The best Django, Franco Nero, played the gunslinger in Django, Django Strikes Again and (wink) Django’s Grand Return
Like Tarzan, James Bond and Sherlock Holmes the melancholy bounty hunter Django has been presented in various incarnations and with wildly differing continuity. And like soccer the Django movies have been an enormous success almost everywhere except the U.S.
The great Franco Nero created the role in 1966 in a film so popular in Europe (but banned in the UK for its still- controversial violence) that it spawned a legion of sequels. Some sequels starred Franco Nero or others in the role of Django, while others were just unrelated westerns whose distributors simply attached a phony Django title to them, sometimes redoing the dubbing to have the lead character referred to as Django, other times not bothering.
Balladeer’s Blog presents a look at twenty of the films featuring (legitimately or not) the most durable Eurowestern hero of them all. And, yes, if you’re wondering, the western bounty hunter Django was indeed the reason George Lucas named that outer space bounty hunter Jango Fett.
DJANGO (1966) – In 1867 Mexico Django, a veteran of the Union army in the Civil War, seeks revenge on Major Jackson, the Confederate officer behind his wife’s death. Jackson and his still-loyal troops, now turned outright Klansmen, are, like so many other fleeing Confederates, fighting for the Mexican Emperor Maximilian in the war to keep his throne.
Django battles Jackson’s hooded thugs, even ambushing dozens with the Gatling Gun he keeps concealed in a coffin. When he’s out of men Major Jackson calls on Maximilian’s Imperial troopers for reinforcements and prepares to face Django and the Mexican rebel troops he’s fallen in with. For a detailed review of this unforgettable film click here: https://glitternight.com/2012/08/08/the-original-django-and-two-blaxploitation-westerns-a-primer-for-django-unchained/
DJANGO SHOOTS FIRST (1966) – AKA He Who Shoots First. Django comes into an enormous inheritance from his murdered father, an inheritance he learns he must share with his late father’s unscrupulous business partner, Mr Cluster. Django starts blowing away a host of bad guys as he tries to piece together who is responsible for his father’s death.
DJANGO, A BULLET FOR YOU (1966) – Django uses his guns to protect a group of downtrodden farmers from the villainous, land-grabbing town boss of Wagon Valley. He gets more than he bargained for when it turns out the town boss is conspiring with a railroad tycoon who has lots of money and lots of gunmen to throw at him.
$10,000.00 BLOOD MONEY (1966) – AKA $10,000.00 for a Massacre. A wealthy land baron hires Django to recover his kidnapped daughter and kill the gang of Mexican bandits who snatched her.
Django tries to manipulate the situation so he can get the land baron’s fee AND the bounties offered on the bandits. Continue reading
ONE LITTLE INDIAN (1973) – Light-hearted family western. James Garner portrays Corporal Clint Keyes, who, after clashing with his Indian-hating superior, escapes a potential hanging for it and rides off into the desert with a pair of camels left over from the ill-advised American Camel Corps attempt in the 1800s. 
Balladeer’s Blog’s theme of Top 20 lists for the year 2020 continues with this look at a score of James Garner films. NOTE: The Great Escape is not included, only because Garner was part of an ensemble cast in that movie. 
MAVERICK (1994) – Though James Garner was technically playing a supporting role to Mel Gibson in this film, Gibson was portraying Bret Maverick, the character Garner had turned into a sensation in the 1950s. Since this movie would not exist without the cultural cache built up by James’ portrayal of both Bret AND “Pappy” Beauregard Maverick (in old age makeup) this definitely counts as a Garner film. 
BARBARIANS AT THE GATE (1993) – In this telefilm based on the best-selling non-fiction book, Jim plays F. Ross Johnson, the real-life president of RJR-Nabisco who unleashed one of the most chaotic and frenzied leveraged buyouts in Wall Street history during the “greed is good” 1980s. 
GANG OF ROSES (2003) – A very detailed review of the action western about a gang of four African-American women and one Asian woman shooting things up in the Ollllld West. CLICK 
NEGLECTED GUNSLINGERS: RUSSIAN BILL AND FARMER PEEL – For gambler/ gunslinger “Farmer” Peel click 
APOLLO 11 AND AMERICA’S OTHER MOON LANDINGS – For the 50th anniversary of America’s first moon landing here’s a look at all the Apollo moon trips. CLICK 
BREAKHEART PASS (1975) – A review of this classic Charles Bronson western for what was Frontierado Season back in July. CLICK 
While serving in the Tsar’s Imperial White Hussars (cavalry) and after seeing action in the Khivan Campaign, the future Russian Bill had a violent falling out with a superior officer. The exact nature of the conflict is not known and years later the Countess Telfrin would refer to it only as “a political affair.” 
Tatenbaum certainly looked and otherwise fit the part of the Old West Gambler better than the rougher outlaw he later became. He was described as a dandified dresser and sported expensive pistols. In addition he was well-spoken, well-educated and fluent in at least four languages, all of which would have accounted for his popularity with the ladies. His supposedly handsome face, curly blonde hair and moustache would have helped. 
For Balladeer’s Blog’s Number One Harry Flashman Novel click 
7. FLASHMAN AND THE REDSKINS (1982) 
Synopsis: The plot of Flashman and the Redskins picks up immediately after the end of Flash For Freedom (1971). Still stranded without funds in 1849 America our antihero returns to the welcoming arms – and bed – of brothel madam Susie Willink. That voluptuous MILF has been bitten by the Gold Bug and invites Harry to join her and her stable of prostitutes as part of a wagon train headed to California. 
GET MEAN (1975)- One of the weirdest Spaghetti Westerns ever made and that’s saying something! Get Mean stars Tony Anthony and was also released under the title The Stranger Gets Mean, making it the final movie in Anthony’s series of Italo-Westerns as the enigmatic gunslinger known only as the Stranger. 
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