Here at Balladeer’s Blog I review a lot of very obscure movies. This is a look at some of the films I have thus far not been able to find. Any help anyone could offer would be appreciated.
MICHEL AUDER’S CLEOPATRA (1970) – It’s weirdness squared in this overlooked flick which Michel Auders directed utilizing assorted Andy Warhol menagerie figures in the cast. Auder himself played Caesar, with modern-day Rome as the seat of his empire. Viva portrayed Cleopatra with her domain of Egypt being set in the modern-day state of New York with snowmobiles as horses. Yes, it’s one of THOSE kinds of films.
The cast members improvised their way through the storyline, so I will say again “Yes, it’s one of THOSE kinds of films”. Among the cast were Nico, Ultra Violet, Ondine, Louis Waldon and Taylor Mead. Keep your eyes peeled for the one and only Christopher Walken. Continue reading
THE SECRET OF THE MUMMY (1982, 1983) – This Brazilian horror film was released as O Segredo da Mumia in 1982 and with English subtitles as The Secret of the Mummy in 1983. It was directed by the one and only Ivan Cardoso aka Ivan the Terrible to fans. 
The Secret of the Mummy is a terrific starting point for Ivan’s movies, whether you’re interested in foreign cinema or looking for a change of pace in a mummy flick. It’s also a good introduction to his eccentric style – frequent changes between black & white footage and color footage, riffs on global cinema and periodic insertions of bizarre sex comedy. 
THE SECRET OF THE LOCH (1934) – So America gave the world King Kong in 1933, eh? Well, the Empire strikes back! Milton Rosmer directed this neglected British film that was co-written by THE Charles Bennett and edited by THE David Lean. The Loch Ness Monster is featured and is found to be responsible for multiple mysterious deaths around the Loch, though only one on-screen instance of the monster devouring a human occurs in the movie. 
Seymour Hicks stars as Professor Heggie and seems to think he’s still performing in Silent Movies, given his hilarious overacting. Heggie believes in the existence of the Loch Ness Monster but seems even less credible than modern-day people who claim to have spotted the beastie.
When our hero’s home hamlet of Jaspen, Arizona becomes a Boom Town after copper is discovered, the place turns into a proverbial web of sin and vale of tears. Michael Culligan (Louis Hayward), the greedy town boss, builds an empire for himself out of crime and greed as the copper rush continues. 
VORTEX (1982) – Written and directed by Beth B and Scott B, this independent sci-fi detective film starred cult figure Lydia Lunch and actor James Russo. This is one of those movies made with so little money – some of it from the National Endowment for the Arts – that it can’t really be held to the same standards as mainstream releases of its time. 
HAMMETT (1982) – Directed by Wim Wenders and produced by Francis Ford Coppola’s Zoetrope Studios, Hammett is a criminally neglected valentine to Hard-Boiled Detective Stories and Film Noir. The flick is based on the novel by Joe Gores. 
Booze and coughing fits figure prominently in the movie, as you would expect given a protagonist who was an alcoholic with tuberculosis. For the sake of convenience the story that Hammett just finished before blacking out was one featuring his character the Continental Op (as in an operative for the fictional Continental Detective Agency). 
GHOSTWATCH (1992) – This was a British made for t.v. movie that aired on Halloween Night in 1992. Ghostwatch is a nice – albeit boring – little novelty item for the way it anticipated the paranormal “reality” (LMAO) shows of today. 
THE CALL OF CTHULHU (2005) – The H.P. Lovecraft Historical Society produced this terrific – but decidedly niche – horror film based on Lovecraft’s tale The Call of Cthulhu from 1928. 
Regular readers of Balladeer’s Blog may remember that I’m a silent film geek so I fell in love with this movie immediately. The Lovecraft Historical Society players threw themselves into this labor of love, terrifically adapting the broad over-acting, dialogue boards and cinematic grammar of the Silent Age.
Mickey Spillane’s hard-boiled private “detective” Mike Hammer first appeared in the writer’s debut novel I, The Jury in 1947. Spillane filled the Hammer stories with scandalous – for the time period – violence and sex. Critics frowned on the hundreds of millions in book sales that followed but readers continue to make the many Mike Hammer novels a success to this very day. 
MICKEY SPILLANE’S MIKE HAMMER (1954) – This was a failed pilot for what would have been the first Mike Hammer television series. Brian Keith starred as the title dick (as it were) while Blake Edwards wrote and directed, years before his Peter Gunn series. 
THE MOST TERRIBLE TIME IN MY LIFE (1993 in Japan, 1994 in the U.S.) – Masatoshi Nagase IS Maiku Hama, the Japanese rendering of the name Mike Hammer. This unusual film, directed and co-written by Kaizo Hayashi, is in black & white for all but the final 20 minutes. 
THE BRAIN (1962) – Freddie Francis directed this black & white film, which was the third movie adaptation of Curt Siodmak’s science fiction novel Donovan’s Brain. The characters’ names were changed and the sci fi elements were mixed with detective story elements this time around. 
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