What better way to mark the return of the school year than with the absurdity of those over-the- top Juvenile Delinquent films of the 1950s and 1960s?
HIGH SCHOOL CAESAR (1960) – John Ashley, who was about as menacing as Ned Flanders, plays a bitter rich teenage punk who runs illegal operations at his high school like a junior version of organized crime. The title is a reference to Little Caesar, the gangster movie with Edward G Robinson.
Ashley’s JD character peddles the answers to exams, rigs school elections and bilks money from his classmates. All of this is played so seriously you will die laughing. There’s also the obligatory Drag Race and OF COURSE someone dies while drag racing. My Bad Movie page has a full-length review of this one if you’re interested.
SHAKE, RATTLE AND ROCK! (1956) – In this hilarious movie Rock and Roll music is blamed for the Juvenile Delinquency epidemic of the 1950’s. Not only does one particularly irrational city ban rock music completely but it puts the local rock DJ on trial!
They hold him accountable for the vandalism and other JD activities that hit the town because, by their logic, the “wild” music he played CAUSED the teenagers to commit their crimes. This is Continue reading
The Frogs was another low point in the career of Ray Milland, along with The Thing With Two Heads. Pollution was to cheap monster movies of the 70s what atomic radiation was to cheap monster movies of the 50s. In other words it was the catch-all explanation for anything and everything. 
The Hypnotic Eye is one of the most beloved bad movies of the 1960s. Its hilariously campy trailer, its sinister Eurotrash villain and its Ed Wood-level police work all make it a true anti-classic. 
THE FOOD OF THE GODS was very loosely based on part of H.G. Wells’ novel of the same name. It was directed by Bert I Gordon, “Mr B.I.G.” himself. Gordon’s Village of the Giants, about a gang of giant-sized teenagers, was likewise loosely based on an often-forgotten section of that novel. 
ALIEN: COVENANT (2017) – Balladeer’s Blog’s sources in the industry – and by the industry I mean the business – have assured me that when the very first public showing of Alien: Covenant was over Ridley Scott stood up, faced the preview audience and defiantly said “Now you tell me that’s not funny!”
Director Scott even takes a not-so-subtle poke at the whole “Newt and Hicks die right off the bat in Alien 3″ debacle. He has reasonably famous actor James Franco play the ship’s captain and – get this – Franco’s character dies after about a minute and a half when his cryo-sleep coffin catches fire! Too funny! (But I feel the merchandising tie-in with James Franco Briquettes is a little tasteless!) 
THE COMIC (1985) – Virtually every film buff today knows the tale of Sam Raimi, Bruce Campbell and Robert Tapert raising money from doctors, grocers and dentists in Michigan to finance their subsequent horror hit The Evil Dead. 
The Comic takes place “in another place and another time” according to one of the female characters. From appearances it’s a near-future police state in which fairly ambiguous laws are enforced by goose-stepping goons who wear their hair in ponytails. This film seems to be reaching for the heights achieved in cult films like Eraserhead and Café Flesh but falls so far short that it’s more like The Jar. 
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