MABEL NORMAND – Born Amabel Ethelreid Normand on November 9th, 1893 in New York, this silent film comedienne blazed trails for countless subsequent actresses as well as female directors and screenwriters. Like so many silent film stars Normand is largely neglected today except for my fellow silent movie geeks and I.
Though known as a comic genius, Mabel’s big break came from a role in an 18-minute dramatic short titled Her Awakening (1911). Her performance caught the eye of up-and-coming film giant Mack Sennett, who hired her for his comedies. The two started a romantic relationship embellished decades later in the Broadway musical Mack & Mabel (1974).
A SELECTION OF MABEL NORMAND FILMS (1910-1915) – During her career, Normand starred in over 220 films, so I’m dividing her movies into time periods.
INDISCRETION OF BETTY (1910) – Mabel had her first starring role in this short drama but had appeared in an unknown number of previous films in smaller roles. Mabel played Betty, the wife in the marriage of a social-climbing couple.
Her husband’s income does not yet support the airs they try to put on, leading to some bitter lessons for the pair about life and marital finances.
HER AWAKENING (1911) – The above-mentioned short in which Mabel caught the eye of Mack Sennett, who then signed her for comedy collaborations. In this short drama, Normand played a young lady trying to snare a successful husband.
She is ashamed of her poor home and her elderly, handicapped mother and prevents her beaus from meeting the mother. The situation results in the tragic death of her mother.
THROUGH HIS WIFE’S PICTURE (1911) – Mabel Normand’s first film short with Mack Sennett. He directed and had a supporting role in this 9-minute comedy about a misunderstanding that threatens a marriage.
Mabel as the wife attends a costume party where she thinks she will catch her loyal husband trying to start an affair with another woman. The costumed pirate she mistakenly thinks is her husband is actually an unmarried friend of the husband. The “pirate’s” flirtatious conduct toward a young lady makes Normand furious. Continue reading
A CHRISTMAS CAROL (1914) – This British production was directed by Harold M. Shaw and runs a bit over 22 minutes. Charles Rock starred as Ebenezer Scrooge and he delivered a very good performance, diminished only by the brief running time. 
THE SHEIK (1921) – Edith Maude Hull’s 1919 novel came to the big screen to cement Rudolph Valentino’s rising star. He shone as Sheik Ahmed Ben Hassan with Agnes Ayers as Lady Diane Mayo.
A lot of Gothic Romance Novel antics follow in this film that has not aged well. Valentino’s wide eyes and flaring nostrils were masterfully parodied by Peter Sellers in a comedy bit decades later. 
As their battle of wills goes on, Diane is seized by caravan robbers and taken to their leader’s lair. Sheik Ahmed leads his men to the rescue, and, with Stockholm Syndrome well and truly in charge, Lady Diane “realizes” how much she has fallen in love with her abductor.
Since this is Easter Week the Silent Film geek in me figured I’d post this 44-minute work about Jesus from the cradle to the crucifixion. 
HOLLYWOOD (1980) – A week ago Balladeer’s Blog took a look at the classic documentaries 
THE PIONEERS – A look at the era when movie production was predominantly in New York and New Jersey, until expenses and encroachments by organized crime forced the industry to migrate to Hollywood, CA, a place then known mostly for its lemon groves. Featuring footage from The Great Train Robbery (1903) on up through films from the mid-teens and the 1920s like Ben-Hur (1925), The Black Pirate (1926), The Fire Brigade (1927) and The Wind (1928). 
SINGLE BEDS AND DOUBLE STANDARDS – Stories from the raucous, hard-partying years of Hollywood’s silent movie era. As 
Reactions to Balladeer’s Blog’s reviews of silent movies have been positive enough that I’d like to offer a quick take on a few multi-part documentary series on the subject. Both were from British Film Historian Kevin Brownlow, who did a better job of depicting the Age of Silent Movies than any Americans ever did. 
PART ONE – From Vaudeville to Movies: Brownlow and his colleagues scoured the best available footage remaining from Buster Keaton’s silent comedies. (For newbies to silent film history I’ll mention that countless movies from that period are lost forever due to decomposition prior to efforts to preserve them.)
Balladeer’s Blog takes another look at the films of a silent movie star. This time I’m reviewing some of the films featuring trained animal star Teddy the Great Dane aka Teddy the Dog aka Keystone Teddy. From 1915 to 1924 Teddy starred or otherwise appeared in silent shorts as well as feature-length movies. 
TEDDY AT THE THROTTLE (1917) – This Mack Sennett short at Keystone Studios was one of two films in which Teddy actually got his name in the title. In this light-hearted affair the Great Dane plays the pet of THE Gloria Swanson. 
Beery’s villain character is embezzling money from the romantic leads Gloria Swanson and Bobby Vernon. Teddy, the REAL star, is cute and lively, plus he bravely saves Gloria’s life in the end when Beery ties her to railroad tracks after his villainy is exposed.
THE PHANTOM OF THE OPERA (1925) – Lon Chaney Senior’s makeup and performance as the title character were envelope-pushing for 1925 audiences. To me this is the ULTIMATE silent horror film. It may sound odd, but in my opinion this movie is the very best cinematic adaptation of the Gaston Leroux novel. 
THE MASTER MYSTERY (1918-1919) – The first film footage of Harry Houdini performing his stage act dates to 1907, but it wasn’t until this 15-part serial that he hit the big screen in a series of adventures. Chapter One of The Master Mystery debuted on November 18th, 1918 and starred Houdini as a federal agent named Quentin Locke. 
Every cliffhanger ending for the chapters of the serials involves a deathtrap which Houdini escapes from at the start of the following installment. 
Balladeer's Blog 