Recently, Balladeer’s Blog examined the 1937 Jungle Jim serial as well as the first six Jungle Jim movies starring former Tarzan actor Johnny Weissmuller beginning in 1948. Here are the remaining ten Weissmuller films as the pre-Indiana Jones and pre-Crocodile Dundee, but post-Allan Quatermain hero.
JUNGLE MANHUNT (October 1951) – This seventh Jungle Jim feature film is one of the best examples of how the franchise combined fun escapism with outlandish “So Bad They’re Good” film antics. After rescuing female reporter Anne Lawrence (Sheila Ryan) when her boat overturns, Jungle Jim agrees to guide her on her search for Bob Miller – played by real-life football star Bob Waterfield, Jane Russell’s husband.
Football hero Miller’s plane vanished over the jungle years earlier and Anne is determined to enhance her career by finding him and writing up the story. It turns out that Miller has spent the time serving as a one-man Peace Corps, helping a remote village with engineering and other efforts.
During the expedition to find the missing football player/ pilot, Jungle Jim and company get mixed up in a battle between a shark and a large octopus IN AN INLAND BODY OF FRESH WATER! The shark wins and then Jim must kill that creature in a very unconvincing underwater battle.
Our hero and Anne also encounter dinosaurs – yes, dinosaurs – in the jungle region where Bob Miller’s plane went down. Much of it is stock footage from One Million B.C. but at one point, Jungle Jim clashes with an upright-walking, man-sized dinosaur who looks like the model for the Gorn Captain fought by Captain Kirk years later. Or maybe Barney the Dinosaur.
Dinosaurs not enough for ya? Well, there’s also Lyle Talbot as mad scientist Dr. Mitchell Heller, an industrial chemist with a bad accent and a method for using uranium to transform lesser stones into diamonds. Heller employs an army of men who sport body paint (really costumes) that makes them look like living skeletons. Continue reading
News of the disastrous reaction to screenings of the unwanted and unneeded fifth Indiana Jones movie, starring a 136-year-old Harrison Ford, caused me to reflect on the 1980s flood of Indiana Jones imitators. Studios even revived the old H. Rider Haggard character Allan Quatermain by casting Richard Chamberlin as Quatermain in a few movies. 
JUNGLE JIM (1937) – This 12 episode serial from Universal starred Grant Withers as the title character in the pith helmet. The story involved Joan Redmond, a wealthy young heiress who disappeared in the African jungle with her parents years earlier. 
If it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews and a few old classics since newer readers will have missed them. 
SCROOGE IN THE HOOD (2011) – This is easily the worst attempt at a comedy version of the Carol that I’ve ever seen. It’s also a failure in terms of production values. Acting is nonexistent, props are below Cable Public Access levels, dialogue is often impossible to make out and the writing is like something from a 14-year-old trying to be edgy. 
AN AMERICAN HIPPIE IN ISRAEL (1972) – Forget An American Werewolf in London! To hell with A Polish Vampire in Burbank! Seriously, though, it’s a shame, but this movie’s original title was The Hitch Hiker. Over the years it picked up the campier title An American Hippie in Israel. 
An American Hippie in Israel was indeed an Israeli production which starred assorted young performers from the Israeli theater. Our title character is Mike (Asher Tzarfati), who has been bumming around Europe for a few years since returning from service in the Vietnam War. Having found no peace or contentment in Europe, he arrives by plane in Israel. 
By the way, before we met Mike, we viewers were treated to bizarre opening credits which appeared over scenes of toplessness and nudity from later in the movie. Soon, the continuing credits appeared over pictures of idyllic fields of flowers. You can play the Moshe Drinking Game to these credits, since that happens to be a VERY common name among the team behind this flick. 
What James Bond hath wrought! Among the many imitations of Ian Fleming’s 007 were American rip-offs like Derek Flint and Matt Helm, but often overlooked here in 2022 are Germany’s Kommissar X films. The series of novels began in 1959 and number at least SIX-HUNDRED TWENTY! You read that right. Truly, no man is Bert Island. 
KISS KISS, KILL KILL (1966) – Also released under the titles Hunt for the Unknown, Chasing the Unknown and Jagd auf Unbekannt, this was the first film appearance of Kommissar X, aka Private Investigator Joe Walker, and his colleague Police Captain Tom Rowland. Like James Bond and Jerry Cotton, Joe Walker had his own memorable theme music to accompany him as he kicked butt, bedded down with beautiful women and drove fancy sports cars. 
Stylish villain Oberon (Nikola Popovic), called “O’Brien” in some dubs, is a mastermind who has accumulated a fortune in gold through dishonest means and wiped out his accomplices in order to nab their share of the loot, too. He also has plans to abduct a nuclear physicist, which gets Kommissar X mixed up in all this. 
KONG ISLAND (1968) has also been released under the titles King of Kong Island and Eva, the Savage Venus. Every one of those titles could let viewers build a strong case for false advertising. There’s no island, no king OR King Kong and though the third title listed above may hint at something lurid, the wild jungle woman of that title has very little screen time. 
BURT DAWSON (Brad Harris) is the muscular soldier of fortune who hires on for any job, legal or illegal. Kong Island opens with Burt and a few accomplices on the run after robbing a payroll. They stop in the wilderness to split the loot only to be double-crossed by their colleague Turk (Paul Carter), who shoots down the other survivors of the raid. 
LET’S TALK AT HOME (2001-2003) – This cult program is often called “Mexico’s MST3K.” Its Spanish language title is A Platicar a su Casa, which has been translated into English as Let’s Talk at Home, Do Your Talking at Home and similar titles.
Balladeer’s Blog has written a great deal about earlier Movie Host shows, from 1950s efforts like Vampira, Mad Marvin and others on up through Moona Lisa and Ghoulardi in the 60s and 70s to 1980s programs like Elvira’s Movie Macabre, Texas 27 Film Vault, Laraine Newman’s Canned Film Festival, etc,
The wisecracking hosts were Andres Bustamente and Trino Camacho, two legends in Mexican comedy. The jokes were what you would expect – shots at the poor quality and/or low budget of the films, their odd storylines plus some social and political commentary about life in Mexico. 
THE RIDER OF THE SKULLS aka El Charro de las Calaveras (1965) – Halloween is fast approaching, so here is another seasonal post from Balladeer’s Blog. Regular readers know how much I enjoy the campy, so-bad-they’re-good horror films from Mexico. I reviewed several of them 
El Charro arrives in a nearly deserted town with a dilapidated cemetery in which assorted skulls lie around in piles. The masked hero encounters the first of three monsters he will fight in this flick – a ridiculous looking werewolf with a headpiece so large it makes him look like the mascot of a sports team. 
Next we have a series of scenes featuring some of the more sinful citizens of the deep southern town. Adultery, bigotry, covetousness, greed and outright murderous passions lurk behind every corner of this Mayberry-turned-Sodom and Gomorrah. These scenes go on so long even Larry Buchanan would scream “Pick up the pace, dammit!” at the screen.
WAVELENGTH (1983) – This is an unjustly neglected science fiction film that stars Robert Carradine, Cherie Currie and Keenan Wynn in a very unconventional love triangle: both Carradine and Currie are fighting over Wynn. (I’m kidding!) 
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