A CHRISTMAS CAROL (2020) – Christmas Carol-A-Thon 2021 comes to a close with this review of the criminally underrated version of A Christmas Carol that was released last year. This production is easily one of the most beautiful adaptations of the Dickens classic.
The director was Jaqui Morris and the screenplay was crafted by David Morris utilizing almost nothing but Dickens’ own words from the novel. In this boldly creative non-musical presentation each character had their dancing performed by a professional dancer while their dialogue was voiced by professional thespians.
And what thespians! The voice of Andy Serkis is heard, in addition to those of Sian Phillips, who apparently will never die, and Leslie Caron, whom I thought had already died. Serkis provides the dialogue for Marley’s Ghost and Old Joe. Phillips is the narrator whose wonderful performance ties it all together and Caron provides the voice for the Ghost of Christmas Past.
A Christmas Carol is presented here as if it will be a puppet show put on by a family of entertainers but instead of actual puppets, professional dancers act out the story. In the same way that a ballet features superb dancing set to music, this dancing is set to narration and dialogue from the Dickens novel. Continue reading
MS SCROOGE (1997) – Balladeer’s Blog’s Twelfth Annual Christmas Carol-A-Thon is fast approaching its finale. This time around I’m reviewing Ms Scrooge, a Hallmark TV movie starring the revered actress Cicely Tyson as Ebenita Scrooge. 
The main distraction in this telefilm is the one that afflicts many other attempts to set A Christmas Carol in more modern times – employers cannot, and for decades haven’t been allowed to, treat their employees the way that Scrooge treats Bob Cratchit in the original story. Some modern adaptations avoid the problem by just making vague references to Ebenezer’s merciless running of their business, and in my opinion that works the best. Unfortunately this Hallmark presentation constantly takes you out of the story with blatantly illegal conduct by Scrooge. 
CAROL’S CHRISTMAS (2021) – Balladeer’s Blog’s Twelfth Annual Christmas Carol-A-Thon continues with this independent flick filmed in Las Vegas for $500,000.00. Special thank you to reader Lee Anne, who in the past recommended 
Regular readers know I’m open to all kinds of dark interpretations of A Christmas Carol, but unlike efforts like the year 2000 Brazilian film in which Scrooge is a drug dealer, Carol’s Christmas is not a flawed but artful dive into a holiday story which gets distorted by grim realities. 
FUZZ (1972) – This movie is still marketed as if it’s a vehicle for Burt Reynolds and Raquel Welch but in reality it’s an ensemble movie. And not a very good one. Fuzz is based on the 22nd book – of nearly 60 – in the 87th Precinct series of police novels by Ed McBain aka Evan Hunter. The books were set in the fictional city of Isola, but this movie is set in Boston.
Obviously, the science and public image of law enforcement has gone through many, many changes over the decades. The movie Fuzz and its source novel reflect the stylish cynicism and gritty realism of police stories from the period. 
BR’ER RABBIT’S CHRISTMAS CAROL (1992) – Balladeer’s Blog’s Twelfth Annual Christmas Carol-A-Thon continues! Br’er Rabbit, Br’er Fox, Br’er Bear, Br’er Gator and many other characters created by Joel Chandler Harris are featured in this animated version of the Dickens tale. 
All the characters live in a town in the American South, where a charity stage production of A Christmas Carol is being performed, with the proceeds going to benefit the terribly ill Timmy Mouse. No, not “Br’er Timmy” or anything like that, just Timmy Mouse as our Tiny Tim stand-in. 
WHITE LIGHTNING (1973) – Some readers have been asking for non-Christmas blog posts, so here we go with a review of this Burt Reynolds movie back before he settled in to lazily being a clownish parody of himself. Back when he was still legitimately a film star who could play things seriously. 
A CAROL CHRISTMAS (2003) – Here’s another entry in Balladeer’s Blog’s Twelfth Annual Christmas Carol-A-Thon. This version is one of the many that tries mining laughs out of setting the Dickens classic in the modern age. These adaptations have varying degrees of success and on a scale of 1 to 10 I would give this effort a 6.5. 
THE SHERIFF & THE EXTRATERRESTRIAL KID (1979) – I’m often asked about movies that are safe to watch with children around at Christmas time. Here are TWO such films, both starring gruff but likable Spaghetti Western icon Bud Spencer (Carlo Pedersoli) and, of all people, Cary Guffey – the little kid from Close Encounters of the Third Kind. 
Cary Guffey’s character is named H7-25 and possesses an alien device similar to a television remote control device. That device lets H7-25 rewind time and other miraculous acts to help Sheriff Hall against their pursuers. The kid often uses it to rewind unpleasant events for the bad guys during the many, many chase and fight scenes.
A CHRISTMAS CAROL GOES WRONG (2017) – The players from Great Britain’s Mischief Theater Company strike again in their guise as the Cornley Polytechnic Amateur Dramatic Society. After the absolute disaster they made of their 2016 production of Peter Pan (see Peter Pan Goes Wrong), the Society were banned from the BBC. 
From there the Society mount their own production with their highly flawed but immensely likable players, highlighted by Chris (Henry Shields), Annie (Nancy Zamit), Robert (Henry Lewis) and others. Naturally, a LOT goes wrong.
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