Tag Archives: Bad Movies

BLAME CANADA: NEGLECTED MOVIES AND TELEVISION SHOWS FROM THE GREAT WHITE NORTH

This blog post combines my recurring Forgotten Television segments with my reviews of neglected movies. These items are all from Canada.

range ryder and the calgary kidRANGE RYDER AND THE CALGARY KID (1977) – (Also known as The Adventure of the Dinosaur Badlands.) A 14-year-old MIKE MYERS co-starred in this Canadian children’s program that was also aired in the early 1980s on Nickelodeon. (Hey, Nick even showed episodes of The Uncle Floyd Show in its early years.) Myers (in headband) played the Calgary Kid, sidekick to David Ferry’s Range Ryder.

This program was an odd mix of Land of the Lost and The Valley of Gwangi. Range Ryder and the Calgary Kid were cowboy heroes in Canada’s Old West who discovered a hidden valley in which dinosaurs still lived. Continue reading

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TEXAS 27 FILM VAULT: THE MAN WHO SAW TOMORROW (1981)

Randy (right) and Richard way down on Level 31 hosting The Texas 27 Film VaultBefore MST3K there was … The Texas 27 Film Vault (1985-1987)! Before Joel and Mike, lovers of bad movies had Randy and Richard (at right)! Before Pearl and Kinga there was Laurie Savino! Before Devil Dogs, Observers and Deep 13 there came Cellumites, giant rats and Level 31!

In the middle 1980s/ Way down on Level 31 Randy Clower and Richard Malmos, machine-gun toting Film Vault Technicians First Class hosted this often-neglected cult show. Balladeer’s Blog features plenty of posts about The Texas 27 Film Vault and even an exclusive interview with Randy Clower.

the man who saw tomorrow 1981THE MAN WHO SAW TOMORROW (1981) 

ORIGINAL BROADCAST DATE: Saturday November 9th, 1985 from 10:30pm to 1:00am.

SERIAL: None. This time around the pre-movie offering was the 1953 short titled Nostradamus Says So.

HOST SEGMENTS: At one point Randy and Richard read aloud some ridiculously bizarre predictions made in tabloids by “psychics” of the time period.

masc graveyard smallerTHE MOVIE: The Man Who Saw Tomorrow was a hilariously melodramatic and irrational documentary playing along with the silly notion that the 16th Century “seer” Nostradamus’ vague and noncommital quatrains predicted major future events. Orson Welles, in his “anything for money” phase, narrated the film.

This movie was up there with the campy UFO and Bigfoot documentaries of the 1970s and 1980s. Welles, who has to hurriedly pluck his cigar from his mouth at one point so that he can be understood, seems on the verge of laughter most of the time. As usual in anything about Nostradamus meanings are forced into his centuries-old poems that make them seem like he was a “prophet” who foresaw the rise of Napoleon, World War Two, the John F Kennedy assassination and just about anything else that true-believers want to read into the man’s vague scribblings. Continue reading

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NEIL BREEN: HIS FIRST FIVE BAD MOVIES

Neil Breen making a faceHere at Balladeer’s Blog my love of enjoyably bad movies has been well established. You can count me as one of the many “Human Breens” as fans of filmmaker Neil Breen are called.  

Neil Breen (PBUH) started out as an architect and realtor with minor show-biz dabblings as a dancer in Madonna’s Vogue video and as a cop in Scream. Years later Breen surfaced once again in the entertainment world, this time as an independent filmmaker.

Neil Breen realtorAs with the best of the bad auteurs Neil churns out productions that are uniquely his own. There is no mistaking a Neil Breen film with a film made by anyone else. Picture The Room’s Tommy Wiseau trying to make a David Lynch movie. But with a LOT more needless violence against laptop computers.

Read on for a look at the first five examples of Breen Cinema.

Double DownDOUBLE DOWN (2005) – Neil Breen starred, wrote and directed this movie – and quite obviously he or an associate even wrote the IMDb description of the plot. That description calls Double Down “an edgy action thriller,” which would certainly come as a surprise to anyone who has actually SEEN the film. 

Double Down set the pattern for all things Breen, which is to say it redefines Vanity Projects AND Mary Sue-ing. He casts himself as (insert some sort of human or superhuman paragon here) who (engages in some sort of activity) while looking down on everyone else with a judgmental air of disapproval and ennui. And needless to say, he’s the BEST at looking down on everyone else with a judgmental air of disapproval and ennui. (Sure, but can he climb anything?). Continue reading

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LOOK WHAT’S HAPPENED TO ROSEMARY’S BABY (1976) FORGOTTEN TELEVISION

look whats happened to rosemarys babyLOOK WHAT’S HAPPENED TO ROSEMARY’S BABY (1976) – With The First Omen currently in theaters, its creative team’s obvious desire to make their Omen prequel seem more like Rosemary’s Baby made me decide to review the often forgotten made-for-television sequel to that horror classic. 

Let’s be clear that this telefilm has nothing to do with Ira Levin or his later sequel novel Son of Rosemary. Levin’s genius was sorely missed in Look What’s Happened to Rosemary’s Baby, an aggressively “meh” little nothing. After all, in addition to his novel Rosemary’s Baby, Ira Levin wrote the books The Stepford Wives, A Kiss Before Dying, The Boys from Brazil and Sliver

Look What’s Happened to Rosemary’s Baby (henceforth LWHTRB) featured Ruth Gordon as the only returning cast member from the 1968 movie, reprising her role of Minnie Castevet. Ray Milland played her husband Roman Castevet and George Maharis portrayed Rosemary’s actor husband Guy Woodhouse.
Continue reading

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TALES FROM THE QUADEAD ZONE (1987) – BAD MOVIE

tales from the quadead zone coverTALES FROM THE QUADEAD ZONE (1987) – The second and – to date – final movie written and directed by Chester Novell Turner. The man’s films became so renowned for being legendarily bad that in 2014 a documentary about their making was released under the title Return to the Quadead Zone.

Once again, it’s time for Balladeer’s Blog’s standard warning for readers who are not into the more remote, violent and tasteless corners of the cinematic universe. Don’t go past the “Continue reading” mark. Continue reading

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SPACE MONSTER WANGMAGWI (1967) – SOUTH KOREAN MOVIE

wangmagwiSPACE MONSTER WANGMAGWI (1967) – This attempt by South Korea to compete with Japan in kaiju films came out the same year as the much more famous Yongary, Monster from the Deep. Space Monster Wangmagwi was produced by an all-South Korean team, while Yongary was made with Japanese assistance.

Obviously, neither of those South Korean movies redefined the genre, but in my opinion Space Monster Wangmagwi, despite being in black & white, is nearly as much fun as Yongary, Monster from the Deep. That former flick begins with aliens from the planet Gamma arriving near Earth in an interesting-looking spaceship. Not revolutionary, but eye-catching.

gamma aliensThe Gammans have oddly-colored faces but that’s all we can see of them in their suits of armor, which are like the Tin Man meets the Cybermen. The conversation among these aliens as they orbit our planet is the usual grim but hilariously contradictory alien gibberish in kaijus about how Earth stands no chance, or maybe we do, and their monster Wangmagwi will eat everyone on Earth and THEN the space fleet will move in. Or he’ll attack in unison with the fleet. Hey, just keep it cazh, dude! Continue reading

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ROAR (1981) – MARCH COMES IN LIKE A LION

roar 1981ROAR (1981) – This was one of the first bad/ weird movies I planned to review when I started writing Balladeer’s Blog back in 2010, but like Riki-Oh: The Story of Ricky it kept falling by the wayside. This film is no longer as unknown as it was in 2010 and has even been the subject of a documentary about its making, called The Most Dangerous Movie Ever Made.

Even making jokes about this flick feels played out for everyone except people who haven’t seen or heard of it yet. Let me give it a try, though. “Roar: It’s not just the title – it’s the script!” or “You’ll believe people are stupid enough to make a drama using dozens of UNTRAINED jungle animals.”

roar posterYes, untrained. The original movie advertisements for Roar boasted that “No animals were harmed in the making of this film. 70 cast and crew members were.” The end result is not something any human or animal should have been put at risk over, believe me.

Roar is such a bizarre product. Part “animals strike back” film, part Mondo Cane flirtation, part Golden Turkey, part vanity project, part home movie, part masochistic family production, part stunt-casting orgy, I could go on and on.

roar bloodFirst up, the general story: A naturalist lives in Africa in a large, sprawling home with dozens of lions, tigers, leopards, panthers, jaguars, etc. His marriage is in trouble (of course) and he’s in danger of losing his grant money.

His estranged wife plus his two sons and a daughter come to visit but a mix-up causes them to arrive at the naturalist’s home while he is trying to pick them up at the airport. This strands the family with a houseful of wild and very dangerous jungle cats. Continue reading

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JUNGLE JIM (1948)

jungle jim 1948JUNGLE JIM (1948) – Decades before Raiders of the Lost Ark, “Jungle Jim” Bradley, mercenary jungle guide and adventurer, was fighting Nazis, Communist Spies and other menaces while finding lost cities & ancient artifacts, all while romancing lovely ladies. Throw in the occasional dinosaur, giant spider or huge, man-eating eel and enjoy!

A modern Jungle Jim franchise could combine the best elements of Indiana Jones, Crocodile Dundee and Allan Quatermain. The Rock is too old now, but years ago his love of filming in jungles would have made him ideal for the role.

weissmJungle Jim, a former comic strip character, was featured in a 1937 serial, a series of movies in the 1940s and 1950s, plus a television series in that latter decade. Former Tarzan Johnny Weissmuller played Jungle Jim in everything but the 1937 serial.

At any rate, 1948’s Jungle Jim was Weissmuller’s first appearance as the character. Fifteen more movies and 26 television episodes would follow in all their fun, outdated, absurd and So Bad They’re Good glory.

THE STORY:  Continue reading

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FURIOUS (1984) – BAD MARTIAL ARTS MOVIE

furiousFURIOUS (1984) – It’s been a while since I’ve reviewed a classically bad movie here at Balladeer’s Blog. To remedy that here’s a look at the wildly out there film Furious, one of the most joyously weird action/ fantasy movies ever made. It’s like the most incoherent dream that anyone ever described to you. 

Furious starred the (at the time) up and coming Rhee Brothers, Simon and Phillip, who never quite became martial arts superstars but certainly carved out their own special niche in action films. Unfortunately, this flick is undeservedly obscure. As of this writing there are only four user reviews at IMDb. Therefore, for the first time since Musical Mutiny I’m going to present a step-by-step breakdown.  Continue reading

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THE ELUSIVE AVENGERS (Neulovimye Mstiteli) 1967

elusive avengersTHE ELUSIVE AVENGERS (1967) – This movie is often classified as part of the subgenre called “Easterns/ Osterns” – counterparts of Westerns. As an example of global cinema, The Elusive Avengers is worth a watch maybe once in a lifetime, but the cringe factor is heavy as it romanticizes four young guerilla fighters during the Russian Civil War.

The film is based on the 1921 novel Little Red Devils aka Red Devils aka The Hunt for Blue Fox. A 1923 silent movie version was made long before this definitive 1967 adaptation for the big screen. It goes without saying that the story was used as propaganda by Communist tyrants (and just like I never hesitate to say “Nazi tyrants” or “Nazi filth” I’m never going to hesitate to say “Communist tyrants” or “Communist filth”).

elusive posterJudged purely on its production values and competent direction, The Elusive Avengers fascinates as much as it repels. In a world where a piece of garbage like deranged war criminal Vlad Putin runs Russia it can make a film like this a challenge to sit through without the real world intruding on one’s thoughts, but again, for anyone interested in world cinema history the movie is a revelation.  Continue reading

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