THE TERRORNAUTS (1967) – Simon Oates of Doomwatch fame stars as yet another maverick scientist in this effort from earlier in his career. Oates is running a British version of the SETI project and is forever trying to intercept signals from space … signals that might indicate intelligent life forms.
Conveniently, just when their funding is about to be cut Oates and his team at last receive a broadcast from actual alien life forms. And not just any alien life forms but the exact race that use a cave in France excavated by Oates’ father as a teleportation point from their orbiting space station.
Wild coincidences like that are just the tip of the iceberg in terms of this ridiculous movie’s plot holes, inconsistencies and lack of logic.
At any rate when Oates and company broadcast a reply of their own the extraterrestrials fly to England and snatch the entire building that the scientists’ project is housed in. The Earthlings, including a cockney female janitor along for excruciatingly bad comic relief, find themselves at the mercy of the space station’s Doctor Who (original series) level special effects renditions of androids, monsters and interstellar cooking devices. Continue reading
SANTO VERSUS THE RIDERS OF TERROR (1970) – Called Santo Contra Los Jinetes del Terror in its native Mexico, this is one of my all-time favorite hidden gems among the wacked-out movies about the Mexican wrestler called El Santo. 
GOLEM (1980) – This science fiction film set in a post-World War Three dictatorship was made in Poland by director Piotr Szulkin and starred Marek Walczewski & Krystyna Janda. It uses the concept of a Golem as an allegory for the creation of artificial humans and examines the motives of those who would do the creating. 
When we first meet Pernat, who has a kind of “Phil Collins in Buster” look, he is being interrogated about a murder committed in his apartment block. We observe how easily subdued and fairly lacking in intelligence he is, but ultimately the authorities release him because they don’t have enough evidence and he is just one of the suspects. 
HITLER – DEAD OR ALIVE (1942) – You’ve heard of grindhouse movies? Well, you could consider this a GRINDE-HOUSE movie, because it was directed by Nick Grinde and produced by Charles House. 
Hitler – Dead or Alive starts out with a pair of stereotypical hungry reporters who bluff their way into a face-to-face meeting with eccentric, unorthodox, Howard Hughesesque tycoon Samuel Thornton. Thornton has just donated a million dollars worth of fighter planes to the war effort, and the snooping reporters ask if there’s any connection to the million-dollar reward he offered for Hitler a few months earlier. 
TWO THOUSAND MANIACS (1964) – For people who’ve never heard of Herschell Gordon Lewis, I’ll point out that he’s known as “the Godfather of Gore.” And not even GOOD gore, but the obviously fake kind that makes you laugh. Add to that the inept acting, bland dialogue and quickie production techniques like you’d get in old black & white flicks and you’ll understand the man’s Bad Movie magic. 
GENTLEMAN JEKYLL AND DRIVER HYDE (1950) – Educational short films are often hilarious snapshots of their era. Driver’s Ed shorts are especially vulnerable to seeming outdated given how quickly car designs can change in certain decades. 
JUST A DAMNED SOLDIER aka One Damned Soldier (1988) – Balladeer’s Blog concludes its look at all ten films of Italian cult action icon Mark Gregory, real name Marco De Gregorio. I know IMDb states that he also appeared in the made for tv movie Rainbow, but I watched that film and he’s not in it. The error seems to have been made by someone who saw the name MARY Gregory in the closing credits and, because the font for the credits is a bit stylish, mistook the y in Mary for a k. 
I’ll wrap up everything by examining Mark’s final two films before he walked away from the business at age 25 in 1989, with no explanation and after having just made his highest amount of money from a movie role. 
Just a Damned Soldier features Mark in an ensemble cast as one member of a trio of badass international mercenaries who take on any dangerous, high-paying job that comes along. Our hero, whose character is also named Mark, serves alongside Cisco (Romano Kristoff) and their boss Bert Ernst (Peter Hooten). 
DELTA FORCE COMMANDO (1987) – Balladeer’s Blog’s salute to cult icon Mark Gregory continues, with two movies that proved he could be just as dynamic as the villain as he was playing the hero, like in his other action flicks. Previously, I’ve reviewed Mark’s two movies in which he played the post-apocalypse/ dystopian biker Trash in 
Because Italian filmmakers were always Enzo-on-the-spot with cash-in imitations of mainstream movie hits, it was inevitable that they would produce flicks coat-tailing on the popularity of Delta Force. Mark Gregory’s screen presence in Delta Force Commando reminded me of what a shame it is that he walked away from his acting career in 1989, just when he was at the peak of his game and his earnings. If only he’d signed up with Cannon films then.
Hell, in Delta Force Commando, Mr. Gregory spices up the schlock as the main villain, even though his character is never even given a name! Hey, that’s Italian exploitation cinema for ya! 
team of communist commandos from Nicaragua in a daring raid on a military base in Puerto Rico. Villain X and his team succeed in making off with a nuclear bomb despite a few firefights, one of which kills the pregnant wife of Delta Force member Lieutenant Tony Turner (Brett Baxter Clark). 
1990: THE BRONX WARRIORS (1982) – Spaghetti-pocalypse movies were to the 1980s what Spaghetti Westerns were to the 60s and 70s. Italian-made ripoffs of post-apocalypse and/or dystopian flicks like The Road Warrior and Escape From New York were everywhere back then. 
The story is set eight years in the future from its 1982 release and presented a crime-ridden New York City run by plutocratic corporations who have every politician in their pocket. So, just think of New York as it is right now. 
THUNDER WARRIOR aka Thunder (1983) – Here at Balladeer’s Blog I’ve reviewed plenty of Spaghetti Westerns and Spaghetti-pocalypse movies, but in this item I examine what could be called Spaghetti Rambo flicks. Mark Gregory, famous as the post-apocalypse action hero Trash 
The story features Mark Gregory’s character Thunder as a modern-day (1980s) Apache who lives on a reservation in Arizona. Assorted corrupt cops and bigoted construction workers are verbally and physically abusing the men and women of Thunder’s tribe.
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