELS (1987) – Cross of the Seven Jewels is easily the worst and weirdest werewolf movie I’ve ever seen. Forget The Werewolf of Woodstock, forget Face of the Screaming Werewolf, forget Werewolf vs the Yeti and all of Paul Naschy’s other lycanthropy flicks.

You can even forget the muddy-faced wolfman from Dracula, Prisoner of Frankenstein. Marco Antonio Andolfi starred in this film under the name Eddy Endolf plus wrote and directed it as well.

Andolfi was openly influenced by Paul Naschy’s werewolf films from Spain, but produced a cinematic mess that captured neither the eroticism of Naschy’s Waldemar Daninsky movies nor their goofy charm. Marco’s depiction of a werewolf is a bit … eccentric … and can only be described as “just a little something for the laaaadieeessss.”  

Personally, I would have titled this film

Personally, I would have titled this film “Ya Call THAT a Werewolf?” but I’m kind of weird.

When Andolfi transforms into a wolfman he somehow loses his clothes (which illogically reappear on his body when he reverts back to human form) and he sprouts long bushy hair in only a few places. The first place is around his face with his mouth left bare, making him look like he’s wearing a big hair-mask with eye-holes. The second place would be his hands and the third place is his crotch, which conveniently becomes bushy enough to block out the sight of his genitals. The rest of his well-built body is butt naked.  Continue reading

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